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For creative fiction writers who are writing their next novel, Novel Writing Prep by USAT bestselling author Monica Leonelle takes you step-by-step through planning your novel over the course of 30 days. You may be wondering, is it possible to write 50,000 words in 30 days without it being a crap draft? Yes! You can write 50,000 good words on your novel in as little as a month, as long as you prepare yourself. After helping thousands of authors develop the skills to hit huge word counts in a short period of time, I’ve found one thing in common across all authors, at all skill levels, from those who have never written a novel to those who publish professionally… This one thing not only helps writers get their book to make sense (and read well!) on paper, but also helps them write it faster in the first place... And it’s simple: You must know what you are going to write before you write it. That’s it! The results? Most writers can at least double their writing speed (some can triple it), meaning they can do twice as many words in the same time period as they were doing before. Additionally, these writers encounter fewer bouts of writer’s block and are more likely to see their book in print down the line. Novel Writing Prep takes you through a simple, flexible, easy-to-implement outlining process that will give you a skeleton of ideas for completing a marathon writing month. And best of all—you can go through all 30 planning prompts in just a few minutes a day over 30 days, or you can complete a pizza-and-netflix-and-writing binge over a weekend. Doesn’t matter your skill level, your writing experience, or how you prefer to write a first draft. For plotters, pantsers, newbies, veterans, and everyone in between—let Novel Writing Prep help you plan your novel before writing it, so you can write an awesome book faster. Are you ready to go all in and say “yes!” to a fun-filled, exciting, productive adventure in writing? The world needs your book! Grab Novel Writing Prep today and make it happen.
Provides strategies for preparing for the English, reading, and writing sections on the ACT and includes over five hundred practice questions with detailed answer explanations.
Creative Writing Practice: reflections on form and process explores the craft of creative writing by illuminating the practices of writers and writer-educators. Demonstrating solutions to problems in different forms and genres, the contributors draw on their professional and personal experiences to examine specific and practical challenges that writers must confront and solve in order to write. This book discusses a range of approaches to writing, such as the early working out of projects, the idea of experimentation, of narrative time, and of failure. With its strong focus on process, Creative Writing Practice is a valuable guide for students, scholars and practitioners of creative writing.
Completed just weeks before his death, the lectures in this volume mark a critical juncture in the career of Roland Barthes, in which he declared the intention, deeply felt, to write a novel. Unfolding over the course of two years, Barthes engaged in a unique pedagogical experiment: he combined teaching and writing to "simulate" the trial of novel-writing, exploring every step of the creative process along the way. Barthes's lectures move from the desire to write to the actual decision making, planning, and material act of producing a novel. He meets the difficulty of transitioning from short, concise notations (exemplified by his favorite literary form, haiku) to longer, uninterrupted flows of narrative, and he encounters a number of setbacks. Barthes takes solace in a diverse group of writers, including Dante, whose La Vita Nuova was similarly inspired by the death of a loved one, and he turns to classical philosophy, Taoism, and the works of François-René Chateaubriand, Gustave Flaubert, Franz Kafka, and Marcel Proust. This book uniquely includes eight elliptical plans for Barthes's unwritten novel, which he titled Vita Nova, and lecture notes that sketch the critic's views on photography. Following on The Neutral: Lecture Course at the Collège de France (1977-1978) and a third forthcoming collection of Barthes lectures, this volume provides an intensely personal account of the labor and love of writing.
Have you ever felt a story bubbling inside you, waiting to be told? Or perhaps you have a wealth of knowledge and experiences that could help others if only you could put it into words. The journey to becoming a writer begins with a single step, and that step is within your reach. Here’s how you can embark on your writing journey.
"1,500+ practice problems in book and online"--Cover.
