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This volume is the result of an international conference held at Sapienza University of Rome in June 2014, which brought together scholars from different countries to re-analyse and re-interpret the events of the First World War, one hundred years after a young Bosnian Serb student from the “Mlada Bosna,” Gavrilo Princip, “lit the fuse” and ignited the conflict which was to forever change the world. The Great War – initially on a European and then on a world scale – demonstrated the fragility of the international system of the European balance of powers, and determined the dissolution of the great multinational empires and the need to redraw the map of Europe according to the principles of national sovereignty. This book provides new insights into theories of this conflict, and is characterized by internationality, interdisciplinarity and a combination of different research methods. The contributions, based on archival documents from various different countries, international and local historiography, and on the analysis of newspaper articles, postcards, propaganda material, memorials and school books, examine the role of intellectuals and artists in the conflict, the issue of minorities and nationalities, the economy, and international relations and politics, in addition to specific case studies such as Russia and the Ottoman Empire, the Caucasus and the Middle East.
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Volume II: Special Workshops Initia Via Editora
Taking into account politics, history, and aesthetics, this edited volume explores the main expressions of primitivism in Iberian and Transatlantic modernisms. Ten case studies are thoroughly analyzed concerning both the circulations and exchanges connecting the Iberian and Latin American artistic and literary milieus with each other and with the Parisian circles. Chapters also examine the patterns and paradoxes associated with the manifestations of primitivism, including their local implications and cosmopolitan drive. This book opens up and deepens the discussion of the ties that Spain and Portugal maintained with their imperial pasts, which extended into European twentieth-century colonialism, as well as the nationalist and folk aesthetics promoted by the cultural industry of Iberian dictatorships. The book significantly rethinks long-established ideas about modern art and the production of primitivist imagery. The book will be of interest to scholars working in art history, Iberian studies, Latin American studies, colonialism, and modernism. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
CAMAGÜEYANOS ILUSTRES: Tula en dos tiempos; Flora Díaz Parrado; Abelardo Chapellí Marín; Mariano Aramburu y Machado; Luis Pichardo Loret de Mola; El Padre Gonfaus; La bala de ébano. UN BURGUES EXTRAORDINARIO: EMILIO BACARDÍ MOREAU. ENRIQUE VILLUENDAS Y DE LA TORRE. TRES FIGURA CUBANO-ESPAÑOLAS DE RELIEVE: Manuel Mur Oti; Ramón Rodríguez Correa; Teodoro Guerrero y Pallarés. Talentos cubanos y cubano-españoles; toda la información obtenida en Santiago de Cuba, entre los años 1964 y 1968 sobre el ilustre creador del ron Bacardí; la reproducción literal del Diario de Campaña de 1896 de Enrique Villuendas... y mucho más...