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Goncharov's "Oblomov" is a novel on personality weaknesses. The main character of the novel is a lazy person who can not manage any task or priorities in his life. Consequently the author introduces a character who is protagonist's friend and convinces Oblomov that he must be active; otherwise he will never escape his letharginess. Captivating!
DigiCat Publishing presents to you this special edition of "Oblomov" by Ivan Aleksandrovich Goncharov. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Goncharov's "Oblomov" is a novel on personality weaknesses. The main character of the novel is a lazy person who can not manage any task or priorities in his life. Consequently the author introduces a character who is protagonist's friend and convinces Oblomov that he must be active; otherwise he will never escape his letharginess. Captivating!
Oblomov is the best known novel by Russian writer Ivan Goncharov, first published in 1859. Oblomov is also the central character of the novel, often seen as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov was compared to Shakespeare's Hamlet as answering 'No!' to the question "To be or not to be?" Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel he rarely leaves his room or bed. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in mid-nineteenth century Russia.
This introduction to the study of the Russian novel demonstrates how the form evolved from imitative beginnings to the point in the 1860s when it reached maturity and established itself as part of the European tradition. Professor Freeborn considers selected novels by Pushkin, Lermontov, Gogol, Dostoyevsky and Tolstoy. Extended introductory sections to the studies of Dostoyevsk and Tolstoy deal with their earlier works. A final chapter summarises the principal points of contrast between Crime and Punishment and War and Peace, and argues that in certain specific ways, they represent the peaks in the evolution of the form of the Russian novel. Quotations are translated, but key passages are also given in the original. Professor Freeborn treats the novel as a literary form and avoids the overworked formulae on which much historical writing on Russian literature has been based. He is concerned with the literary development of a great form.
First published in 1859, Oblomov is an indisputable classic of Russian literature, comparable in its stature to such masterpieces as Gogol's Dead Souls, Tolstoy's Anna Karenina and Dostoevsky's Brothers Karamazov. The book centres on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman and the reproaches of his friend, the hard-working Stoltz, Oblomov finds that he must engage with the real world and face up to his commitments. Rich in situational comedy, psychological complexity and social satire, Oblomov – here presented in Stephen Pearl's award-winning translation, the first major English-language version of the novel in more than fifty years – is a timeless novel and a monument to human idleness.
AN EVERYMAN'S LIBRARY HARDCOVER CLASSIC. Ivan Goncharov’s 1859 masterpiece—a magnificent farce about a gentleman who spends the better part of his life in bed—brilliantly employs humor to explore the absurdities and injustices of an outmoded social order. Ilya Ilyich Oblomov is a good-hearted nobleman whose majestic slothfulness renders him incapable of making decisions or taking the simplest of actions. Raised in idyllic comfort on his family’s country estate, he has become so lazy as an adult that he lets his affairs deteriorate and allows unscrupulous people to take advantage of his weakness and good nature. Living in a shabby apartment and tended by his indolent serf, Zahar, he relies on the efforts of his increasingly exasperated friend Stolz to protect him from himself. Falling in love briefly rouses Oblomov to exert himself in courting Olga, a young woman Stoltz introduces him to, but his astonishing lethargy eventually defeats even their romance. Wildly successful upon its publication, Oblomov was taken as a slyly subversive indictment of the uselessness and corruption of the nobility, but the character of Goncharov’s superfluous man is rendered in such vivid detail and epic richness that it transcends satire and achieves iconic status, earning a place among the masterworks of Russian literature. Translated by Natalie Duddington (Book Jacket Status: Not Jacketed).
Edyta Bojanowska uses Ivan Goncharov's gripping travelogue--a bestseller in nineteenth-century Russia--as a unique eyewitness account of empire in action. Slow to be integrated into the standard narrative on European imperialism, Russia emerges here as an assertive empire eager to emulate European powers and determined to define Russia against them.--
DigiCat Publishing presents to you this special edition of "The Precipice" by Ivan Aleksandrovich Goncharov. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
From one of our boldest, most celebrated new literary voices, a novel about a young woman's efforts to duck the ills of the world by embarking on an extended hibernation with the help of one of the worst psychiatrists in the annals of literature and the battery of medicines she prescribes Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.