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DIVThis is the first collection of queer criticism on the history of the novel. Eve Sedgwick has brought together contributors to navigate this new terrritory through discussions of a wide range of British, French, and American novels--including canonical/div
Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors. Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller
A teen plunges into a downward spiral of addiction in this classic cautionary tale. January 24th After you’ve had it, there isn't even life without drugs… It started when she was served a soft drink laced with LSD in a dangerous party game. Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth—and ultimately her life. Read her diary. Enter her world. You will never forget her. For thirty-five years, the acclaimed, bestselling first-person account of a teenage girl’s harrowing decent into the nightmarish world of drugs has left an indelible mark on generations of teen readers. As powerful—and as timely—today as ever, Go Ask Alice remains the definitive book on the horrors of addiction.
When a medical diagnosis forces him to realize he's not getting any younger, Black reexamines his life as a middle-aged guy-- in the deadpan wit and self-deprecating vignettes that have become trademarks of his humor.
Louis and Louise are the same person born in two different lives. They are separated only by the sex announced by the doctor and a final 'e'.They have the same best friends, the same red hair, the same dream of being a writer, the same excellent whistle. They both suffer one catastrophic night, with life-changing consequences. Thirteen years later, they are both coming home.
This is Capote’s In Cold Blood for serial killer enthusiasts: meticulously researched, superbly written, and incredibly vivid. Don’t miss it.” —Gabino Iglesias, author of Coyote Songs America’s First Female Serial Killer novelizes the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Although all the facts are intact, books about her life and her crimes are all facts and no story. Jane Toppan was absolutely a monster, but she did not start out that way. When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, wrote her out of the will, and essentially taught her how to hate herself. Jilted at the altar, Jane became a nurse and took control of her life—and the lives of her victims. “A thoughtful and inspired take on one of the greatest poisoners in history. America’s First Female Serial Killer: Jane Toppan and the Making of a Monster seethes with rage, compulsion, and a righteous condemnation of the servitude of the underclass. A chilling and sobering read.” —Robert Levy, author of The Glittering World “McBrayer offers us a complex—and terrifying—portrait of a killer who seemed almost doomed from birth.” —Kate Winkler Dawson, author of American Sherlock: Murder, Forensics, and the Birth of American CSI “Brings the horrifying true story of Jane Toppan to lurid, novelistic life, and forces the reader face-to-face with the thoughtlessness and cruelty that helped turn a gifted, damaged child into one of America’s most legendary killers.” —Shaun Hamill, author of A Cosmology of Monsters
In March 1939, seven-year-old Eva Weiss’s innocence was shattered by Germany’s invasion of her homeland, Slovakia. Over the next five years, as the Nazi persecution of Europe’s Jews gathered momentum, Eva’s parents were forced to send their children into hiding, but she and her sister Marta could not avoid capture. In this remarkable memoir, Eva recounts her experiences at the Auschwitz-Birkenau concentration camp. There, she witnessed countless horrors and was herself subjected to torture, extreme deprivation, and medical experimentation at the hands of the notorious Dr Josef Mengele. When the Soviet army liberated the survivors of Auschwitz early in 1945, Eva and Marta faced a new challenge: crossing war-torn Europe to be reunited with their family. Narrated with the heartbreaking innocence of a young girl and the wisdom of a woman of eighty-three, Gazing at the Stars is a record of survival in the face of unimaginable evil. It is the culmination of Eva Slonim’s lifelong commitment to educating the world about the Holocaust, and to keeping alive the memory of the many who perished. Eva Slonim (née Weiss) was born in Bratislava, Slovakia, in 1931. A survivor of the Holocaust, Eva relocated with her family to Melbourne in 1948. She married Ben Slonim in 1953, and together they had five children, and many grandchildren and great- grandchildren, fulfilling Eva’s wish to rebuild what was lost in Europe. A gifted storyteller, and deeply passionate about the importance of education and community, Eva has for many years given public talks on her experiences during the war.
A Dostoevskian psychological novel of ideas, Novel with Cocaine explores the interaction between psychology, philosophy, and ideology in its frank portrayal of an adolescent's cocaine addiction. The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.
The magical saga of the women behind King Arthur's throne. “A monumental reimagining of the Arthurian legends . . . reading it is a deeply moving and at times uncanny experience. . . . An impressive achievement.”—The New York Times Book Review In Marion Zimmer Bradley's masterpiece, we see the tumult and adventures of Camelot's court through the eyes of the women who bolstered the king's rise and schemed for his fall. From their childhoods through the ultimate fulfillment of their destinies, we follow these women and the diverse cast of characters that surrounds them as the great Arthurian epic unfolds stunningly before us. As Morgaine and Gwenhwyfar struggle for control over the fate of Arthur's kingdom, as the Knights of the Round Table take on their infamous quest, as Merlin and Viviane wield their magics for the future of Old Britain, the Isle of Avalon slips further into the impenetrable mists of memory, until the fissure between old and new worlds' and old and new religions' claims its most famous victim.
Stargazing is a heartwarming middle-grade graphic novel in the spirit of Frizzy and Mexikid, from New York Times bestselling author-illustrator Jen Wang. Moon is everything Christine isn't. She’s confident, impulsive, artistic . . . and though they both grew up in the same Chinese-American suburb, Moon is somehow unlike anyone Christine has ever known. But after Moon moves in next door, these unlikely friends are soon best friends, sharing their favorite music videos and painting their toenails when Christine's strict parents aren't around. Moon even tells Christine her deepest secret: that she has visions, sometimes, of celestial beings who speak to her from the stars. Who reassure her that earth isn't where she really belongs. Moon's visions have an all-too-earthly root, however, and soon Christine's best friend is in the hospital, fighting for her life. Can Christine be the friend Moon needs, now, when the sky is falling? Jen Wang draws on her childhood to paint a deeply personal yet wholly relatable friendship story that’s at turns joyful, heart-wrenching, and full of hope.