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Death of an American Beauty is the third in Mariah Fredericks's compelling series, set in Gilded Age New York, featuring Jane Prescott. Jane Prescott is taking a break from her duties as lady’s maid for a week, and plans to begin it with attending the hottest and most scandalous show in town: the opening of an art exhibition, showcasing the cubists, that is shocking New York City. 1913 is also the fiftieth anniversary of Lincoln’s Emancipation Proclamation speech, and the city's great and good are determined to celebrate in style. Dolly Rutherford, heiress to the glamorous Rutherford’s department store empire, has gathered her coterie of society ladies to put on a play—with Jane’s employer Louise Tyler in the starring role as Lincoln himself. Jane is torn between helping the ladies with their costumes and enjoying her holiday. But fate decides she will do neither, when a woman is found murdered outside Jane’s childhood home—a refuge for women run by her uncle. Deeply troubled as her uncle falls under suspicion and haunted by memories of a woman she once knew, Jane—with the help of old friends and new acquaintances, reporter Michael Behan and music hall pianist Leo Hirschfeld—is determined to discover who is making death into their own twisted art form.
When the beautiful Magdalena Chavez and her troubled, passionate son move into the small town of Las Madres, New Mexico, it doesn’t take long for the discerning among the townspeople to discover that they are other. Magdalena is a teller of stories that delight many, but also challenge the assumptions of one and all. Soon the reader is seduced into an enchanted world in which the boundary between reality and fantasy is always on the point of collapsing. The main characters must maintain a difficult balance between opposing polarities—sacred and profane, forbidden desire and ruthless power—a balance that seems to come instinctively to the simple but knowing inhabitants of Las Madres. Fairhead is utterly at home in this environment, evoking it with a mixture of precision and lyrical intensity. Whether she is describing the tumult of a bullfight, the stillness of a work of art or the vast, cinematic splendour of the New Mexico landscape, her voice is always pitch perfect. As the title suggests, it is a world of great beauty, but that same title also warns us that we cannot speak of beauty without also speaking of death. The Duende, that dark wind that blows through the world and touches the back of the neck whenever death is possible, is never far away. BARBARA GRENFELL FAIRHEAD was born in the UK in 1939 and has lived in South Africa since 1948. She is an artist, sculptor, writer, poet and lyricist for the band, Red Earth & Rust. She has published two books of poetry: And Now You Have Leapt Up To Swallow the Sun: 1997 and Word and Bead: The Presentation of a Journey: 2001, and a short story: Raven’s Moon: 2001. Over a period of twenty years she visited New Mexico regularly to spend time in her casita close to Black Mesa. She lives in Cape Town with her partner, singer-songwriter, poet and editor, Jacques Coetzee. Of Death and Beauty is her first novel.
When the beautiful Magdalena Chavez and her troubled, passionate son move into the small town of Las Madres, New Mexico, it doesn't take long for the discerning among the townspeople to discover that they are "other." Magdalena is a teller of stories that delight many, but also challenge the assumptions of one and all. Soon the reader is seduced into an enchanted world in which the boundary between reality and fantasy is always on the point of collapsing. The main characters must maintain a difficult balance between opposing polarities-sacred and profane, forbidden desire and ruthless power-a balance that seems to come instinctively to the simple but knowing inhabitants of Las Madres. Fairhead is utterly at home in this environment, evoking it with a mixture of precision and lyrical intensity. Whether she is describing the tumult of a bullfight, the stillness of a work of art or the vast, cinematic splendour of the New Mexico landscape, her voice is always pitch perfect. As the title suggests, it is a world of great beauty, but that same title also warns us that we cannot speak of beauty without also speaking of death. The Duende, that dark wind that blows through the world and touches the back of the neck whenever death is possible, is never far away.
A collection of photographs from the burial grounds of Europe explores the beauty of cemeteries and the emotions the survivors of the dead placed into the making of the tombs.
The national bestseller From the author of the bestselling More Beautiful Than Before comes an inspiring book about loss based on his most popular sermon. As the senior rabbi of one of the largest synagogues in the world, Steve Leder has learned over and over again the many ways death teaches us how to live and love more deeply by showing us not only what is gone but also the beauty of what remains. This inspiring and comforting book takes us on a journey through the experience of loss that is fundamental to everyone. Yet even after having sat beside thousands of deathbeds, Steve Leder the rabbi was not fully prepared for the loss of his own father. It was only then that Steve Leder the son truly learned how loss makes life beautiful by giving it meaning and touching us with love that we had not felt before. Enriched by Rabbi Leder's irreverence, vulnerability, and wicked sense of humor, this heartfelt narrative is filled with laughter and tears, the wisdom of millennia and modernity, and, most of all, an unfolding of the profound and simple truth that in loss we gain more than we ever imagined.
"A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard"--
As a small boy Story Musgrave found solace, protection and beauty in the world of nature. His deep affinity with nature and the wonders of the universe would one day set him on an inexorable course to the stars. Be warned however: this remarkable book is not your standard, chronological biography.
The novels in this collection present a vivid picture of late-Regency society clinging to modes of behaviour which soon became obsolete and mark an important point of transition to Victorian cultural values.
Examines the South African HIV/AIDS epidemic through creative texts and the impact of these representations in determining which issues receive attention and how public understanding of the virus is shaped. South Africa is one of the countries in the world most affected by HIV/AIDS, and yet, until recently, the epidemic was barely visible in South African literature. Much can be gained from approaching the South African epidemic through creative texts such as novels, photographs, films, cartoons and murals because they produce and circulate meanings of HIV/AIDS and its various facets such as its 'origin', 'transmission routes' and 'physical manifestations'. Other aspects explored are the denial of HIV/AIDS, its stigmatisation, discriminatory practices, modes of disclosure, access to anti-retroviral medication, as well as the role of alternative treatment. Creative texts, which are open to different and possibly contradictory readings, can serve as a starting point to increase the cultural visibility of the virus and to challenge dominant ideas about the epidemic. The cultural constructions of HIV/AIDS should be carefully examined because the meanings are pervasive and have very 'real' consequences: they play a powerful role both in determining which issues receive attention and in shaping public understanding of the virus. Ellen Grünkemeier is a lecturer and researcher in the English Department at Leibniz University of Hanover, Germany. Her publications include two co-edited volumes on postcolonial literatures and cultures, Listening to Africa. Anglophone African Literatures and Cultures (2012), and Postcolonial Studies across the Disciplines (ASNEL Papers 19, forthcoming).
Altmann and de Vos are back with more great ideas for exploring contemporary reworkings of classic folk and fairy tales that appeal to teen readers. If you loved New Tales for Old (Libraries Unlimited, 1999), this new work will be sure to please. Following the same format, each story includes tale type numbers, motifs, and lists of reworkings arranged by genre, and suggestions for classroom extensions. INSIDE: Beauty and the Beast, Jack and the Beanstalk, Tam Lin, Thomas the Rhymer, and five fairy tales by Hans Christian Andersen.