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A long drought brings hardship to the Haldemarnes as they struggle to wrest a living from their small farm.
Brilliant, evocative, poetic, savage, this Pulitzer Prize-winning first novel (1934) depicts a white, middle-class urban family that is turned into dirt-poor farmers by the Depression and the great drought of the thirties. The novel moves through a single year and, at the same time, a decade of years, from the spring arrival of the family at their mortgaged farm to the winter 10 years later, when the ravages of drought, fire, and personal anguish have led to the deaths of two of the five. Like Ethan Frome, the relatively brief, intense story evokes the torment possible among people isolated and driven by strong feelings of love and hate that, unexpressed, lead inevitably to doom. Reviewers in the thirties praised the novel, calling its prose "profoundly moving music," expressing incredulity "that this mature style and this mature point of view are those of a young women in her twenties," comparing the book to "the luminous work of Willa Cather," and, with prescience, suggesting that it "has that rare quality of timelessness which is the mark of first-rate fiction."
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
Describes the autumn activities and traditions that November's cooling temperatures bring.
PREVIOUS BOOK IN SERIES: IT ENDS WITH US, ISBN 9781501110368. Before 'It Ends with Us', it started with Atlas. Colleen Hoover tells fan favourite Atlass side of the story and shares what comes next in this long-anticipated sequel to the glorious and touching (USA TODAY) 'It Ends With Us'.
Three years had passed since motorcycle renegade Christopher "Preach" Caldwell left his Alabama hometown, the Lost Boys MC, old allies, dangerous foes, guns, drugs, prostitution, and deadly secrets. He had been determined to never return. Then he found a mysterious note on his motorcycle that turned his life upside-down, leading him on a journey home. It was written in red ink and resembled his late mother's handwriting, so he had no choice but to make the ride back into a life he had vanished from. The red ink compelled him to make the most challenging journey of his life, and this journey brought him face to face with the man in the mirror. It led to new alliances and to more answers. It led him to a truth that would change his life...forever. He learned that home was much more than a place. It was his November Reign.
Ghosts of those drowned and never recovered are swarming from Lake Superior. But they are not there to haunt the living. They flee something far more sinister. Adam is a psychologist who returns to resolve his grief over his wife who drowned in the Lake's hungry waters. Soon he is embroiled in a bizarre world of Native legend and the supernatural.
Secret Service agent Clint Hill reveals the stories behind the iconic images of the five tragic days surrounding President John F. Kennedy’s assassination in this 60th anniversary edition of the New York Times bestseller. On November 22, 1963, three shots were fired in Dallas, President John F. Kennedy was assassinated, and the world stopped for four days. For an entire generation, it was the end of an age of innocence. That evening, a photo ran on the front pages of newspapers across the world, showing a Secret Service agent jumping on the back of the presidential limousine in a desperate attempt to protect the President and Mrs. Kennedy. That agent was Clint Hill. Now Hill commemorates the sixtieth anniversary of the tragedy with this stunning book containing more than 150 photos, each accompanied by his incomparable insider account of those terrible days. A story that has taken Hill half a century to tell, this is a “riveting, stunning narrative” (Herald & Review, Illinois) of personal and historical scope. Besides the unbearable grief of a nation and the monumental consequences of the event, the death of JFK was a personal blow to a man sworn to protect the first family, and who knew, from the moment the shots rang out in Dallas, that nothing would ever be the same.
“Smith’s thrilling cultural insights never overshadow the wholeness of her characters, who are so keenly observed that one feels witness to their lives.” —O, The Oprah Magazine “A sweeping meditation on art, race, and identity that may be [Smith’s] most ambitious work yet.” —Esquire A New York Times bestseller • Finalist for the National Book Critics Circle Award for Fiction • Longlisted for the Man Booker Prize An ambitious, exuberant new novel moving from North West London to West Africa, from the multi-award-winning author of White Teeth and On Beauty. Two brown girls dream of being dancers—but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either. Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live. But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where diaspora tourists travel back in time to find their roots, young men risk their lives to escape into a different future, the women dance just like Tracey—the same twists, the same shakes—and the origins of a profound inequality are not a matter of distant history, but a present dance to the music of time. Zadie Smith's newest book, Grand Union, published in 2019.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.