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"Irreverent theater group the Five Lesbian Brothers get their greasy prints on a classic. 'Oedipus at Palm Springs' follows the dark adventure of two couples on a retreat to the desert resort town. While new parents Fran and Con try desperately to jump-start their sex life, May-December love bunnies Prin and Terri can't keep their hands off each other. What begins as a hilarious, boozey weekend takes a horrific turn after a secret is revealed. Two parts comedy with a shot of tragedy shaken over ice, Oedipus at Palm Springs is a brave examination of the messy guts of relationships."--P. [4] of cover.
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.
The acclaimed writer/performer Lisa Kron's newest work is all about her Mom. It explores the dynamics of health, family and community with the story of her mother's extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this solo show with other people in it, Kron asks the provocative question; Are we responsible for our own illness? But the answers she gets are much more complicated than she bargained for when the play spins dangerously out of control into riotously funny and unexpected territory.
The Enjoyment of Theatre'sbalanced coverage of performance and history provides a comprehensive and accessible introduction to theatre. This book covers the full span of theatre's 2,500-year history as well as performance/production topics such as playwriting, acting, directing, and the theatre industry. Thisseventh editionfeatures major revisions and welcomes two highly respected collaborators from the University of South Carolina to the proven author team of Cameron and Gillespie. Together, they make theatre come alive for all readers by showing them how theatre is, and will continue to be, relevant to their everyday lives.
Selection of essays and plays.
Includes: biographies of fellows appointed; reappointments; publications, musical compositions, academic appointments and index of fellows.
Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously, Acts of Gaiety seeks to reanimate notions of "gaiety" as a political value for LGBT activism by recovering earlier mirthful modes of political performance. The book mines the archives of lesbian-feminist activism of the 1960s–70s, highlighting the outrageous gaiety—including camp, kitsch, drag, guerrilla theater, zap actions, rallies, manifestos, pageants, and parades alongside "legitimate theater”-- at the center of the social and theatrical performances of the era. Juxtaposing figures such as Valerie Solanas and Jill Johnston with more recent performers and activists including Hothead Paisan, Bitch and Animal, and the Five Lesbian Brothers, Sara Warner shows how reclaiming this largely discarded and disavowed past elucidates possibilities for being and belonging. Acts of Gaiety explores the mutually informing histories of gayness as politics and as joie de vivre, along with the centrality of liveliness to queer performance and protest.