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Do you like a good ghost, alien, angel, rock n roll coming of age story thats really screwed up? This may be your type of tale! More than two decades following his fifteen seconds of fame, former 1980s rock star Steve Finney now entertains in the Florida Keys as a part-time lounge act and full time bartender. Old friends drag Steve out of the tropical hideout back up to his old home state of Maine for, of all things, a high school reunion and a funeral. But then the inevitable trip back in time and to his old hometown up north gets weird as ancient aliens, angels, and ghosts from the past and present (are they all the same?) try to guide Steve on and off the path. Joining the former rockers coming-of-age journey are some equally confused old friends. The restaurant manager who hates people. A medium who chaotically misinterprets the latest cause he is involved with and the voices he hears, and another buddy whose family is dying off like an endangered species. All of these events come to a head during another summer in the small tourist trap town of Acorn Bay, Maine. Oh yeah, and theres a thirty-eight-pound talking lobster.
Thirty-two year old Molly Bean is a popular lobster fisherman in the sleepy coastal community of Gin Cove, Maine. Admittedly, she hasn't had the best of luck with relationships and the chance of falling in love with any of Gin Cove's population is slim to none. Carolyn Stanley, a successful defense attorney from Bar Harbor, has found that she enjoys vacationing and spending time in Gin Cove. When Carolyn sends her high-speed power boat careening across the water on an otherwise quiet morning, splashing Molly's lobster boat and nearly sending her overboard, Molly is ready to throttle the out-of-towner. The sparks that fly between the two women soon turn to fascination and anticipation as their attraction sizzles. But when someone close to Molly becomes embroiled in a murder investigation in her hometown, their fiery relationship may finally fizzle out—for good.
WHAT CAN YOU DO WHEN YOU'RE TWELVE YEARS OLD AND YOUR WORLD IS FALLING APART? It's 1838. Jake's father has lost his job and his savings. Hearing of work in Maine, the family leaves their large home in Boston and heads north, taking with them a few furnishings—and a deep family secret. In Maine they find only a dirty, isolated farmhouse, and a job for Father that takes him away from home. "I'll have to depend on you," Jake's mother tells him. But how can Jake find food? How can he prepare for the dangerous cold of a Maine winter? How can he protect his mother—and his family's secret? Slowly, Jake learns the ways to survive, catching game and storing food for the long winter months. Nabby McCord, whose family also has a secret, helps him. So does Granny McPherson, who may be a witch. But when it comes to earning the money they need, Jake knows he's on his own. He shows his determination as the winter approaches, but does he have what it takes to bring his family together to face the future—and their past? Finest Kind is the powerful story of a boy who is forced to become a man and to learn the truth about courage, friendship, and secrets.
Amber Sand is not a witch. The Sand family magical gene somehow leapfrogged over her. But she did get one highly specific bewitching talent: she can see true love. As a matchmaker, Amber's pretty far down the sorcery food chain (even birthday party magicians rank higher), but after five seconds of eye contact, she can envision anyone's soul mate. Amber works at her mother's magic shop -- Windy City Magic -- in downtown Chicago, and she's confident she's seen every kind of happy ending there is: except for one--her own. (The Fates are tricky jerks that way.) So when Charlie Blitzman, the mayor's son and most-desired boy in school, comes to her for help finding his father's missing girlfriend, she's distressed to find herself falling for him. Because while she can't see her own match, she can see his -- and it's not Amber. How can she, an honest peddler of true love, pursue a boy she knows full well isn't her match? The Best Kind of Magic is set in urban Chicago and will appeal to readers who long for magic in the real world. With a sharp-witted and sassy heroine, a quirky cast of mystical beings, and a heady dose of adventure, this novel will have you laughing out loud and questioning your belief in happy endings.
Aristotle's Nicomachean Ethics, which equates the ultimate end of human life with happiness (eudaimonia), is thought by many readers to argue that this highest goal consists in the largest possible aggregate of intrinsic goods. Richard Kraut proposes instead that Aristotle identifies happiness with only one type of good: excellent activity of the rational soul. In defense of this reading, Kraut discusses Aristotle's attempt to organize all human goods into a single structure, so that each subordinate end is desirable for the sake of some higher goal. This book also emphasizes the philosopher's hierarchy of natural kinds, in which every type of creature achieves its good by imitating divine life. As Kraut argues, Aristotle's belief that thinking is the sole activity of the gods leads him to an intellectualist conception of the ethical virtues. Aristotle values these traits because, by subordinating emotion to reason, they enhance our ability to lead a life devoted to philosophy or politics.
The fevered controversy over America's educational future isn't simply academic; those who have proposed sweeping reforms include government officials, politicians, foundation officers, think-tank researchers, journalists, media pundits, and university administrators. Drowned out in that noisy debate are the voices of those who actually teach the liberal arts exclusively to undergraduates in our nation's small liberal arts colleges, or SLACs. The Best Kind of College attempts to rectify that glaring oversight. As an insiders' "guide" to the liberal arts in its truest form the volume brings together thirty award-winning professors from across the country to convey in various ways some of the virtues, the electricity, and, overall, the importance of the small-seminar, face-to-face approach to education, as typically featured in SLACs. Before we in the United States abandon or compromise our commitment to the liberal arts—oddly enough, precisely at a time when our global competitors are discovering, emulating, and founding American-style SLACs and new liberal arts programs—we need a wake-up call, namely to the fact that the nation's SLACs provide a time-tested model of educational integrity and success.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.