Test change update! The College Board has recently announced a change for May 2025 exams: the AP English Literature and Composition exam will be offered in a digital format only and multiple-choice questions will now feature four answer choices instead of five. Barron’s has you covered! All 8 Practice Tests have been updated to reflect this format in our Online Learning Hub. Practice online to be prepared for a digital experience on exam day. Barron’s AP English Literature and Composition Premium, 2025 includes in‑depth content review and practice. Written by Experienced Educators Learn from Barron’s‑‑all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day‑‑it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test‑taking skills with 8 full‑length practice tests–all online in the updated format–plus detailed answer explanations and sample essays Strengthen your knowledge with key advice for answering multiple-choice questions and writing a polished essay Reinforce your learning with practice by tackling dozens of sample questions and mini-workout exercises that cover all units on the AP English Literature and Composition exam Brush up on the literary terms you should know for test day with a clear and comprehensive glossary Robust Online Practice Practice for the new digital exam with 8 full‑length practice tests on Barron’s Online Learning Hub--updated for the test change Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with scoring to check your learning progress Going forward, this exam will only be offered in a digital format. Barron's AP online tests offer a digital experience with a timed test option to get you ready for test day. Visit the Barron's Learning Hub for more digital practice.
THE PRINCETON REVIEW GETS RESULTS. Get all the prep you need to ace the verbal sections of the SAT and ACT with 2 books in 1! Includes 600+ practice questions and in-depth topic reviews. Many students these days are taking both the SAT and ACT to improve their chances of college admission. For those looking to increase their mastery of the verbal sections of these tests—Reading and Writing on the SAT, and English and Reading on the ACT—The Princeton Review's Reading and Writing Prep for the SAT & ACT provides all the practice you need to get the scores you want. Inside this book, you'll find the full test of two of our most targeted verbal workout books for these all-important college entrance exams. Two Books in One!* Reading and Writing Workout for the SAT includes: • 2 full-length practice SAT sections (1 for Reading, 1 for Writing), plus tips for tackling the Essay • Targeted strategies to help you efficiently tackle the passage-based SAT • Drills and quick quizzes designed to check in on your understanding • Detailed answer explanations for all of the 240+ included practice questions English and Reading Workout for the ACT includes: • 7 full-length practice ACT sections (3 for English, 4 for Reading) • Comprehensive grammar review to brush up on English fundamentals • A 4-step Basic Approach to mastering complex Reading questions • Detailed answer explanations for all of the 380+ included practice questions *The material in this book was previously published as Reading and Writing Workout for the SAT, 3rd Edition and as English and Reading Workout for the ACT, 3rd Edition.
The first study to explore deeply and intimately the complex and multifaceted nature of creative writing practice, The Scholarship of Creative Writing and Practice offers a new route in scholarly inquiry for creative writing studies, probing beyond pedagogical methods (with which most of the field's scholarship is occupied) to explore the writing life as it is experienced by a wealth of international writer/academics. With academic creative writing programs beginning to adopt a more pragmatic, industry-focused stance, students of writing increasingly need and expect to complete their degrees moderately prepared to monetize the skills they have learned – so there is now more than ever a great responsibility to present studies, methodologies and experience that can inform students and instructors. In response, Sam Meekings and Marshall Moore have pulled together academic investigations from some of the most prominent names in creative writing studies to take stock of the diverse definitions and pluralities of creative practice, to examine how they have carved out a 'writing life', what work habits they have adopted to achieve this, how these practitioners work as creatives both within and outside of the academy and to put forward strategies for a viable writing life. Offering intelligent, philosophical, pragmatic and actionable methods for robust writing practice, this book provides a multi-national perspective on the various aspects of practice and process. Essays explore what writing practice means for individuals and how this can be modeled for students; how the mythic nature of creativity can be channeled though practical working habits; practice through the lenses of social responsibility, sensitivity, empathy and imagination; writing during times of duress and the barriers writers encounter in their craft; the demand of author platforms; the role of the creative writing academic/writer; and the process of learning from published and practicing authors. Wide-ranging in its investigations and generous in insight, The Scholarship of Creative Writing and Practice presents creative, imaginative and transdisciplinary approaches to this under-researched area.