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Mary Lederer provides a valuable critical/historical survey of the genesis and development of the English novel in Botswana. This book comes as a timely correction of the notion that Botswana has no sustained fiction written in English, thus filling a gap that has existed for a long time in the literature of that country.
Legacies of Departed African Women Writers: Matrix of Creativity and Power proffers varied perspectives of the invaluable contributions of ten deceased African writers from all across Africa who have cleared the path to a vibrant African feminist arena. The dynamics of change gleaned from both their textual and contextual concerns unarguably set the pace for contemporary African women writers who have striven to follow in the footsteps of their literary mothers as well as their oral foremothers. This book, edited by Helen Chukwuma and Chioma Carol Opara, shows the collective testament of ample creativity and power generated by these departed heroes: Flora Nwapa, Mariama Ba, Grace Ogot, Zulu Sofola, Bessie Head, Buchi Emecheta, Nawal El Saadawi, Assia Djebar, Yvonne Vera, and Nadine Gordimer. These chapters revolve around the positive impact of the celebrated writers on creative writing, theoretical formulations, and socio-cultural change. The contributors argue that these corpuses of works have illuminated creativity rooted in power, vision, and freedom.
This book investigates themes of exile and oppression in Southern Africa across Bessie Head’s novels and short fiction. An exile herself, arriving in Botswana as a South African refugee, Bessie Head’s fiction serves as an important example of African exile literature. This book argues that Head’s characters are driven to exile as a result of their socio- political ambivalence while still in South Africa, and that this sense of discomfort follows them to their new lives. Investigating themes of trauma and identity politics across colonial and post- colonial contexts, this book also addresses the important theme of black- on- black prejudice and hostility which is often overlooked in studies of Head’s work. Covering Head’s shorter fiction as well as her major novels When Rain Clouds Gather (1969), Maru (1971), A Question of Power (1973), Serowe: Village of the Rain Wind (1981), and A Bewitched Crossroads: An African Saga (1984), this book will be of interest to researchers of African literature and postcolonial history.
In Conversation with Bessie Head shows how reading the novels and letters of Botswana's most influential writer, Bessie Head, fosters an ongoing conversation between reader and writer and is in fact a very personal undertaking. Each chapter tackles two parallel threads, the first regarding Mary S. Lederer's own history of reading Head-from her first purchase of Maru, through completing a Ph.D. on Head's trilogy, through living in Botswana and connecting with various aspects of Head's life, to examining how reading Head has affected her own development as a human being. This history then ties each chapter into discussion of how Head develops her own vision of the “brotherhood of man.” Alongside critically informed discussion, Head's vision is examined through the prism of specific questions. Why is madness not a useful concept for understanding Head's ideas? Why did Head say she was not a feminist, and what is the significance of “male” and “female” in her novels? What is the relationship between individual, race, and community? How can the nature of God be a clear expression of love but also an indistinct force for both good and evil? Head's novels present opportunities for personal growth, and through these “conversations” with her, we become different readers.
1989. At the end of an idyllic summer holiday, four teenage girls swear to be 'blood sisters', sticking with one another through thick and thin, sharing their secrets come what may. 2005. The four friends' lives have followed very different paths. Single mother-of-two Loreenis struggling to make ends meet, endlessly searching for love via the internet. Just back from California, Karen can finally introduce her friends to her long-term lover. Belhas embarked on a controversial new career as a paparazzi, anxious to make her way in a tough man's world. And Ashley has not been in touch. Just why is she keeping so quiet about her new boyfriend? Despite their pledge, all four women have been keeping secrets from one another. Secrets that finally burst into the open - with surprising and shocking results.
Read an interview with Karen Thornber. In Global Healing: Literature, Advocacy, Care, Karen Laura Thornber analyzes how narratives from diverse communities globally engage with a broad variety of diseases and other serious health conditions and advocate for empathic, compassionate, and respectful care that facilitates healing and enables wellbeing. The three parts of this book discuss writings from Africa, the Americas, Asia, Europe, the Middle East, and Oceania that implore societies to shatter the devastating social stigmas which prevent billions from accessing effective care; to increase the availability of quality person-focused healthcare; and to prioritize partnerships that facilitate healing and enable wellbeing for both patients and loved ones. Thornber’s Global Healing remaps the contours of comparative literature, world literature, the medical humanities, and the health humanities. Watch a video interview with Thornber by the Mahindra Humanities Center, part of their conversations on Covid-19. Read an interview with Thornber on Brill's Humanities Matter blog.
El Negro was the name given to a southern African man whose body was stolen from his grave and taken to Europe to entertain the public. Although his identity remains unknown, he came to symbolize all those murdered, excavated and stolen in the name of science and entertainment.
"Far and Beyon'" is a captivating novel by an exciting new voice in African literature.