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Genealogists and other historical researchers have valued the first two editions of this work, often referred to as the genealogist's bible."" The new edition continues that tradition. Intended as a handbook and a guide to selecting, locating, and using appropriate primary and secondary resources, The Source also functions as an instructional tool for novice genealogists and a refresher course for experienced researchers. More than 30 experts in this field--genealogists, historians, librarians, and archivists--prepared the 20 signed chapters, which are well written, easy to read, and include many helpful hints for getting the most out of whatever information is acquired. Each chapter ends with an extensive bibliography and is further enriched by tables, black-and-white illustrations, and examples of documents. Eight appendixes include the expected contact information for groups and institutions that persons studying genealogy and history need to find. ""
Who doesn't love the bustle and jangle, the smells, the sounds, the energy, and the tastes of a lively state fair? In this fast-changing world, keeping any endeavor alive and thriving for 150 years is an accomplishment, but the South Carolina State Fair has met any challenges with doggedness, determination, and flair. In the early 1700s South Carolinians were gathering to exchange information about crops and livestock, and small rural fairs were held, enhanced by horse racing, raffles, and other diversions to draw in the populace. The State Agricultural Society of South Carolina was founded in 1839 and held its first annual fair and stock show in November of the following year. In 1869 the State Agricultural and Mechanical Society of South Carolina was founded to revive the fair and has presented a fair in every year except 1918. The South Carolina State Fair has a long and storied history from those early days to its current "meet me at the rocket" days. Those initial fair goers would have been astonished to see the rocket, a Jupiter intermediate-range ballistic missile, greeting them as they arrived on the grounds. The long story of the fair is inextricably bound to the history of South Carolina, of course, and indeed the history of the United States. Stroup ably weaves many strands together through archival records, newspaper reports, anecdotes (have you heard about the "Schara-mouche-Dance by a person from London?") and vintage artifacts, illustrations, paintings, and photographs from the fair's inception to the present. The fair has been an admixture of serious agricultural and animal husbandry and pure entertainment—the scandalous as well as the wholesome, and Stroup investigates them all, from the "Colored State Fair" to the infamous "girlie shows" to the prizes won for livestock—and touches on characters as diverse as Preston Brooks and Seabiscuit. As lively and entertaining as a state fair itself, Meet Me at the Rocket is as thorough a history of an important state institution as can be found. Buy a cotton candy, visit the exhibits, ride the merry-go-round, and enjoy this singular exploration of South Carolina's agriculture and industry, its science and art and history. A foreword is provided by Walter Edgar, the Neuffer Professor of Southern Studies Emeritus and Distinguished Professor Emeritus of History at the University of South Carolina. He is the author of South Carolina: A History, editor of The South Carolina Encyclopedia, and host of the radio program Walter Edgar's Journal.
Includes history of bills and resolutions.
In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. In 1930 his Atlanta World became a semiweekly, and the following year Scott began to implement his vision for a massive newspaper chain based out of Atlanta: the Southern Newspaper Syndicate, later dubbed the Scott Newspaper Syndicate. In April 1931 the World had become a triweekly, and its reach began drifting beyond the South. With The Grapevine of the Black South, Thomas Aiello offers the first critical history of this influential newspaper syndicate, from its roots in the 1930s through its end in the 1950s. At its heyday, more than 240 papers were associated with the Syndicate, making it one of the biggest organs of the black press during the period leading up to the classic civil rights era (1955–68). In the generation that followed, the Syndicate helped formalize knowledge among the African American population in the South. As the civil rights movement exploded throughout the region, black southerners found a collective identity in that struggle built on the commonality of the news and the subsequent interpretation of that news. Or as Gunnar Myrdal explained, the press was “the chief agency of group control. It [told] the individual how he should think and feel as an American Negro and create[d] a tremendous power of suggestion by implying that all other Negroes think and feel in this manner.” It didn’t create a complete homogeneity in black southern thinking, but it gave thinkers a similar set of tools from which to draw.
Useful to the novice searcher, as well as the professional genealogist. Covers all aspects of research--major records, published sources, and special resources.
This book was written to aid families with ancestors from Laurens County, South Carolina, to jumpstart their genealogical research. Although the focus is on sources of particular relevance to African Americans, the book also contains information relevant to slave-holding families. Also, the background information at the beginning of each section will be of general interest to those families from South Carolina who are researching their African ancestors. In addition to practical advice born from the authors genealogical research and formal studies, the book includes information and compilations regarding the following topics: Free Persons of Color in Antebellum Laurens Slaves in Will Transcripts (17821860) Legislative Papers (17821866) Comptroller General Tax Return Books (18661868) 1869 SC State Population Census 1860 US Census Slave Schedule and Matching African American Surnames in the 1870 US Census Excerpts of Freedmen Bureau Records Grave Markers at Five African American Churches
A genealogy of those of the family Kemmerlin who settled in South Carolina. The author hopes that Kemmerlin family members as well as others will find in this book something meaningful to them, and genealogists, will find the information of use in constructing many other connected family trees.
To many antebellum Americans, Appalachia was a frightening wilderness of lawlessness, peril, robbers, and hidden dangers. The extensive media coverage of horse stealing and scalping raids profiled the region’s residents as intrinsically violent. After the Civil War, this characterization continued to permeate perceptions of the area and news of the conflict between the Hatfields and the McCoys, as well as the bloodshed associated with the coal labor strikes, cemented Appalachia’s violent reputation. Blood in the Hills: A History of Violence in Appalachia provides an in-depth historical analysis of hostility in the region from the late eighteenth to the early twentieth century. Editor Bruce E. Stewart discusses aspects of the Appalachian violence culture, examining skirmishes with the native population, conflicts resulting from the region’s rapid modernization, and violence as a function of social control. The contributors also address geographical isolation and ethnicity, kinship, gender, class, and race with the purpose of shedding light on an often-stereotyped regional past. Blood in the Hills does not attempt to apologize for the region but uses detailed research and analysis to explain it, delving into the social and political factors that have defined Appalachia throughout its violent history.
The Best of Newspaper Design: 29th Edition, the latest edition in Rockport’s highly respected series, presents the winning entries from the Society for News Design’s 2007 competition. Featuring work selected by a panel of judges from more than 14,000 international publication entries, this inspirational volume sets the bar for excellence in journalistic design. Bold, full-color layouts feature the best-of-the-best in news, features, portfolios, visuals, and more, and each entry is accompanied by insightful commentary on the elements that made the piece a standout winner. Every industry professional aspires to one day see his or her work in this book.