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"This volume of essays, talks, reviews and papers span some fifty years of his long writing career." (Midwest)
A collection of quotations from Canada’s greatest literary theorist. "There is no Canadian writer of whom we can say ... that their readers can grow up inside their work without ever being aware of a circumference." Northrop Frye came to that conclusion after a detailed study of the imaginative achievements of Canada’s writers from the earliest period to 1965, when that sentence from his study first appeared in print. Over the decades since then, the statement has come to be regarded as a benchmark of individual and national literary achievement. The Northrop Frye Quote Book is a specialized dictionary of quotations on all subjects that is based on the thoughts and writings of one person. It is the handiwork of a single contributor, albeit the cogitations of a remarkable one. It is also evidence that there is a Canadian writer of whom it may be said that we can grow up inside his work "without ever being aware of a circumference." John Robert Colombo has written, translated, edited, or compiled over two hundred books, including seven dictionaries of quotations. He is a graduate of the University of Toronto and a Fellow of the Frye Centre at Victoria University. Jean O’Grady, a graduate of the University of Toronto, served as the associate editor of The Collected Works of Northrop Frye. She is also the author of the biography of Margaret Addison, the first dean of women at Victoria College.
In 1933, Northrop Frye was a recent university graduate, beginning to learn his craft as a literary essayist. By 1963, with the publication of The Educated Imagination, he had become an international academic celebrity. In the intervening three decades, Frye wrote widely and prodigiously, but it is in the papers and lectures collected in this installment of the Collected Works of Northrop Frye, that the genesis of a distinguished literary critic can be seen. Here is Frye tracing the first outlines of a literary cosmology that would culminate in The Anatomy of Criticism (1958) and shapeThe Great Code (1982) and Words with Power (1990). At the same time that Frye garnered such international acclaim, he was also a working university teacher, lecturing in the University of Toronto's English Language and Literature program. In her lively introduction, Germaine Warkentin links Frye's evolution as a critic with his love of music, his passionate concern for his students, and his growing professional ambition. The writings included in this volume show how Frye integrated ideas into the work that would consolidate the fame that Fearful Symmetry (1947) had first established.
The Twentieth-Century Humanist Critics revisits the work and place of eight scholars roughly contemporary with Anglo-American New Criticism: Leo Spitzer, Ernst Robert Curtius, Erich Auerbach, Albert Béguin, Jean Rousset, C.S. Lewis, F.O. Matthiessen, and Northrop Frye. William Calin first considers the achievements of each critic, examining his methodology and basic presuppositions as well as the critiques marshalled against him. Calin explores their relation to history, to canon-formation, and to our current theoretical debates. He then goes on to show how all eight form a current in the history of criticism related to both humanism and modernism. Underscoring the international, cosmopolitian aspects of literary scholarship in the twentieth century, The Twentieth-Century Humanist Critics brings together humanist critical traditions from Europe, the United Kingdom, and North America and reveals the surprising extent to which, in various languages and academic systems, critics were posing similar questions and offering a gamut of similar responses.
The result is a pivotal work, redefining our understanding of one of the most important humanists of the twentieth century.
In 1933, Northrop Frye was a recent university graduate, beginning to learn his craft as a literary essayist. By 1963, with the publication of The Educated Imagination, he had become an international academic celebrity. In the intervening three decades, Frye wrote widely and prodigiously, but it is in the papers and lectures collected in this installment of the Collected Works of Northrop Frye, that the genesis of a distinguished literary critic can be seen. Here is Frye tracing the first outlines of a literary cosmology that would culminate in The Anatomy of Criticism (1958) and shapeThe Great Code (1982) and Words with Power (1990). At the same time that Frye garnered such international acclaim, he was also a working university teacher, lecturing in the University of Toronto's English Language and Literature program. In her lively introduction, Germaine Warkentin links Frye's evolution as a critic with his love of music, his passionate concern for his students, and his growing professional ambition. The writings included in this volume show how Frye integrated ideas into the work that would consolidate the fame that Fearful Symmetry (1947) had first established.
