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A musical journey around the continent in the company of Senegalese superstar Youssou N'Dour
Encounters with Witchcraft is a personal story of a young man's fascination with African witchcraft discovered first in a trek across East Africa and the Congo. The story unfolds over four decades during the author's long residence in and many trips to Kenya, Tanzania and Uganda. As a field researcher he learns from villagers what it is like to live with witches, and how witches are seen through African eyes. His teachers are healers, cult leaders, witch-hunters and self-proclaimed "witches" as well as policemen, politicians and judges. A key figure is Mohammadi Lupanda, a frail village woman whose only child has died years before. In her dreams, however, she believes the little girl is not dead, but only lost in the fields. Mohammadi is discovered wandering at night, wailing and calling out for the child. Her neighbors are terror-stricken and she is quickly brought to a village trial and banished as a witch. The author is able to watch and listen to the proceedings and later investigate the deeper story. He discovers mysteries about Mohammadi that are only solved when he returns to the village three decades later. Today, witch-hunting and witchcraft-related crimes are found in more than seventy developing countries. Epidemics of violence against alleged witches, mainly women, but including elders of both genders, and even children is on the increase in some parts of the world. Witchcraft beliefs may lie behind vigilante murders, political assassinations, revenge killings and commercial murders for human body parts. Through African voices the author addresses key questions. Do witchcraft powers exist? Why does witchcraft persist? What are its historic roots? Why is witchcraft-based violence so often found within families? Does witchcraft serve as a hidden legal and political system, a mafia-like under-government? The author holds up a mirror for us to think about religious beliefs in our own experience that rely heavily on myth and superstition.
Notes from Africa traces the rise of popular music on the continent – beginning in the 1980s when the term ‘world music’ was coined as a marketing label and African musicians, notably Youssou N’Dour and his contemporaries, began to appear on the international stage. This book explains the musical styles that developed from the 1960s, when many African countries gained their independence. It covers developments in music and society in Senegal, in West Africa and around the continent during the post-independence years and right up to the present day. Jenny Cathcart, drawing on her personal experience in Senegal and her work alongside Youssou N’Dour, offers stories and portraits of daily life in Africa. The results are fresh insights into contemporary culture, religion and politics – as well as future collaborations and developments not only on the continent but in the African diaspora too.
From actress and activist Angelina Jolie comes the personal journals she compiled while performing humanitarian relief efforts in such countries as Sierra Leone and Tanzania, Pakistan and Cambodia. When award-winning actress Angelina Jolie took on a radically different role as a Goodwill Ambassador for the UN High Commissioner for Refugees (UNHCR), she was determined to document everything she witnessed and experienced. Here are her memoirs from her journeys to Sierra Leone, Tanzania, Pakistan, Cambodia, and Ecuador, where she lived and worked and gave her heart to those who suffer the world’s most shattering violence and victimization. Here are her revelations of joy and warmth amid utter destitution...compelling snapshots of courageous and inspiring people for whom survival is their daily work, and candid notes from a unique pilgrimage that completely changed her worldview—and the world within herself.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Bloomberg • Forbes • The Spectator Recipient of Foreign Policy's 2013 Albie Award A powerful portrayal of Jeffrey Sachs's ambitious quest to end global poverty "The poor you will always have with you," to cite the Gospel of Matthew 26:11. Jeffrey Sachs—celebrated economist, special advisor to the Secretary General of the United Nations, and author of the influential bestseller The End of Poverty—disagrees. In his view, poverty is a problem that can be solved. With single-minded determination he has attempted to put into practice his theories about ending extreme poverty, to prove that the world's most destitute people can be lifted onto "the ladder of development." In 2006, Sachs launched the Millennium Villages Project, a daring five-year experiment designed to test his theories in Africa. The first Millennium village was in Sauri, a remote cluster of farming communities in western Kenya. The initial results were encouraging. With his first taste of success, and backed by one hundred twenty million dollars from George Soros and other likeminded donors, Sachs rolled out a dozen model villages in ten sub-Saharan countries. Once his approach was validated it would be scaled up across the entire continent. At least that was the idea. For the past six years, Nina Munk has reported deeply on the Millennium Villages Project, accompanying Sachs on his official trips to Africa and listening in on conversations with heads-of-state, humanitarian organizations, rival economists, and development experts. She has immersed herself in the lives of people in two Millennium villages: Ruhiira, in southwest Uganda, and Dertu, in the arid borderland between Kenya and Somalia. Accepting the hospitality of camel herders and small-hold farmers, and witnessing their struggle to survive, Munk came to understand the real-life issues that challenge Sachs's formula for ending global poverty. THE IDEALIST is the profound and moving story of what happens when the abstract theories of a brilliant, driven man meet the reality of human life.
T is atlas is intended primarily for anybody who is in-some background for the arrangement of how the terested in basic geology of Africa. Its originality lies atlas was done. T e second chapter is devoted to the in the fact that the regional geology of each African history of geological mapping in Africa, necessary nation or territory is reviewed country-wise by maps for a fuller appreciation of why this work in Africa is and text, a view normally not presented in textbooks worth doing. Chapter 3 provides an executive s- of regional geology. It is my belief, that there has long mary on the stratigraphy and tectonics of Africa as a been a need in universities and geological surveys, whole, i. e. in the context of no political boundaries. both in Africa and in the developed world, for sum- T e main part of the atlas lies in Chapter 4, where in marizing geological maps and an accompanying basic alphabetical order each African country or territory text utilising the enormous fund of knowledge that is presented by a digitized geological overview map has been accumulated since the beginning of geologi- and an accompanying text on its respective strat- th cal research in Africa in the mid-19 century. I hope raphy, tectonics, economic geology, geohazards and that, in part, the present atlas may satisfy this need. geosites. A short list of relevant references is also a- ed.
Ralph Bunche, who received the Nobel Peace Prize in 1950, traveled to South Africa for three months in 1937. His notes, which have been skillfully compiled and annotated by historian Robert R. Edgar, provide unique insights on a segregated society.
Definitive proof that Africa is *not* a country. A lively, entertaining and informative portrait of modern Africa that pushes back against harmful stereotypes. Over a billion people have been reduced to one simple story. Africa Is Not a Country fills in the gaps. So often Africa is depicted simplistically as a red landscape of safaris and famines. In this funny, insightful book Dipo Faloyin corrects this view to create a fresh and positive view of the continent. By turns intimate and political, he looks at buzzy urban life in Lagos and the lively West African rivalry over who makes the best jollof rice, before giving us the story of democracy in seven dictatorships, an insight into different regional accents and the colonial foundation of many countries which are still younger than your grandparents. We learn about the dangers of white saviours and the cultural significance of Aunties, and he provides us with a tour guide of where citizens of several African countries need to travel to visit their own cultural artefacts - 90% of which are in museums outside the continent. We immerse ourselves in the energy and fabric of many different cultures and communities as Dipo shows his deep love of the region - as a concept, as a promise and as a reality.
In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
Debunking the current model of international aid promoted by both Hollywood celebrities and policy makers, Moyo offers a bold new road map for financing development of the world's poorest countries.