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An advisor to Italian publishing houses, a translator of Freud and Jung, a friend of Montale and Calvino, Roberto Bazlen was nothing if not a literary man, but kept his writings to himself. Here, translated into English for the first time, the reader will discover Bazlen's private oeuvre: an unfinished novel, The Sea Captain, which bears comparison with the fiction of Kafka and Beckett; a selection of entries from his notebooks dealing with topics as various as whether or not there is an "animal Jahweh" and the aesthetic limitations of the cinema; a trio of essays on his native city of Trieste; and a sampling of his editorial letters. Notes Without a Text is an introduction to the work of one of the unknown masters of twentieth-century European literature.
This is the second, revised and expanded edition. The first edition was published under the slightly longer title "How to Take Smart Notes. One Simple Technique to Boost Writing, Learning and Thinking - for Students, Academics and Nonfiction Book Writers". The key to good and efficient writing lies in the intelligent organisation of ideas and notes. This book helps students, academics and other knowledge workers to get more done, write intelligent texts and learn for the long run. It teaches you how to take smart notes and ensure they bring you and your projects forward. The Take Smart Notes principle is based on established psychological insight and draws from a tried and tested note-taking technique: the Zettelkasten. This is the first comprehensive guide and description of this system in English, and not only does it explain how it works, but also why. It suits students and academics in the social sciences and humanities, nonfiction writers and others who are in the business of reading, thinking and writing. Instead of wasting your time searching for your notes, quotes or references, you can focus on what really counts: thinking, understanding and developing new ideas in writing. Dr. Sönke Ahrens is a writer and researcher in the field of education and social science. He is the author of the award-winning book “Experiment and Exploration: Forms of World Disclosure” (Springer). Since its first publication, How to Take Smart Notes has sold more than 100,000 copies and has been translated into seven languages.
Mitsuye Yamada was born in Kyushu, Japan, and raised in Seattle, Washington, until the outbreak of World War II when her family was removed to a concentration camp in Idaho. Camp Notes and Other Writings recounts this experience. Yamada's poetry yields a terse blend of emotions and imagery. Her twist of words creates a twist of vision that make her poetry come alive. The weight of her cultural experience - the pain of being perceived as an outsider all of her life - permeates her work. Yamada's strength as a poet stems from the fact that she has managed to integrate both individual and collective aspects of her background, giving her poems a double impact. Her strong portrayal of individual and collective life experience stands out as a distinct thread in the fabric of contemporary literature by women.
Bloom, the best-known literary critic of our time, shares his extensive knowledge of and profound joy in the works of a constellation of major writers, including Shakespeare, Cervantes, Austen, Dickinson, Melville, Wilde, and O'Connor in this eloquent invitation to readers to read and read well.
This is a classic that has stood the test of time. For forty-five years, seminary students and pastors have benefited from the principles found in this book. Two of Koller's popular texts, Expository Preaching without Notes and Sermons Preached without Notes, are combined in a single volume that allows preachers to prepare and deliver sermons without being tied to a manuscript or even outlines or notes. Among the eighteen topics discussed are the biblical conception of preaching, the advantages of preaching without notes, homiletical devices, the importance of structure, and the systematic filing of materials. Now repackaged for the next generation of preachers, with a foreword by current Northern Seminary preaching professor Michael J. Quicke, How to Preach without Notes is poised to continue its history of strong and steady sales.
When all has been lost, we find ourselves… Out of the ashes of destruction, a new world has arisen. The plagues of the past—the worship of greed and pursuit of power—are gone. Now, the communities that remain in this post-apocalyptic world focus on creating connections, on forging futures filled with family and love. And all with the help of hard work, hope… and a little bit of magic. Artist Matthew Sugiyama knows this well. Traveling the countryside in search of the family he lost as a child, he trades his art for supplies—and uses his honed magic to re-draw the boundaries of reality, to fashion a world that is better for those he meets. Following glimpses of visions half-seen, Matthew—and the friends he encounters along the way—will travel a path from light to darkness and back again. A road where things lost in the past can only be found in the love of the present, and the hope for the future. And he will travel this path wherever it leads. From joy to sorrow, from tears to laughter. Because Matthew is the Elemental Artist, and he knows that though dangers arise, humanity will always triumph… in a world he has painted in shades of Oil and Dust. Author Jami Farleigh invites you to meet a rich tapestry of characters, and to travel through a world that blends fantasy, laughter, coming of age, and evocative literary stylings to create a perfect escape. Fans of The Goblin Emperor, The Long Way to a Small, Angry Planet, The Language of Flowers, and Quarter Share will delight in this tale of humor, humanity, and the power of hope. Click “Buy Now,” to curl up with your copy of Oil and Dust today!
Before New York Times bestselling author Bill Bryson wrote The Road to Little Dribbling, he took this delightfully irreverent jaunt around the unparalleled floating nation of Great Britain, which has produced zebra crossings, Shakespeare, Twiggie Winkie’s Farm, and places with names like Farleigh Wallop and Titsey.
A collection of the author and illustrator's critical writings is devoted to writers and artists whose work he admires, including Randolph Caldecott, Beatrix Potter, and Walt Disney, and also features several interviews and autobiographical pieces
Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.
Real-world writing advice, minus all the lectures. You're an aspiring writer. Maybe you've just discovered your love of words and dream of being a novelist someday. Maybe you've been filling notebooks with science-fiction stories since middle school. Maybe you're contemplating a liberal arts degree, but you don't know what the heck you're going to do with it. The last thing you need is another preachy writing manual telling you how you should write. This book isn't a writing manual. It is a series of candid and irreverent essays on the writing life, from a writer who's lived it. Kerri Majors shares stories from her own life that offer insights on the realities all writers face: developing a writing voice, finding a real job (and yes, you do need to find one), taking criticism, getting published, and dealing with rejection. Don't have enough time to write? Learn how to plan your days to fit it all in. Not sure how your guilty pleasures and bad habits translate into literature? Kerri explains how soap operas and eavesdropping can actually help your writing. Need a reader for your first novel? Find a writing buddy or a writing group that will support you. Nervous about submitting your first piece? Learn from Kerri's own roller coaster journey to find an agent and get published. This Is Not a Writing Manual is the writing memoir for young writers who want to use their talents in the real world. ATTENTION TEACHERS! The Teacher's Edition for This Is Not a Writing Manual is now available! This FREE supplemental PDF includes a series of lesson plans and writing class essentials that will improve the writing of students in middle and high school--and beyond. To access, e-mail us at [email protected] to receive your free download, or visit Kerri Majors's website.