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In this highly acclaimed novel, Amit Chaudhuri tells us the story of one unremarkable July day in 1980s’ London. Ananda, student of poetry, is lonely, and somewhat fraught, as he grapples with the big questions of literature. His uncle, Radhesh, a bachelor leading an early retired life in a Belsize Park bedsit, is self-involved, eccentric. On this day, they find uncertain companionship as they circle around their past and take stock of their place in the city. Ananda and Radhesh both provide a foil to each other and yet remain apart, as Chaudhuri shows why he is considered his generation’s best chronicler of acutely observed life.
Winner of the UK’s Encore Award for best second novel, a lyrical story of a Bengali student at Oxford University who is caught in the complications of a love triangle. Afternoon Raag is a book of branching and overlapping stories, a book that like memory moves unpredictably in time. In it, a nameless first-person narrator looks back at his student days in Oxford, a period of loneliness and discovery when his affections were torn between two women, and to the summer vacations that took him from England to Bombay, where his parents lived, and later to Calcutta, where he was born. Descriptions of Oxford’s green lawns and drab dorms, of friends and classes and the relentless drizzle, sit beside Bombay street scenes and recollections of the teacher, now dead, from whom the narrator and his mother learned music. Afternoon Raag is a book about the uncertainty of youth and the strange inevitability of growing up. Its images are wonderfully vivid; its rhythms elastic and entrancing. Throughout it is haunted by the spirit of the music teacher, the master singer who gives shape to the elusive and annihilating passage of time.
Travel and Home in Homer's Odyssey and Contemporary Literature brings Homer's Odyssey together with contemporary literary texts ranging from Rebecca West's The Return of the Soldier to Marilynne Robinson's Housekeeping and Cormac McCarthy's The Road to produce new readings that reframe, reorient, and ultimately revise aspects of Homer's iconic story of travel and home. While some novels share with the Odyssey a celebration of the creative process of improvisation to rethink the relationship between home and travel, others draw upon nostalgia - our complicated longing for home - to unsettle the inevitability of return. Rather than offering an explicit retelling of Homer's poem, each of these novels prompts us to revisit the relationship between travel and home that Odysseus and Penelope embody to ask new questions of that well-read text. Does travel reinforce or destabilize our notion of home? Are mobility and domesticity irrevocably gendered, or can we imagine a world in which Penelope travels and Odysseus stays home? Just as Odysseus continually reinvents his own identity with each new encounter, both abroad and at home, so too we, as readers, participate in an improvisatory interpretive experiment of our own. This volume sets out a new model for reading ancient and contemporary texts together - one that challenges the conventional chronological assumptions inherent in many works of classical reception. No longer a stable text to which we as readers return time and again to find it the same, the Odyssey, together with the novels with which it engages, changes and adapts with each new literary encounter.
Comprised largely of the detailed journals kept throughout his travels, this narrative of a bicyclist's seven-year, 40,000 kilometer odyssey around the world documents the richness of the planet's sights, sounds, and teeming life as experienced from the saddle of a bicycle. During his journey, the author experiences firsthand the effect of international politics on media-invisible cultures while mingling with an endless array of unusual and wonderful characters. As he immerses himself in the culture of every country he visits, learning the languages and customs as he travels, he witnesses the clash of values between developed and developing worlds and the inherent tensions between tradition and progress. Throughout, he comes to a deep understanding of the role that the bicycle plays not only in his life but also in the lives of the world's citizens.
Within the frame of the sub-series Athenian Dialogues, this volume comprises a selected number of talks delivered at the annual Seminar of the Research Centre for Greek and Latin Literature of the Academy of Athens 2018-2019 on the broad topic of Ancient Greek Literature and the Foreign. The volume aims at building on the ongoing dialogue on the par excellence intricate, as well as timely issues of "ethnicity," identity, and identification, as represented in ancient Greek (and, secondarily, Roman) literature. This is certainly a richly researched field, which extends to interdisciplinary areas of inquiry, namely those of classical studies, archaeology, ancient history, sociology, and anthropology. It is this interdisciplinary scope that makes the subject all the more relevant and worthy of investigation. The volume ultimately highlights new or under-researched aspects of the broad theme of ancient inter-cultural relations, which could in their turn lead to more detailed or more specified inquiries on this ever relevant and important, as well as universal, topic. Through the contributions of expert scholars on these areas of inquiry (Konstan, Lefkowitz, Paschalis, Seaford, Thomas, Vasounia, Vlassopoulos), the volume: (1) revisits key themes and aspects of the ancient Greek world's diverse forms of contact with foreign peoples and civilizations, (2) lays forth new data about specific such contacts and encounters or (3) formulates new questions about the very texture and essence of the theme of inter-cultural relations and forms of communication. More specifically, the volume addresses the following themes: the overarching role and function of the barbarian repertoire in Greek literature and culture, which certainly call for further theoretical investigation (Vlassopoulos); the highly popular but actually controversial theme of xenia in the Homeric epics and in archaic thought (Konstan); the intricate, intriguing role of the Foreigner as a focus for civic unity (Seaford); the role of the enigmatic figure of Dionysus from Greece to India (Vasunia); the representation of barbarians in Euripidean tragedy, and more specifically the portrayal of the controversial Phrygian slave in Euripides' Orestes (Lefkowitz); the meaningful changes in the representation of the arch-enemy, the Persians, across the late 5th and 4th century prose (Thomas); the adventures of Europa's legendary abduction from Moschus to Nonnus, along with its implications for the understanding of the division and animosity between the two continents, (future) Europe and Asia (Paschalis). The volume ultimately covers a wide range of ancient sources (literary and material, from Homer up to Nonnus) that delve into the interaction of ancient Greek civilization with foreign civilizations. It thus highlights new aspects of the diverse forms of contact of the Greek world with foreign civilizations and elements, both in terms of geography and particular seminal "mythical" or historical figures and forces (e.g. India and the "mysterious" Dionysus, as well as the emblematic Greek antagonist of the classical and post-classical era, i.e. the Persian Empire) and in terms of particular literary themes and motifs (e.g. the abduction of Europa).
This book analyses the dual alienations of a coastal group rural men, the Murik of Papua New Guinea. David Lipset argues that Murik men engage in a Bakhtinian dialogue: voicing their alienation from both their own, indigenous masculinity, as well as from the postcolonial modernity in which they find themselves adrift. Lipset analyses young men’s elusive expressions of desire in courtship narratives, marijuana discourse, and mobile phone use—in which generational tensions play out together with their disaffection from the state. He also borrows from Lacanian psychoanalysis in discussing how men’s dialogue of dual alienation appears in folk theater, in material substitutions—most notably, in the replacement of outrigger canoes by fiberglass boats—as well as in rising sea-levels, and the looming possibility of resettlement.
Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.
The Raft of Odysseus looks at the fascinating intersection of traditional myth with an enthnographically-viewed Homeric world. Carol Dougherty argues that the resourcefulness of Odysseus as an adventurer on perilous seas served as an example to Homer's society which also had to adjust in inventive ways to turbulent conditions. The fantastic adventures of Odysseus act as a prism for the experiences of Homer's own listeners--traders, seafarers, storytellers, soldiers--and give us a glimpse into their own world of hopes and fears, 500 years after the Iliadic events were supposed to have happened.
A moving exploration of what it means to be an American born and reared abroad
Para-Narratives in the Odyssey is the first full-length study in English of the function and significance of secondary 'para-narratives' in the poem and their relationship to its main story. Entertaining in their own right, they create illuminating parallels to their immediate context and enhance our understanding of the central narrative.