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Describes and analyzes Vietnam1s political, economic, social and national security systems and institutions and the interrelationships of those systems and the ways they are shaped by cultural factors. Also covers people1s origins, dominant beliefs and values, their common interests and issues on which they are divided, the nature and extent of their involvement with national institutions and their attitudes toward each other and toward their social system and political order. 19 maps and photos.
An examination of the political and cultural dynamism of the Republic of Vietnam until its collapse on April 30, 1975.
The definitive history of modern Vietnam and its diverse and divided past
This work contains over 2,500 entries to guide students and scholars interested in the languages and literature of Vietnam. The books, monographs, and journal articles considered are those written in the Western languages (especially French and English). Meticulously researched and indexed, this bibliography is both the first of its kind and an invaluable reference tool.
New nations require new histories of their struggles for nationhood. Postcolonial Vietnam takes us back to the 1950s to see how official Vietnamese historians and others rethought what counted as history, what producing history entailed, and who should be included as participants and agents in the story. Beginning with government-appointed historians’ first publications in 1954 and following their efforts over the next thirty years, Patricia M. Pelley surveys this daunting process and, in doing so, opens a wide window on the historical forces and tensions that have gone into shaping the new nation of Vietnam. Although she considers a variety of sources—government directives, census reports, statistics, poetry, civic festivities, ethnographies, and museum displays—Pelley focuses primarily on the work of official historians in Hanoi who argued about and tried to stabilize the meaning of topics ranging from prehistory to the Vietnam War. She looks at their strained and idiosyncratic attempts to plot the Vietnamese past according to Marxist and Stalinist paradigms and their ultimate abandonment of such models. She explores their struggle to redefine Vietnam in multiethnic terms and to normalize the idea of the family-state. Centering on the conversation that began in 1954 among historians in North Vietnam, her work identifies a threefold process of creating the new history: constituting historiographical issues, resolving problems of interpretation and narration, and conventionalizing various elements of the national narrative. As she tracks the processes that shaped the history of postcolonial Vietnam, Pelley dismantles numerous clichés of contemporary Vietnamese history and helps us to understand why and how its history-writing evolved.
Discusses Weiss's plays, fiction, autobiography, and non-fiction prose. Pp. 22-25 illuminate "Die Ermittlung", an oratorio based on Weiss's 1964 attendance at the Frankfurt war crimes trial. He used actual documents both aesthetically and politically. 18 of the defendants appear with their real names, either defending themselves with the jargon of doing their duty or totally denying their guilt. Among the charges against these Nazis were conducting medical experiments, torture, and murder. Ch. 7 (pp. 107-129) elucidates Weiss's three-volume novel "Die Ästhetik des Widerstands", about resistance to Nazism in thought and action. The characters in the novel are based on members of the Rote Kapelle resistance group. Politics and creative thinking (art) are shown as complementary, not contradictory.
East, West, and Others is the first work to examine the Third World in German literature from World War II to the present. Arlene A. Teraoka investigates how prominent post?World War II East and West German authors have portrayed the Third World. She discusses the persistent stereotypes of race, culture, and sexuality in texts by authors whose careers were shaped by concerns with Third World politics. Those writers include Anna Seghers, Peter Weiss, Hans Magnus Enzensberger, and Heiner M_ller; East Germans Claus Hammel and Peter Hacks; and the documentary West German writers Max von der Gr_n, G_nter Wallraff, and Paul Geiersbach. Teraoka demonstrates the continuing German need to construct a postwar identity freed from the fascist past and the conflicts and clichäs that inevitably mar this dream of the self. Whether authors project a champion of humanity who upholds Enlightenment ideals or a fragmented European protagonist paralyzed by guilt, all negotiate between the forces of rationality and prejudice, universality and difference, solidarity and helplessness.
Based on his own experiences, extensive use of primary and secondary sources, and interviews with Vietnamese refugees who lived under the new order, Nguyen Van Canh analyzes the contemporary political and administrative structure of Vietnam and its leaders, culture, education, economy, and foreign policy.
" The Playful Revolution is an entertaining journal.... exemplary... " --Illusions " The Playful Revolution breaks new ground by documenting developmental theatre in Asia in its current socio-political and economic ethos... " --New Theatre Quarterly "[T]his book is the account of a personal journey through Asia, a written documentary of a quest to find political theatre that really works and that possesses a vitality and passion that the contemporary Western theatre seems to have lost." --from the book In this groundbreaking book, van Erven reports on the liberation theatre movements throughout Asia, which include a diverse collection of creative artists whose politics range from liberal to revolutionary but who all share a common goal of using grass-roots theatre as an agent of liberation.