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The "Prolegomena" sets out the fundamental perception of the history of being now operative in consciousness. The center of the book is comprised of a two-part "Reflection on the History of Being": Part I is an examination of the impact made on the shape of scientific philosophy by the fact of Christian faith. Aristotle, the sacra doctrina of Thomas Aquinas, and their relationship with the modern thinkers, Descartes, Kant, Hegel, and Kierkegaard are examined in this section. In Part II the history of the conception of time becomes the measure of a prospective analysis of the limits essential to the modern enterprise. Augustine, Leibniz, Husserl, and Heidegger become the major figures here, and there is a specific delineation of the relationship of the phenomenologists to Kierkegaard and Hegel.
Theologian Thomas J. J. Altizer became both famous and infamous as the chief spokesman for death-of-God theology in the 1960s. In the years that followed, he has created a theological tradition that has influenced all succeeding generations of theologians. Living the Death of God is Altizer's theological memoir. Taking us from his transformation as a theological student to his present life of solitude, Altizer recapitulates the voyage to create a truly new theology. The memoir recounts each stage of this voyage, from being overwhelmed by Satan to a conversion to the death of God and an extensive and even ecstatic preaching of the death of God. However, this is the death of that God who is the wholly alienated God, a death realizing anew the crucified God or the apocalyptic Christ. Written with Altizer's characteristic elegance, this book is fascinating on its own account, but can also serve the reader as a companion or introduction to Altizer's body of work.
Despite the prodigious inventiveness of the Middle Ages, the era is often characterized as deeply suspicious of novelty. But if poets and philosophers urged caution about the new, Patricia Clare Ingham contends, their apprehension was less the result of a blind devotion to tradition than a response to radical expansions of possibility in diverse realms of art and science. Discovery and invention provoked moral questions in the Middle Ages, serving as a means to adjudicate the ethics of invention and opening thorny questions of creativity and desire. The Medieval New concentrates on the preoccupation with newness and novelty in literary, scientific, and religious discourses of the twelfth through sixteenth centuries. Examining a range of evidence, from the writings of Roger Bacon and Geoffrey Chaucer to the letters of Christopher Columbus, and attending to histories of children's toys, the man-made marvels of romance, the utopian aims of alchemists, and the definitional precision of the scholastics, Ingham analyzes the ethical ambivalence with which medieval thinkers approached the category of the new. With its broad reconsideration of what the "newfangled" meant in the Middle Ages, The Medieval New offers an alternative to histories that continue to associate the medieval era with conservation rather than with novelty, its benefits and liabilities. Calling into question present-day assumptions about newness, Ingham's study demonstrates the continued relevance of humanistic inquiry in the so-called traditional disciplines of contemporary scholarship.
The most important work of the towering intellectual of the Middle Ages, Thomas Aquinas’ Summa Theologiae remains one of the great seminal works of philosophy and theology, while extending to subjects as diverse as law and government, sacraments and liturgy, and psychology and ethics. Aquinas begins his famous Summa Theologiae by getting right to the heart of what every person longs to see: the face of God. With Latin and English side-by-side, this edition is perfect for students, teachers, pastors, or anyone wanting to have a deeper understanding of God.
This book presents the ontological and logical foundation of a new form of thinking, the beginning of an "absolute phenomenology." It does so in the context of the history of thought in Europe and America. It explores the ramifications of a categorically new logic. Thinkers dealt with include Plato, Galileo, Hegel, Kierkegaard, Marx, Nietzsche, Husserl, Heidegger, Peirce, James, Dewey, Derrida, McDermott, and Altizer.
The Palgrave Handbook of Radical Theology is the definitive guide to radical theology and the commencement for new directions in that field. For the first time, radical theology is addressed and assessed in a single, comprehensive volume, including introductory and historical essays for the beginner, essays on major figures and their thought, and shorter articles on various themes, concepts, and related topics. This book is a seminal work for the radical theology movement. It clarifies origins and demonstrates the exigency and utility of current figures and issues. A useful and essential guide for newcomers and veterans in the field, this volume serves as both a reference work and an introduction to omitted or forgotten topics within contemporary discussions.
This book offers a critical introduction to the work of American philosopher D. G. Leahy (1937–2014). Leahy's fundamental thinking can be characterized as an absolute creativity in which all creating is "live"—a happening occurring now that manifests a supersaturated polyontological actuality that is essentially created by the logic that characterizes it. Leahy leaves behind the categorial presuppositions of modern thought, eclipsing both Cartesian and Hegelian subjectivities and introducing instead an essentially new form of thinking founded in a nondual logic of creation. The new thinking delineates the absolute unicity of existence as a creative interactivity beyond all traditional dichotomies (such as one vs. many, unity vs. plurality, identity vs. change): a fully "digitized" actuality that is nothing but newness, which inherently implies nothing but change. Through this new form of thinking, change itself is revealed to be the very essence of reality and mind. Any reader looking for a quantum leap beyond the thrall of modern and postmodern fixations is invited to hear and apprehend this new thinking that refuses to be conditioned by paradigms, categories, species, genera, walls, bridges, boundaries, or abstractions: an essentially free thinking that embodies creative novelty itself.
This book is a major step forward in radical theology via a sustained and creative challenge to conventional and orthodox thinking on the Trinity. Altizer presents a radical rethinking of the apocalyptic trinity and recovers the apocalyptic Jesus of Hegel, Blake, and Nietzsche.