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Over 25 years ago, Raymond Williams’ Keywords: A Vocabulary of Culture and Society set the standard for how we understand and use the language of culture and society. Now, three luminaries in the field of cultural studies have assembled a volume that builds on and updates Williams’ classic, reflecting the transformation in culture and society since its publication. New Keywords: A Revised Vocabulary of Culture and Society is a state-of-the-art reference for students, teachers and culture vultures everywhere. Assembles a stellar team of internationally renowned and interdisciplinary social thinkers and theorists Showcases 142 signed entries – from art, commodity, and fundamentalism to youth, utopia, the virtual, and the West – that capture the practices, institutions, and debates of contemporary society Builds on and updates Raymond Williams’s classic Keywords: A Vocabulary of Culture and Society, by reflecting the transformation in culture and society over the last 25 years Includes a bibliographic resource to guide research and cross-referencing The book is supported by a website: www.blackwellpublishing.com/newkeywords.
This book seeks to demonstrate that those references to Christ are found in all of the Sciptures. On the glorious resurrection morning Mary went to seek for Jesus. She sought Him in the tomb, but He stood beside her. She thought He was the gardener, but the one word "Mary " revealed to her her Saviour. As we read some passage in the Old Testament how often our eyes are holden, and we see only the earthly form: we see Aaron the priest, or David the shepherd, or Solomon the king; but if, like Mary, we are really seeking the Lord Jesus, He manifests Himself to us through the outward type, and we turn in glad surprise, and, looking up, say, " Rabboni " (lit. my great One). As we continue to seek, we find Him in the least expected places of the Old Testament, until the whole grows luminous with the glory of God in the face of Jesus Christ. "In the volume of the book it is written of Me." All the lines of history and type, of Psalm and prophecy, converge towards one centre Jesus Christ, and to one supreme event. His death on the Cross for our salvation. And from that centre again all the lines of history in the book of Acts, of experience in the Epistles, and of prophecy in Revelation radiate out once more to testify that the Father sent the Son to be the Saviour of the world. After His resurrection our Lord not only "opened the Scriptures" to His disciples, but also "opened their under- standing that they might understand the Scriptures." He is ready to do the same for us. The same Holy Spirit who moved holy men of old to write the Scriptures, is close at hand to make the words life to our souls, by taking of the things of Christ and revealing them unto us. Of the books of the New Testament only a brief summary is here given, partly because they are so much more studied, partly because to treat of them at any adequate length would swell this book beyond the limits of a single volume, and still more because the chief aim of the present Studies is to show that Christ is the Key to the Old Testament Scriptures.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.