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Bertolotti explores the history of nude photography, from the first academic snapshots all the way to the most audacious avant-gardists. Organized chrono-thematically and accompanied by socio-cultural analysis, this book includes the works by Germaine Krull, Man Ray, Bill Brandt, Araki, Robert Mapplethorpe, and Jean-Loup Sieff.
Smith reveals how images of the nude were used at all levels of Victorian culture, from prestigious high-art paintings through to photographs and popular entertainments; and discusses the many views as to whether these were legitimate forms of representation or, in fact, pornography and an incitement to unregulated sexual activity.
"Set in the glamorous hills of Hollywood and tackling challenging themes like the intersection of sexuality and female empowerment. Ben Lawson is making a comeback ... After a few tabloid headlines, they think they know me. They don't know a damn thing. As CEO of a movie production company, I'll show them who I really am when we hit it big at the box office. My ex thought her smear tactics would ruin me, but I'm unbreakable. Rising from the debris, I swore I'd never let a woman distract me like that again. But then, my leading actress walked on the set and changed everything. Seductive, sexy, and unapologetic, Aria Rose could break me. I wanted to help her, protect her ... love her. Instead, I destroyed her." page 4.
Renoir favored and sought a particular physical type, characterized by round, heart-shaped faces, snub noses, narrow, almond-shaped eyes, blushing cheeks, and wide, rose-colored mouths. Among his preferred models were Aline Charigot, Nini, Gabrielle Renard, a cousin of his wife, and Lise Trehot.
This volume collects Weston's photographic studies of the nude form, first put together in 1953.
Fiction. Women's Studies. Short Stories. Beginning with a story of an ex sex-worker drifting through a small rural town in the south, and ending with a young woman's wedding night, who learns from her new husband what it takes to kill a man, Nash writes across the complications of working class women, rendering their desires with visceral prose and psychologically dissecting the fundamental root that threads her work: craving and the conflicts within.
From the foreword: "One of the High Line's powers is its ability to evoke time, to remind us of the changes we've experienced during our own lives, to bring forth echoes of the past, and to make us guess what life might be like years from now. I love the photos on these pages, because they have that power, too." --Joshua David, Co-Founder of the Friends of the High Line. Ten Avenues Press, in association with Friends of the High Line, announce the publication of High Line Nudes. In 2006, photographer Kevin McDermott took three of his friends up on the abandoned railroad tracks that would become New York City's High Line park to shoot a series of nudes. As McDermott states in his introduction, "at the time I took these photos, what I sought from its beauty was its sense of isolation, being alone, surrounded by nature in the middle of this metropolis." A decade later, this location is now one of the most visited tourist destinations in NYC and one of the largest real estate developments in the world. High Line Nudes captures a seemingly impossible, but beautiful moment in the history of the West Side Rail Yards, Chelsea and an ever changing New York City. The cloth hardcover book is beautifully printed in color and rich black and white duotone images.
- The ultimate Madonna book before she became a pop icon- Updated from the 1979 edition to include recently-discovered and never-before published photos of a then-unknown MadonnaMartin H. M. Schreiber rose to international prominence when his shots of a nude, pre-fame Madonna appeared in the September 1985 issue of Playboy magazine. While he is proud of the shots, Schreiber regrets not having had the chance to do a one-on-one shoot with Madonna. "I was taking pictures from behind my students, it wasn't as if I had a private session and could get her to do what I wanted her to do." It was February 1979 when a quiet, shy young woman walked into Martin's studio to serve as a model for his photography class. The 'dancer', as she modestly described herself, was Madonna Ciccone. She arrived in New York in 1978 having bought a one-way ticket from Michigan, with only $35 in her pocket. Life modeling for art classes was a way of making a living. Little did Martin know at the time that this more or less chance encounter would lead to one of the most memorable photo shoots of all time. After the huge success of Martin H.M. Schreiber's Madonna Nudes in the 1990s the new edition Madonna Nudes + features many recently discovered and never published photos of Madonna besides a selection of the best images published in Madonna Nudes 1979 edition.