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A unique perspective on the landscapes of Northumberland
The county's remarkable and richly varied military architecutre, from Hadrian's Wall to Warkworth, contrasts with monastic ruins buried deep in the valleys of the Coquet and the Aln or standing proudly by the sea at Holy Island and Tynemouth. Newcastle upon Tyne has the most elegant nineteenth-century city centre in England. Elsewhere the distinctive smaller towns include Alnwick, dominated by its castle, Hexham with its priory, brick-built Morpeth, and Berwick-upon-Tweed, ringed with exceptional sixteenth-century fortifications. Great country houses range from Vanbrugh's theatrical Seaton Delaval to Sir Charles Monck's austere Belsay and Norman Shaw's romantic Cragside. Monuments of a great industrial past, as well as a wealth of smaller buildings, such as bastle houses (peelhouses or stronghouses unique to the Border country), are all vividly described in this revised guide to Northumberland's architectural pleasures.
An engaging insight into Northumberland's hidden heritage
It is April 1551. While the family of Lord Henry Grey are visiting their Devon estate, the Grey sisters are saved from drowning by a local medical apprentice, Richard Stocker. Little does Richard know that this single act will plunge him into a tide of religious and social upheaval which will change not only his own life but the course of British history. In gratitude for saving his daughters, Lord Henry agrees to employ Richard in his household. Lady Katherine has already fallen for her father’s handsome new employee, while Richard is in thrall to the intellect of her troubled but brilliant sister, Lady Jane, with whom he forms a close friendship. Following King Edward’s death, the teenaged Lady Jane is proclaimed Queen. Soon, however, she is deposed and put to the axe. The woman Richard has grown to love as a friend, confidante and adviser is dead. Bereft, he abandons the intrigues and deceptions of Court life, resolving to resume his medical apprenticeship. In the Shadow of Lady Jane is a memorable and richly imagined work of historical fiction – at once a gripping political thriller and a compelling love story.
« Television Shakespeare » : l’expression a-t-elle encore un sens à une époque où Shakespeare à la télévision ne se réduit plus à la série BBC mais est devenu, notamment au fil des innovations technologiques, un concept de plus en plus hybride, porteur d’une infinie variété ? Ce volume offre au lecteur un examen précis d’adaptations télévisuelles des pièces shakespeariennes tout en questionnant les limites poreuses que le 21e siècle fait apparaître entre la télévision et les autres médias, Shakespeare semblant pouvoir ou devoir se prêter à toutes les métamorphoses.
Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.
'Muhlstein is an excellent writer: the book is effective, its characters vividly portrayed.' - History Today This major double biography examines the relationship between the two queens: Elizabeth, one of the few queens to never marry and so never to subordinate herself and her power, and Mary, who is seen as a slave to passion.
Elizabeth I is perhaps England's most famous monarch. Born in 1533, the product of the doomed marriage of Henry VIII and Anne Boleyn, Elizabeth was heir to her father's title, then disinherited and finally imprisoned her half sister Mary. Her childhood was one of fear and danger, she was aware from the outset that the eyes of the world were upon her and that to survive she would have to rely on her own judgement and strength of character. Many tried to use her for their own ends, however she rose out of the shadows and on the death of her sister, she became Gloriana - England's most iconic queen.