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Letting people in has always been a daunting task for Valerie Morrison and probably always will be. Confrontations are just never on her side, and she has enough scars—both physical and emotional—to prove it. That's why she chooses to avoid them whenever possible. Now studying at a university not too far from home, Val's plan is simple: keep her head low. Should be easy... Except it isn't. Because there's this guy named Louis (Lou for short), who is as kind as he is beautiful. Somehow, he looks beyond her walls and reaches in... and has other plans of just letting her be. Here's the problem: Val doesn't do relationships, and she isn't planning on getting into one anytime soon, regardless of how tempting it seems. At the end of the day, getting involved with Lou in any way can't be worth it... Right? *This 73,000+ word standalone novel deals with a sensitive subject matter.
The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.
Three years after her ex-boyfriend left her to pursue his Hollywood dream, barista Riley Eames is still haunted by questions only he can answer. So when he asks to meet her for a booty call, she reluctantly agrees - only to get stuck in the hotel elevator with Hollywood rising star, Ashe Hunter. But it's going to take more than a celebrity romance to get Riley's life moving again for the ex-boyfriend is back in town and with him, secrets that could change Riley's life forever.
Odyssey Works infiltrates the life of one person at a time to create a customtailored, life-altering performance. It may last for one day or a few months and consists of experiences that blur the boundaries of life and art—is that subway mariachi band, used book of poetry, or meal with a new friend real or a part of the performance? Central to this book is their 2013 performance for Rick Moody, author of The Ice Storm. His Odyssey lasted four months and included a fake children's book, introducing the themes of his performance, and a cello concert in a Saskatchewan prairie (which Moody almost missed after being stopped at customs with, suspiciously, no idea why he was traveling to Canada). The book includes Moody's interviews with Odyssey Works, an original short story by Amy Hempel, and six proposals for a new theory of making art.
It is perhaps our noblest cause, and certainly one of our oldest: to end suffering. Think of the Buddha, Chuang Tzu, or Marcus Aurelius: stoically composed figures impervious to the torments of the wider world, living their lives in complete serenity—and teaching us how to do the same. After all, isn’t a life free from suffering the ideal? Isn’t it what so many of us seek? Absolutely not, argues Todd May in this provocative but compassionate book. In a moving examination of life and the trials that beset it, he shows that our fragility, our ability to suffer, is actually one of the most important aspects of our humanity. May starts with a simple but hard truth: suffering is inevitable. At the most basic level, we suffer physically—a sprained ankle or a bad back. But we also suffer insults and indifference. We suffer from overburdened schedules and unforeseen circumstances, from moral dilemmas and emotional heartaches. Even just thinking about our own mortality—the fact that we only live one life—can lead us to tremendous suffering. No wonder philosophies such as Buddhism, Taosim, Stoicism, and even Epicureanism—all of which counsel us to rise above these plights—have had appeal over the centuries. May highlights the tremendous value of these philosophies and the ways they can guide us toward better lives, but he also exposes a major drawback to their tenets: such invulnerability is too emotionally disengaged from the world, leading us to place too great a distance between ourselves and our experience. Rather than seeking absolute immunity, he argues most of us just want to hurt less and learn how to embrace and accept what suffering we do endure in a meaningful way. Offering a guide on how to positively engage suffering, May ultimately lays out a new way of thinking about how we exist in the world, one that reassures us that our suffering, rather than a failure of physical or psychological resilience, is a powerful and essential part of life itself.
60% OF THE WORLD’S POPULATION IS DEAD. THE GOVERNMENT HAS FALLEN, ORDER NO LONGER EXIST. A VIRUS HAS SPREAD ACROSS THE GLOBE, LEAVING DEVASTATION IN ITS WAKE. THOSE INFECTED MUTATE INTO MONSTROUS MANIACS. GANGS, CULTISTS, BROTHERHOODS AND BANDITS HAVE RISEN, RAVAGING THOSE WHO STRUGGLE TO STAY ALIVE. IN A WORLD RULED BY CHAOS, ONLY THE STRONG SURVIVE.
Kierkegaard is a fascinating author. Living shortly after the dawn of modernity in the Enlightenment, he restates classical Christianity in novel and dynamic fashion. His Lutheran heritage is pivotal here as he places 'faith' over against 'reason'. But we should recognise that decidedly pre-modern epistemological presuppositions lie behind Kierkegaard's theological contentions, giving us pause for thought. A profound thinker with eclectic interests, philosophical, theological, ethical, social and pastoral, Kierkegaard never ceases to engage the reader. His insights into human life - the matter of coherence of the self, the crucial category of the individual, or the significance of choice - are memorable. A fine writer with observant eye, Kierkegaard enthrals the reader with his flair, perspicacity and ready wit. After an initial chapter on Kierkegaard's intellectual milieu, the book considers seven of his major texts. An 'Exposition', with extensive quotation, sets the text in philosophical, theological and historical context. Following which a 'Critique' raises issues, ranging from Kierkegaard's indifference to biblical scholarship, to his lack of recognition of the regularity of causation, and his a-political outlook. A final chapter considers Kierkegaard as a person and evaluates the authorship. Lucidly written, Hampson's book provides a general introduction to Kierkegaard, while greatly aiding novice readers of his texts. It should also command the attention of scholars, for its forthright debate with Kierkegaard and for illuminating, as has no previous work, his Lutheran thought forms. Provocative and original, it will leave its mark on Kierkegaard scholarship, while raising seminal questions for the wider theological enterprise.
Winner of the ALA Asian/Pacific American Award for Nonfiction "Captivating... [a] heartfelt account of how newcomers carve a space for themselves in the melting pot of America." --Publishers Weekly A first-generation immigrant's "intimate, passionate look at race in America" (Viet Thanh Nguyen), an American's journey into the heart of not-whiteness. At the age of 12, Sharmila Sen emigrated from India to the U.S. The year was 1982, and everywhere she turned, she was asked to self-report her race - on INS forms, at the doctor's office, in middle school. Never identifying with a race in the India of her childhood, she rejects her new "not quite" designation - not quite white, not quite black, not quite Asian -- and spends much of her life attempting to blend into American whiteness. But after her teen years trying to assimilate--watching shows like General Hospital and The Jeffersons, dancing to Duran Duran and Prince, and perfecting the art of Jell-O no-bake desserts--she is forced to reckon with the hard questions: What does it mean to be white, why does whiteness retain the magic cloak of invisibility while other colors are made hypervisible, and how much does whiteness figure into Americanness? Part memoir, part manifesto, Not Quite Not White is a searing appraisal of race and a path forward for the next not quite not white generation --a witty and sharply honest story of discovering that not-whiteness can be the very thing that makes us American.

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United States. National Commission for the Review of Antitrust Laws and Procedures

Published: 1979

Total Pages: 446


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