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If dresses could talk, what stories might they tell? This compelling collection of short stories, essays, and poems features dress as the structural grounding for autobiographical accounts from women's lives in Western society. Often personal in nature, these «dress stories» point unfailingly to matters of social and cultural import. Some of the dresses described inhabit the popular imagination: the little girl dress, the communion dress, the school uniform, the prom dress, the wedding dress, the little black dress, and the burial dress. Beyond the semiotic, tactile, and visual aspects of the dresses themselves, the narratives delve into what dresses reveal about fundamental aspects of human experience: identity, embodiment, relationship, and mortality. Bought or made, then worn, forgotten, remembered, re-constructed, and re-interpreted, each dress offers a new glimpse into how we construct meaning in our daily lives, and how dresses serve to reinforce or resist social structures and cultural expectations.
"A tribute to a time when style -- and maybe even life -- felt more straightforward, and however arbitrary, there were definitive answers." -- Sadie Stein, Paris Review As a glance down any street in America quickly reveals, American women have forgotten how to dress. We lack the fashion know-how we need to dress professionally and beautifully. In The Lost Art of Dress, historian and dressmaker Linda Przybyszewski reveals that this wasn't always true. In the first half of the twentieth century, a remarkable group of women -- the so-called Dress Doctors -- taught American women that knowledge, not money, was key to a beautiful wardrobe. They empowered women to design, make, and choose clothing for both the workplace and the home. Armed with the Dress Doctors' simple design principles -- harmony, proportion, balance, rhythm, emphasis -- modern American women from all classes learned to dress for all occasions in ways that made them confident, engaged members of society. A captivating and beautifully illustrated look at the world of the Dress Doctors, The Lost Art of Dress introduces a new audience to their timeless rules of fashion and beauty -- rules which, with a little help, we can certainly learn again.
A fun (inexpensive!) picture book for the un-fancy Nancy’s. Shelby likes to play sports in her favorite red sneakers. She likes to dig for worms with her best friend, Nate. She does not want to have tea parties with her next door neighbor, Sophie. And when she is asked to be a flower girl in her aunt’s wedding, she knows one thing for sure: SHE IS SO NOT WEARING A DRESS! A spunky heroine, adorable illos, and a totally charming story will appeal to the many, many girls who prefer baseball caps to tiaras.
Quigley Johnson has, reluctantly, given up the rest of her last year of high school to take part in her best friend Ann's Betterment Plan, which will turn them into the best-dressed, most sought-after, most admired girls at their senior formal. Because - hey - who doesn't want the perfect prom, complete with a dream dress and a devastatingly handsome date? But the prom costs money - lots of money - and even though the girls could easily have Ann's mom design their dresses (she's only Victoria Parisi, one of the most famous designers in the world), Ann insists that they pay their own way. And that's how Quigley gets stuck making artistic topping masterpieces on frozen pizzas canvases, before becoming a live model for Ms. Parisi's fashion design class, where she meets Zander. He's cute, and cool, and funny, with a killer design sensibility (even if he can't sketch). But is he too good to be true? And what about David, the hot, talented artist at school, who's also kind of a jerk, but won't leave Quigley alone? And Ann - she started the Betterment Plan to improve Quigley and herself, but it seems like it's ripping their friendship to shreds. This road to the prom dream may just end in disaster.
Celebrate girl power in this exuberant, mischievously illustrated picture book that shows little princesses that they can be whoever they want to be! Not all princesses dress in pink. Some play in bright red socks that stink, blue team jerseys that don’t quite fit, accessorized with a baseball mitt, and a sparkly crown! Princesses come in all kinds. Some jump in mud puddles and climb trees, play sports and make messes—all while wearing their tiaras! Not every girl has a passion for pink, but all young ladies will love this empowering affirmation of their importance and unlimited potential.
Robin, too poor to purchase a prom gown, is unable to resist secretly borrowing the beautiful lace dress she found hanging in her elderly employer's attic, and discovers too late that the dress is cursed.
On semiotics, fashion and philosophy
Blending elements of memoir, literary criticism, and nature writing, an anthology of essays--including conversations with such regional authors as Linda Hasselstrom, Dan O'Brien, and William Least Heat-Moon--offers an evocative portrait of the endangered prairie environment, his own quest for a new relationship with the natural life of the prairie, and the region's personal and environmental legacy. Reprint.
Queen Alexandra used clothes to fashion images of herself as a wife, a mother and a royal: a woman who both led Britain alongside her husband Edward VII and lived her life through fashion. Inside the Royal Wardrobe overturns the popular portrait of a vapid and neglected queen, examining the surviving garments of Alexandra, Princess of Wales – who later became Queen Consort – to unlock a rich tapestry of royal dress and society in the second half of the 19th century. More than 130 extraordinary garments from Alexandra's wardrobe survive, from sumptuous court dress and politicised fancy dress to mourning attire and elegant coronation gowns, and can be found in various collections around the world, from London, Oslo and Denmark to New York, Toronto and Tokyo. Curator and fashion scholar Kate Strasdin places these garments at the heart of this in-depth study, examining their relationships to issues such as body politics, power, celebrity, social identity and performance, and interpreting Alexandra's world from the objects out. Adopting an object-based methodology, the book features a range of original sources from letters, travel journals and newspaper editorials, to wardrobe accounts, memoirs, tailors' ledgers and business records. Revealing a shrewd and socially aware woman attuned to the popular power of royal dress, the work will appeal to students and scholars of costume, fashion and dress history, as well as of material culture and 19th century history.
One of 10 Best Indie Picture Books of 2014, ForeWord Reviews Runner-Up, 2014 New England Book Festival: Children's Books 2014 Distinguished List of the Association of Children's Librarians of Northern California CCBC Choices 2015 An affirming story about gender nonconformity. Jacob loves playing dress-up, when he can be anything he wants to be. Some kids at school say he can't wear "girl" clothes, but Jacob wants to wear a dress to school. Can he convince his parents to let him wear what he wants? This heartwarming story speaks to the unique challenges faced by children who don't identify with traditional gender roles.