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Written with sympathetic humor and compassion, this masterful portrait of upper-class decline made Ivan Goncharov famous throughout Russia on its publication in 1859. Ilya Ilyich Oblomov is a member of Russia's dying aristocracy—a man so lazy that he has given up his job in the Civil Service, neglected his books, insulted his friends, and found himself in debt. Too apathetic to do anything about his problems, he lives in a grubby, crumbling apartment, waited on by Zakhar, his equally idle servant. Terrified by the activity necessary to participate in the real world, Oblomov manages to avoid work, postpones change, and—finally—risks losing the love of his life.
Oblomov Ivan Aleksandrovich Goncharov - Oblomov is the best known novel by Russian writer Ivan Goncharov, first published in 1859. Oblomov is also the central character of the novel, often seen as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov was compared to Shakespeare's Hamlet as answering 'No!' to the question "To be or not to be?" Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel he rarely leaves his room or bed and famously fails to leave his bed for the first 150 pages of the novel. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in mid-nineteenth century Russia.

Oblomov

Иван Александрович Гончаров

Published: 1915

Total Pages: 330


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First published in 1859, Oblomov is an indisputable classic of Russian literature, comparable in its stature to such masterpieces as Gogol's Dead Souls, Tolstoy's Anna Karenina and Dostoevsky's Brothers Karamazov. The book centres on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman and the reproaches of his friend, the hard-working Stoltz, Oblomov finds that he must engage with the real world and face up to his commitments. Rich in situational comedy, psychological complexity and social satire, Oblomov – here presented in Stephen Pearl's award-winning translation, the first major English-language version of the novel in more than fifty years – is a timeless novel and a monument to human idleness.
All the essays were written specifically for this volume and are published here for the first time. The book also includes an introduction, autobiographical materials, an annotated bibliography, and letters never before translated into English.
Reproduction of the original: The Precipice by Ivan Goncharov
Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel he rarely leaves his room or bed and famously fails to leave his bed for the first parts of the novel. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in the nineteenth century, especially its decadence and indifference to the poor peasants. The novel was wildly popular when it came out in Russia and its characters have had an imprint on Russian culture and language. This translation made the book popular outside of its native Russia.
OBLOMOV'S DREAM: In the dining room -- a room at once elegant and simply appointed -- a cheerful fire was glowing, and Zakhar, now promoted to the dignity of a major-domo, and adorned with whiskers turned wholly grey, was laying a large, round table to a pleasant accompanying tinkle of crystal and silver as he arranged, here a decanter and there a fork. Presently the dreamer saw his wife and himself sit down to a bountiful supper. Yes, and with them was Schtoltz, the comrade of his youth, his unchanging friend, with other well-known faces. Lastly, he could see the inmates of the house retiring to rest. . . . Oblomov's features blushed with delight at the vision. So clear, so vivid, so poetical was it all that for a moment he lay with his face buried in the sofa cushions. Suddenly there had come upon him a dim longing for love and quiet happiness; suddenly he had become athirst for the fields and the hills of his native place, for his home, for a wife, for children. . . .
Mamoru wakes up at 9am in Berlin, eats breakfast, and then sets off to teach a Japanese language class, carrying a sashimi knife in his bag. At this moment in New York, Manfred lurches from a dream where a fisherman was about to gut him he wakes just in time to make his morning work-out. Meanwhile, Michael is preparing to go to the late-night gym in Tokyo, thinking of a man he met in Berlin only weeks before. Tawada s story follows the three men Mamoru, Manfred and Michael as they move through their lives on different sides of the globe. Though thousands of miles apart, odd moments of synchronicity form between these characters, the narrative shifting from one perspective to another as the three men's lives momentarily align and diverge. Here, modernity is rendered textual as Tawada explores the strange nature of human connection in a globalized, technologized world, and discovers what this means for contemporary storytelling.
Oblomov, novel by Russian writer Ivan Goncharov, published in 1859. The work is a powerful critique of 19th-century Russia, contrasting aristocrats with the merchant class and condemning the feudal system.