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The purpose of this book is to be a calming and creative outlet for those who like to color. This book is aimed for people of all ages who like to color. The subject are Japanese prints, but there are also coloring pages of Japanese objects and images of Korean and Chinese princesses—these are ones I have made myself. In a way, this book could informally be called Japanese Prints (Princes) and Chinese and Korean Princesses. I am aesthetically drawn to Japanese prints and have been trying to recreate them for years. As a start, I copy existing Japanese prints to get a feel of how the face is structured, how the kimonos flow, and how hairstyles are articulated. Going through this process, I get more and more sense of how Japanese prints are drawn and created. Following this, I have been able to create several Japanese prints of my own—sometimes using some reference materials as aid and sometimes even drawing them from the top of my head.
Excerpt from Illustrated Catalogue of Japanese and Chinese Color Prints, the Collection of the Late Hamilton Easter Field of Brooklyn, New York: Together With a Selection From the Collection of Mr. Field's Associate Robert Laurent; On Free Public Exhibition From Thanksgiving Day, Thursday, November 30, 1922, at the American Art Galleries of the American Art Association Among the unusual items are several Chinese prints one of 'which is a pictorial calendar for 1766, the 31st year of the K'ien-lung era. Besides this there are two other Chinese color-prints and several stone - prints in black and white. In Japanese primitives the collection is especially strong. Some of these are important works. Many of them, as well as prints by later artists were acquired by Mr. Field from the private collection of the pioneer Parisian connoisseur and dealer Monsieur S. Bing. Of first importance is the six - sheet composition (lot 21) by Torii Kiyonobu I, depicting the procession of the Korean Ambassador and his suite. Four other prints by the same artist, the group by Kiyomasu, which includes two large prints of much dis tinction (lots 26 and three choice prints by Moronobu; the large un signed sumi - e (lot 13) by one of his pupils or followers; and the hue show ing of prints by Okumura Masanobu, are all notable. The large print by Toshinobu (lot 53) is a great rarity: se, too, is the perspective print (lot 54) by Jogetsudo. Kiyonobu II, Kiyoshige, Shigenaga, Toyonobu, Kiyo mitsu, and Kiyohiro are all represented by desirable works, and the large Otsu-e and the two Buddhist prints should not be overlooked. As the collection comprises works by all of the distinguished artists of the Ukiyoe school it would be easy to run through the entire list and make similar comment. In most cases, however, the catalogue descriptions make specific mention in this foreword imnecessary. The reader will turn to the names of Harunobu, Koryl'isai, Kiyonaga, Utamaro, Sharaku, Choki, Hokusai, Hiroshige, and other renowned masters, without special direction. But attention may be called to the two remarkable prints by Koryfisai (lots 264 and 265) which were highly prized by Mr. Field; to the actor prints by Shunsho and his pupils; to the delightful print by Seiko (lot and to therare lot of prints by Toyoharu. By Toyohiro, lots 370, 371, and 372, and by Shunman lots 574 and 575 are worthy of careful consideration. This may be said also of lots 171 and 172 by Hokusai, and lot 425 signed Taigakui Besides these, lot 682 by Shinsai and the group of surimono by Hokkei should not be neglected. Mr. Field was especially fond of Kuniyoshi and admir ers of that artist will find in the collection a large and choice lot of his prints, both well-known subjects and unusual ones. And it may be pointed out that among the prints by other nineteenth - century artists there are some, such as those by Keisai Eisen and the little group by Sadanobu that will appeal to discriminating buyers by their charming quality. The collection is one that will repay close study. It has been an especially interesting one to catalogue. And print lovers will find in it much to delight them. Frederick W. Gookin. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.