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Come, tour the wild hills and deep, black forests of Transylvania with us. Climb aboard the creaking carriage. We're headed to the Borgo Pass, to Castle Orlok, for a night of terror that will leave you screaming for the dawn... In the acclaimed silent film Nosferatu (1922), filmaking pioneer F.W. Murnau offered to the world what has been described as the most ""realistic"" vampire film ever made.Suppressed for many years by the estate of Dracula author Bram Stoker, the film was thought, for many years, to be ""lost."" Indeed, it was not lost, but, like the undead monster that is its subject, rose again from the celluloid graveyard of antique films, to haunt the world once more. Now, author C. Augustine has adapted the script fo this horror legend as a novel, one calculated to fulfill the gothic dread promised by the original film, and provide the reader with many dark, disturbing dreams.
Come, tour the wild hills and deep, black forests of Transylvania with us. Climb aboard the creaking carriage. We're headed to the Borgo Pass, to Castle Orlok, for a night of terror that will leave you screaming for the dawn... In the acclaimed silent film Nosferatu (1922), filmmaking pioneer F.W. Murnau offered to the world what has been described as the most "realistic" vampire film ever made. Suppressed for many years by the estate of Dracula author Bram Stoker, the film was thought, for many years, to be "lost." Indeed, it was not lost, but, like the undead monster that is its subject, rose again from the celluloid graveyard of antique films, to haunt the world once more. Now, author C. Augustine has adapted the script for this horror legend as a novel, one calculated to fulfill the gothic dread promised by the original film and provide the reader with many dark, disturbing dreams.
Retelling of Bram Stoker's Dracula based on the screenplay of the 1979 German film Nosferatu.
Director F.W. Murnau's Nosferatu: A Symphony of Horror, made in 1921, right after the devastating Spanish Flu pandemic, has become the ultimate cult classic among horror film buffs around the world. For years there was much speculation about the production background, the filmmakers, and their star, the German actor Max Schreck. This book tells the complete story drawing on rare sources. This book tells the complete story, drawing on rare sources. The trail leads to a group of occultists with a plan to establish a leading film company that would produce a momentous series of horror movies. Along the way, the author touches upon other classic German fantasy silents, such as The Golem, The Cabinet of Dr. Caligari and Metropolis.
F.W. Murnau's 1922 Nosferatu, the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula, starring Max Schreck as the hollow-eyed, cadaverous vampire, remains a potent and disturbing horror film. Kevin Jackson's study traces Nosferatu's eventful production and reception history, including attempts by Stoker's widow to suppress it.
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
Director F.W. Murnau's Nosferatu: A Symphony of Horror, made in 1921, right after the devastating Spanish Flu pandemic, has become the ultimate cult classic among horror film buffs around the world. For years there was much speculation about the production background, the filmmakers, and their star, the German actor Max Schreck. This book tells the complete story drawing on rare sources. This book tells the complete story, drawing on rare sources. The trail leads to a group of occultists with a plan to establish a leading film company that would produce a momentous series of horror movies. Along the way, the author touches upon other classic German fantasy silents, such as The Golem, The Cabinet of Dr. Caligari and Metropolis.
The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays—the modernist screenplays—challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two.