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A New York Times Editors' Choice Book From the critically-acclaimed author of Shelter, an unflinching portrayal of a woman trying to come to terms with the ghosts of her past and the tortured realities of a deeply divided America. Elinor Hanson, a forty-something former model, is struggling to reinvent herself as a freelance writer when she receives an unexpected assignment. Her mentor from grad school offers her a chance to write for a prestigious magazine about the Bakken oil boom in North Dakota. Elinor grew up near the Bakken, raised by an overbearing father and a distant Korean mother who met and married when he was stationed overseas. After decades away from home, Elinor returns to a landscape she hardly recognizes, overrun by tens of thousands of newcomers. Surrounded by roughnecks seeking their fortunes in oil and long-time residents worried about their changing community, Elinor experiences a profound sense of alienation and grief. She rages at the unrelenting male gaze, the locals who still see her as a foreigner, and the memories of her family’s estrangement after her mother decided to escape her unhappy marriage, leaving Elinor and her sister behind. The longer she pursues this potentially career-altering assignment, the more her past intertwines with the story she’s trying to tell, revealing disturbing new realities that will forever change her and the way she looks at the world. With spare and graceful prose, Jung Yun's O Beautiful presents an immersive portrait of a community rife with tensions and competing interests, and one woman’s attempts to reconcile her anger with her love of a beautiful, but troubled land.
Everything I Loved More is a roller-coaster collection of true short stories that follow a young man searching for sincere adventure along the tops of freight trains and mountain ranges. The danger can be nausea-inducing while he hangs on a single flexing hold of sandstone hundreds of feet off the ground or attempts to skirt the sexual advances of a meth smoking trucker while hitchhiking through the middle of nowhere. Between the many gripping scenes, his debasing humor acknowledges the foolish romance of it all.Beyond each singular exciting and hapless adventure, an important journey is told between the tales: the journey of a young man attempting to combat mental health issues with a potent dose of unabashed recklessness - and just how well it almost works.
Now a major film! New York Times bestselling author and “one of America’s top cultural critics” (Entertainment Weekly) Chuck Klosterman’s debut novel brilliantly captures the charm and dread of small-town life. Somewhere in rural North Dakota, there is a fictional town called Owl. They don’t have cable. They don’t really have pop culture, but they do have grain prices and alcoholism. People work hard and then they die. But that’s not nearly as awful as it sounds; in fact, sometimes it’s perfect. Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. A history teacher, she gets free booze and falls in love with a self-loathing bison farmer. Widower and local conversationalist Horace Jones has resided in Owl for seventy-three years. They all know each other completely, except that they’ve never met. But when a deadly blizzard—based on an actual storm that occurred in 1984—hits the area, their lives are derailed in unexpected and powerful ways. An unpretentious, darkly comedic story of how it feels to exist in a community where local mythology and violent reality are pretty much the same thing, Downtown Owl is “a satisfying character study and strikes a perfect balance between the funny and the profound” (Publishers Weekly).
Selected articles from the publications of the State Historical Society of North Dakota, 1906-2008.
The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.
It was the safest state in America, where a single murder in a year was the usual. People there descended from hearty settlers who had withstood a challenging life by cooperating. When a growing young town with recently paved streets was struck by annual murders for three consecutive years, something had changed. Each crime was more violent and heinous than its predecessor, beginning when one of the towns favorites, a personable high school cheerleader, was murdered in her familys home in a sex-related attack. Within months came the bloody bludgeoning to death of a young mother in her own home. As one homicide was prosecuted and investigation moved forward on the second, a young mans body was found bisected, with the halves floating in bags in a river.
"How to be: NORTH DAKOTA offers regional history and culture through lessons and activities about becoming "North Dakotan." Local humor with universal appeal, it is the perfect gift for a native, a state rival, a new parent or any American looking to learn about a state that's more than "the top Dakota--Page 4 of cover.