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The igbo religion contain various elements ranging from the divine sacred things, faith, supernatural beings. Religious practices include rituals, commemoration or veneration (of deities and/or saints), sacrifices, festivals, feasts, prayer, music, art, dance, public service, or other aspects of human culture. The Igbo tribe a beautiful ethnic group found in West Africa, have a rich religious and cultural practice. The Religion Odinani, have sacred histories and narratives
God in manifestation is, like the Army, a Host of fashioning Powers or Gods. Prayer to a God yields immediate results, while prayer to God yields nothing.
Omenụkọ (real name: Igwegbe Odum) whose home in Okigwe, Eastern Nigeria, was a popular spot for field trips by students in schools and colleges, as well as a favourite attraction for tourists in the decades before and after the Nigerian Independence in 1960. Generations of Igbo children began their reading in Igbo with Omenụkọ, and those who did not have the opportunity to go to school still read Omenụkọ in their homes or at adult education centers. Omenụkọ was a legendary figure and his 'sayings' became part of the Igbo speech repertoire that young adults were expected to acquire. Omenụkọ, a classic in Igbo Literature, written by Pita Nwana and published in 1933 by Longman, Green & Co, Ltd, London, is in this translation made accessible to a global audience. Emenyonu utilizes his mastery of both languages (Igbo and English) to faithfully present to his audience a complete rendition of Omenụkọ as originally written. The timeless significance of this novel as a progenitor of the Igbo language novel is again underscored.
This book is written to create awareness and see if adequate interpretation would be given to certain phenomena and calamities created by the vagaries of nature and induced by spirits, Agwu inclusive, and suggest how they can be resolved. To do this, Agwu has examined the concept in all its tendencies and ramifications. It tries to explain the relationship between Agwu and other creatures from the sources of lifeSupreme Beingto the least inanimate object. The moral standard set by Agwu to its worshippers has been a masterpiece incentive and also a source of inspiration to ordinary mortals who watch with admiration the special Agwu elect.
"Nnedi Okorafor writes glorious futures and fabulous fantasies. Her characters take your heart and squeeze it; her worlds open your mind to new things." -- Neil Gaiman, author of The Graveyard Book and American Gods Affectionately dubbed "the Nigerian Harry Potter," Akata Witch weaves together a heart-pounding tale of magic, mystery, and finding one's place in the world. Perfect for fans of Children of Blood and Bone! Sunny Nwazue lives in Nigeria, but she was born in New York City. Her features are West African, but she's albino. She's a terrific athlete, but can't go out into the sun to play soccer. There seems to be no place where she fits in. And then she discovers something amazing—she is a "free agent" with latent magical power. And she has a lot of catching up to do. Soon she's part of a quartet of magic students, studying the visible and invisible, learning to change reality. But as she’s finding her footing, Sunny and her friends are asked by the magical authorities to help track down a career criminal who knows magic, too. Will their training be enough to help them combat a threat whose powers greatly outnumber theirs? World Fantasy Award-winning author Nnedi Okorafor blends magic and adventure to create a lush world. Her writing has been called “stunning” by The New York Times and her fans include Neil Gaiman, Rick Riordan, John Green, Ursula K. Le Guin, and many more! Raves for Nnedi Okorafor's writing: "There’s more imagination on a page of Nnedi Okorafor’s work than in whole volumes of ordinary fantasy epics." —Ursula K. Le Guin, award-winning author of A Wizard of Earthsea “The most imaginative, gripping, enchanting fantasy novels I have ever read!” —Laurie Halse Anderson, National Book Award finalist and New York Times bestselling author of Speak "I always loved science fiction, but I didn’t feel I was part of it—until I read first Octavia Butler, and now Nnedi Okorafor." —Whoopi Goldberg "Highly original stuff, episode after amazing episode, full of color, life, and death. Nnedi Okorafor's work is wonderful!" —Diana Wynne Jones, award-winning author of The Chronicles of Chrestomanci "Jam-packed with mythological wonders." —Rick Riordan, #1 New York Times bestselling author of the Percy Jackson and the Olympians series "Okorafor's imagination is stunning." —The New York Times Book Review
Legend of the Walking Dead: Igbo Mythologies is a journey into the mysteries of life and death of the Igbos of Nigeria. The book draws readers into the Igbo people’s ancient and traditional beliefs about life and death. There is a very thin line dividing the land of the living and the land of the dead, so thin that spirits from both lands coexist. Sometimes, during the story, it is difficult to differentiate between the living and the dead. Both have bodies; the living existing in their bodies, while the dead exist in (are using) borrowed bodies. Fifteen-year-old Osondu has disappeared. His mother goes searching for her son and faces the same fate. She too goes missing. The gods are ever present, in control, and minister to both the living and the dead. This is because the gods minister to the spirits, not the bodies that harbor them. To the gods, the spirits of both the living and the dead are ever alive. The world of the traditional Igbo society is a world in which the dead visit and interact easily with the living. It is also a world in which most of the time the living are at the mercy of the gods.
Bendi is how the Igbo people of Nigeria live and practice African religion and culture which are beliefs, practices and institutions as invented by African ancestors.The trust of the work is that creation and revelation started in the Eastern region of Africa. At creation, the Almighty Creator made all species and put in them inclusive genes which have the potential for varieties.At the place of creation, the Almighty Creator revealed Himself to the people of the earth. The Great Crack occurred and the earth disintegrated and drifted apart. Human beings identified themselves along with their kinds and migrated along that line carrying with them the revelation experience which all shared and practised.Other issues discussed are general information about the religion and culture; etymologies; customs and traditions; one thousand proverbs; explanation of words, terms, and their religious significance; songs and illustrations in appendixes.The author is inviting Africans within the Continent and outside it, including the aborigines (natives), and others to embrace and practice the religion and culture of the Ancestors using Bendi as a guide.Read up more on www.ikenwako.com
A National Book Foundation “5 Under 35” Honoree Finalist for the PEN/Hemingway Award for a Debut Novel Shortlisted for the Center for Fiction First Novel Prize A New York Times Notable Book The astonishing debut novel from the acclaimed bestselling author of The Death of Vivek Oji, You Made a Fool of Death with Your Beauty, and Pet, Freshwater tells the story of Ada, an unusual child who is a source of deep concern to her southern Nigerian family. Young Ada is troubled, prone to violent fits. Born “with one foot on the other side,” she begins to develop separate selves within her as she grows into adulthood. And when she travels to America for college, a traumatic event on campus crystallizes the selves into something powerful and potentially dangerous, making Ada fade into the background of her own mind as these alters—now protective, now hedonistic—move into control. Written with stylistic brilliance and based in the author’s realities, Freshwater dazzles with ferocious energy and serpentine grace.
In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume wrote Male Daughters, Female Husbands, to critical acclaim. This compelling and highly original book frees the subject position of 'husband' from its affiliation with men, and goes on to do the same for other masculine attributes, dislocating sex, gender and sexual orientation. Boldly arguing that the notion of gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference, Male Daughters, Female Husbands examines the structures in African society that enabled people to achieve power, showing that roles were not rigidly masculinized nor feminized. At a time when gender and queer theory are viewed by some as being stuck in an identity-politics rut, this outstanding study not only warns against the danger of projecting a very specific, Western notion of difference onto other cultures, but calls us to question the very concept of gender itself.