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Presents a fascinating, superbly illustrated, account by one of the UK's leading architectural historians, of the history, dereliction and restoration of a complex, originally Tudor, manor house. Northwold Manor is a multi-period listed building (grade II*), about which almost nothing was known. Uninhabited since 1955, it had fallen into a state of extreme dereliction, and was beyond economic repair when the author purchased the property in 2014. He and his wife, Diane Gibbs, embarked on a major restoration that ran for nine years. The restoration was carried out as a quasi-archaeological operation, revealing that the building complex had Tudor origins, followed by the construction of a Stuart house, with Georgian improvements, and a new entertaining suite added in 1814. The Manor, with its fine drawing room, ballroom and orangery, was the grandest house in Northwold, and research into the families that occupied it revealed unexpected connections to the French Bourbon Court. From the 17th to the 20th century, the Carters were the principal owners, and a local branch of the family included Howard Carter, discoverer of Tutankhamen’s tomb. This account begins with a topographical study of Northwold and its three medieval manors, followed by an exploration of the decline of the Carter family in the late 19th century. That triggered the break-up of the Northwold Estate in 1919. Passing through several ownerships, the Manor was earmarked for demolition in 1961; reprieved, it became a furniture store in the 1970s, and every room was solidly packed. As the roofs failed and water poured in, ceilings and floors collapsed, carrying with them the stacks of rotting furniture. By the late 1990s, walls and gables were collapsing too, and the local authority attempted to intervene. A long struggle to save the Manor ensued, finally ending with compulsory purchase in 2013. Although manor houses occur in most English parishes, they have received surprisingly little archaeological study. Every year, hundreds are restored or altered, but rarely accompanied by detailed recording or scholarly research; and popular television programs reveal the shameful level of destruction that takes place in the name of ‘restoration’. This is a book like no other: the holistic approach to the rehabilitation of Northwold’s derelict manor house – involving history, archaeology, architecture and genealogy – demonstrates how much can be learned about a building that had never before been studied. The project has received several awards.
Account of the rescue and study of a 17th century Grade II* Listed Building complex in Norfolk encompassing archaeology, history, genealogy, restoration and sympathetic rehabilitation.
A tale of two Londons, and two writers obsessed with Peter Pan, from one of Latin Americas most playful and stylish novelists.
For almost three hundred years, excavations have been carried out in Roman Bath. At first these were rare and sporadic and archaeological finds were made by chance. Even fewer were reported. But from the 1860s, deliberate investigations were made and increasingly professional methods employed. The Roman Baths were laid open to view, but little was published. From the 1950s, interest accelerated, professionals and amateurs collaborated, and there was never a decade in which some new discovery was not made. The first popular but authoritative presentation of this work was made in 1971 and updated several times. However, from the 1990s to the present there has been some sort of archaeological investigation almost every year. This has thrown much new and unexpected light on the town of Aquae Sulis and its citizens. In this book, Peter Davenport, having been involved in most of the archaeological work in Bath since 1980, attempts to tell the story of Roman Bath: the latest interim report on the 'Three Hundred Year Dig'.
Peasant Perceptions of Landscape marks a change in the discipline of landscape history, as well as making a major contribution to the history of everyday life. Until now, there has been no sustained analysis of how ordinary medieval and early modern people experienced and perceived their material environment and constructed their identities in relation to the places where they lived. This volume provides exactly such an analysis by examining peasant perceptions in one geographical area over the long period from AD 500 to 1650. The study takes as its focus Ewelme hundred, a well-documented and archaeologically-rich area of lowland vale and hilly Chiltern wood-pasture comprising fourteen ancient parishes. The analysis draws on a range of sources including legal depositions and thousands of field-names and bynames preserved in largely unpublished deeds and manorial documents. Archaeology makes a major contribution, particularly for understanding the period before 900, but more generally in reconstructing the fabric of villages and the framework for inhabitants' spatial practices and experiences. In its focus on the way inhabitants interacted with the landscape in which they worked, prayed, and socialised, Peasant Perceptions of Landscape supplies a new history of the lives and attitudes of the bulk of the rural population who so seldom make their mark in traditional landscape analysis or documentary history.
The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala. In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.
Jonathan Eaton has provided the essential volume for all students of Archaeology, Classical Civilisations and Ancient History by condensing the entire archaeological history of Britain into one accessible volume. ??The Archaeological History of Britain takes us from the earliest prehistoric archaeology right up to the contemporary archaeology of the present day through the use of key sites to illustrate each key time period as well as a narrative of change to accompany the changing archaeological record. The wide range of evidence utilised by archaeologists, such as artefacts, landscape studies, historical sources and genetics are emphasised throughout this chronological journey as are the latest theoretical advances and practical discoveries, making this the most advanced narrative of British archaeology available.
The metaphor of the palimpsest has been increasingly invoked to conceptualize cities with deep, living pasts. This volume seeks to think through, and beyond, the logic of the palimpsest, asking whether this fashionable trope slyly forces us to see contradiction where local inhabitants saw (and see) none, to impose distinctions that satisfy our own assumptions about historical periodization and cultural practice, but which bear little relation to the experience of ancient, medieval or early modern persons. Spanning the period from Constantine’s foundation of a New Rome in the fourth century to the contemporary aftermath of the Lebanese civil war, this book integrates perspectives from scholars typically separated by the disciplinary boundaries of late antique, Islamic, medieval, Byzantine, Ottoman and modern Middle Eastern studies, but whose work is united by their study of a region characterized by resilience rather than rupture. The volume includes an introduction and eighteen contributions from historians, archaeologists and art historians who explore the historical and cultural complexity of eastern Mediterranean cities. The authors highlight the effects of the multiple antiquities imagined and experienced by persons and groups who for generations made these cities home, and also by travelers and other observers who passed through them. The independent case studies are bound together by a shared concern to understand the many ways in which the cities’ pasts live on in their presents.
A highly detailed study of the World War II German battleship that sparred with the British Royal Navy from 1939–43. The Kriegsmarine's Scharnhorst was a German capital ship, described either as a battleship or battlecruiser, and the lead ship of her class, which included one other ship, Gneisenau. She was launched on 3 October 1936 and completed in January 1939, armed with nine 28cm C/34 guns in three triple turrets. She operated with Gneisenau for much of the early portion of World War II, including sorties into the Atlantic to raid British merchant shipping. They took part in Operation Weserübung (April–June 1940), the German invasion of Norway during which they sank the aircraft carrier HMS Glorious and her escort destroyers Acasta and Ardent. Scharnhorst also sank HMS Rawalpindi in November 1939. In early 1943, Scharnhorst joined the Tirpitz in Norway to intercept Allied convoys to the Soviet Union. On a sortie from Norway to attack a convoy, the German force was intercepted by British ships and during the Battle of the North Cape (26 December 1943), HMS Duke of York and her escorts sank Scharnhorst and most of her crew was lost. This is the most comprehensive examination of Scharnhorst ever published, drawing on new research and technology to tell the full story of the ship. It includes a complete set of detailed line drawings with fully descriptive keys and full-color artwork, supported by technical details, photographs, and text on the building of the ship, as well as a record of her service history.