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This second volume of Ricardo Iznaola’s monumental Summa Kitharologica trilogy is, according to its author, “a playbook for self-guided discovery” in matters related to the expressive interpretation of music. Its 26 short pieces in all keys, in versions for solo guitar and guitar duo, present the reader with an ample array of musical styles and technical procedures that serve as so many opportunities for exploration of the fascinating and complex growth process that brings the player from basic acquaintance with a score to masterful assimilation of its contents. As the distinguished British guitarist and pedagogue Jonathan Leathwood remarks in his Foreword to the book, at this point, the player “is so at one with the score that they can stretch it – and occasionally contradict it – without ever betraying its essential meaning,” attaining that “desirable imprecision” proposed as a marker of ultimate mastery by cellist and pedagogue Pedro de Alcántara, as Leathwood reminds us. The musical contents are complemented by brief epigraphs preceding each solo miniature, ranging from the factual to the poetic, whose purpose is to anchor the music in an evocative, affect-charged context that may hopefully stir the player’s imagination, as will the excellent recordings by Laura Husbands and the Arabesque Duo. Additional commentaries in the Working Notes section, in the appendix, and in the afterword deal with topics as diverse as mental practice, synesthesia, musical peak experiences, prosody and rhythm theory, the hazards of a performing career, and the performer’s need for (and the challenges of) introspective self-assessment. Throughout, the book advocates, as its core thesis, the importance of a questioning stance: “what if…” as the path to discovery through changes in points of view, a consistently variable perspectivist approach, in which comparison and evaluation of multiple alternatives, rather than prescriptive pre-ordained solutions, is taken as the foundation for true understanding. Volume 3 of Summa Kitharologica, Handbook of Comparative Fingering Analysis, completes the set with a comprehensive analytical overview of guitar fingering strategies since the early 19th century.
The years between 1780 and 1830 are vital decades in the history of Irish writing in English. This book charts the confluence of Enlightenment, antiquarian, and romantic energies within Irish literary culture and shows how different writers and genres absorbed, dispersed and remade those interests during five decades of political change. During those same years, literature made its own history. By the 1840s, Irish writing formed a recognizable body of work, which later generations would draw on, quote, anthologize and dispute. Questions raised by novels, poems and plays of the late eighteenth and early nineteenth centuries - the politics of language and voice; the relationship between literature and locality; the possibility of literature as a profession - resonated for many Irish writers over the centuries that followed and continue to matter today. This comprehensive volume will be a key reference for scholars and students of Irish literature and romantic literary studies.
Yale Classics (Vol. 2) stands as a monumental achievement in the compilation of classical texts, offering readers an unparalleled journey through the richness and diversity of ancient literary landscapes. This volume weaves together the works of celebrated authors and thinkers, including philosophers, poets, historians, and statesmen, showcasing a breathtaking array of styles - from the epic poetry of Virgil to the sharp satires of Juvenal, and the profound philosophical treatises of Seneca and Boethius. The anthology distinctively captures the thematic essence of human experience, power, morality, and the complexities of life and governance, revealing the timeless nature of these ancient writings. The inclusion of less commonly anthologized pieces alongside famed texts allows for a deeper appreciation of the vast literary heritage and the intellectual milestones of the ancient world. The contributing authors and editors, drawn from a spectrum of periods covering the Roman Republic through to the late antique era, bring to the collection a multilayered perspective on the socio-political and cultural evolutions of their times. This ensemble, with its roots in pivotal historical and cultural movements, offers insight into the genesis of Western literary and philosophical thought. The varied backgrounds of these authors, from statesmen like Julius Caesar and Augustus to philosophers like Saint Augustine of Hippo, enrich the anthology with a breadth of experience and wisdom, elucidating the interconnectedness of political action, philosophical inquiry, and artistic expression in shaping the human condition. Yale Classics (Vol. 2) is an indispensable resource for scholars, students, and lovers of classical literature alike. It stands not merely as a collection but as an invitation to engage with the foundational texts that have sculpted the contours of Western culture and thought. This volume offers a unique portal through which to explore a galaxy of literary and philosophical masterpieces, challenging readers to immerse themselves in the questions and ideals that have permeated millennia. Essential for anyone wishing to grasp the breadth of human intellect and emotion through the ages, it promises to foster a profound dialogue between past and present, guided by the illuminated minds of antiquity.