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"It is an interesting biological fact that all of us have in our veins the exact same percentage of salt in our blood that exists in the ocean, and therefore, we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea--whether it is to sail or to watch it--we are going back from whence we came." - John F. Kennedy Underwater cities, lost civilizations, crops, climate change, and dead zones. In this collection of ocean-themed stories, twelve of today's top speculative fiction writers explore our morality, our built-in societal restraints, and reflect upon our state of grace. The waves roll in, the waves roll out. "OCEANS: The Anthology" features stories from bestselling authors such as winner of the Nebula, Hugo, and World Fantasy awards Ken Liu, Rysa Walker (the Chronos series), Daniel Arthur Smith (Tales from the Canyons of the Damned), R.D. Brady (the Belial series), Alex Shvartsman (the Unidentified Funny Objects series), P.K. Tyler (the UnCommon series), plus six more of today's top authors in speculative and science fiction. Daniel Arthur Smith presents OCEANS: THE ANTHOLOGY, book 2 of the 2 book Frontiers of Speculative Fiction series that began with the top-ranking CLONES: The Anthology!
Editor Brian Kennedy provides readers with a balanced view, through a collection of conservative and liberal points of view on our water sources. Essays include an examination of the many sources of pollution, whether we are at a global crisis level for water quality and quantity, and whether access to water should be a human right. Readers will also evaluate the water situations in the Middle East and Africa. They will learn about technology that may solve water issues, and learn whether drinking bottled water hurts the environment.
This unique tie-in to the major motion picture "Oceans"--presented by Disney & "National Geographic"--explores the health of the oceans, and reveals what people can do to improve the health of our seas.
Marine environmental history analyses the changing relationships between human societies and marine natural resources over time. This is the first book which deals in a systematic way with the theoretical backgrounds of this discipline. Major theories and methods are introduced by leading scholars of the field. The book seeks to encapsulate some of the major novelties of this fascinating new discipline and its contribution to the management, conservation and restoration of marine and coastal ecosystems as well as the cultural heritages of coastal communities in different parts of the world.
Study of the sea--both in terms of human interaction with it and its literary representation--has been largely ignored by ecocritics. In Shakespeare’s Ocean, Dan Brayton foregrounds the maritime dimension of a writer whose plays and poems have had an enormous impact on literary notions of nature and, in so doing, plots a new course for ecocritical scholarship. Shakespeare lived during a time of great expansion of geographical knowledge. The world in which he imagined his plays was newly understood to be a sphere covered with water. In vital readings of works ranging from The Comedy of Errors to the valedictory The Tempest, Brayton demonstrates Shakespeare’s remarkable conceptual mastery of the early modern maritime world and reveals a powerful benthic imagination at work.
Because of the climate crisis and declining ocean health, humans are increasingly in a liminal space between this world and imaginary, alien worlds to come. The poems raise the issue of climate change by foregrounding the centrality, beauty, and significance of the ocean, and of marine life to humanity. They suggest that all species live 'between worlds': between fantasy and reality, dreaming and wakefulness, intuition and consciousness, water and air. We need all worlds to survive. Serendipitously, the poems were composed between dusk and dawn. They are both part-thoughts and whole thoughts that come to inspire my ethnographic writing.
Emphasizing the role that vivid personalities – including engineers John Laing Weller and Alex Grant as well as contractors and labourers – played in the construction of the canal, Roberta Styran and Robert Taylor use archival sources, government documents, newspapers, maps, and original plans to describe a saga of technological, financial, geographical, and social obstacles met and overcome in an accomplishment akin to the building of the Canadian Pacific Railway. A story of Canadian skill, courage, vision, and hardship, This Colossal Project details the twenty-year excavation of the giant channel and the creation of huge concrete locks amidst war, the Great Depression, political change, and labour unrest.
Amitav Ghosh is an authoritative critical introduction to the fictional and non-fictional writings of one of the most celebrated and significant literary voices to have emerged from India in recent decades. It is the first full-length study of Amitav Ghosh's work to be available outside India.Encompassing all of Ghosh's fictional and non-fictional writings to date, this book takes a thematic approach which enables in-depth analysis of the cluster of themes, ideas and issues that Ghosh has steadily built up into a substantial intellectual project. This project overlaps significantly with many of the key debates in postcolonial studies and so this book is both an introduction to Ghosh's writing and a contribution to the development of ideas on the 'postcolonial' - in particular, its relation to postmodernism. Amitav Ghosh is for students and teachers of postcolonial literatures in English at both undergraduate and postgraduate levels.
Laws of the Sea assembles scholars from law, geography, anthropology, and environmental humanities to consider the possibilities of a critical ocean approach in legal studies. Unlike the United Nations’ monumental Convention on the Law of the Sea, which imagines one comprehensive constitutional framework for governing the ocean, Laws of the Sea approaches oceanic law in plural and dynamic ways. Critically engaging contemporary concerns about the fate of the ocean, the collection’s twelve chapters range from hydrothermal vents through the continental shelf and marine genetic resources to coastal communities in France, Sweden, Florida, and Indonesia. Documenting the longstanding binary of land and sea, the chapters pose a fundamental challenge to European law’s “terracentrism” and its pervasive influence on juridical modes of knowing and making the world. Together, the chapters ask: is contemporary Eurocentric law—and international law in particular—capable of moving away from its capitalist and colonial legacies, established through myriad oceanic abstractions and classifications, toward more amphibious legalities? Laws of the Sea will appeal to legal scholars, geographers, anthropologists, cultural and political theorists, as well as scholars in the environmental humanities, political ecology, ocean studies, and animal studies. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.