Preface xi Credits xv Abbreviations xvii Introduction xix The Modem Century 1 The Modern Century 3 I City of the End of Things 5 II Improved Binoculars 27 III Clair de lune intellectuel 48 The Arts 2 Current Opera: A Housecleaning 73 3 Ballet Russe 76 4 The Jooss Ballet 79 5 Frederick Delius 83 6 Three-Cornered Revival at Headington 87 7 Music and the Savage Breast 88 8 Men as Trees Walking 92 9 K.R. Srinivasa’s Lytton Strachey 96 10 The Great Charlie 98 11 Reflections at a Movie 103 12 Music in the Movies O08 13 Max Grafs Modern Music 112 14 Abner Dean’s It’s a Long Way to Heaven 113 15 Russian Art 114 16 Herbert Read’s The Innocent Eye 115 17 The Eternal Tramp 116 18 On Book Reviewing 123 19 Academy without Walls 126 20 Communications 134 21 The Renaissance of Books 140 22 Violence and Television 156 23 Introduction to Art and Reality 167 Politics, History, and Society 24 Pro Patria Mori 175 25 Wyndham Lewis: Anti-Spenglerian 178 26 War on the Cultural Front 184 27 Two Italian Sketches, 1939 I88 28 G.M. Young’s Basic 194 29 Revenge or Justice? 195 30 F.S.C. Northrop’s The Meeting of East and West 197 31 Wallace Notestein’s The Scot in History 201 32 Toynbee and Spengler 202 33 Gandhi 209 34 Ernst Jiinger’s On the Marble Cliffs 211 35 Dr. Kinsey and the Dream Censor 215 36 Cardinal Mindszenty 220 37 The Two Camps 222 38 Law and Disorder 224 39 Two Books on Christianity and History 226 40 Nothing to Fear but Fear 232 41 The Ideal of Democracy 235 42 The Church and Modern Culture 237 43 And There is No Peace 244 44 Caution or Dither? 246 45 Trends in Modern Culture 248 46 Regina versus the World 262 47 Oswald Spengler 265 48 Preserving Human Values 274 49 The War in Vietnam 282 50 The Two Contexts 283 51 The Quality of Life in the ‘7os 285 52 Spengler Revisited 297 53 The Bridge of Language 315 Notes 331 Emendations 381 Index 383
This book, based on extensive archival and historical work, identifies and brings to light additional and littlerecognized intellectual influences on Frye, and analyzes how they informed his thought. These are variously major thinkers, sets of texts, and intellectual traditions: the Mahayana Sutras, Machiavelli, Rabelais, Boehme, Hegel, Coleridge, Carlyle, Mill, Jane Ellen Harrison and Elizabeth Fraser. In each chapter, dedicated to Frye’s connection to a specific influence, Denham describes how Frye became acquainted with each, and how he interpreted and adapted certain ideas from them to help work out his own conceptual systems. Denham offers insights on Frye’s relationship with his historical and intellectual contexts, provides valuable additional context for understanding the work of one of the 20th century’s leading scholars of literature and culture. Includes over 20 photos, tables and figures, as well as a chapter on Frye’s personal relationship with Elizabeth Fraser.
Northrop Frye’s Uncollected Prose, which features twenty-one pieces in the form of notes, prefaces, reviews, and talks, is the latest addition to the impressive body of writing by and about Frye. Among the highlights of the collection are Frye’s “Notes on Romance,” written in preparation for the lectures that eventually became The Secular Scripture; a newly discovered early notebook, parts of which may date from his second year as an undergraduate at Victoria College; and a pair of previously unavailable interviews. Expertly introduced by Robert D. Denham, one of the leading editors of Frye’s papers, Northrop Frye’s Uncollected Prose offers valuable insight into Frye’s early life, his research methodology, and thought process, and is further proof of the remarkable depth and range of his work.
In the third published volume of Canadian literary critic Frye's (1912-91) 77 holograph notebooks, the material is mostly from the 1970s, when he was writing the first of his books on the Bible, The Great Code. However, it begins with Notebook Three from the late 1940s in which he writes primarily on religious themes. It concludes with Notebook 23 from the middle 1980s, written between his first and second book on the Bible; and one from the 1960s devoted largely to his reading of Dante's Purgatorio and the first ten cantos of the Paradiso. Altogether the volume contains 11 notebooks, three sets of typed notes, and a transcription of 24 lectures on The Mythological Framework of Western Culture in 1981-82. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).