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The one-act plays in this collection were first performed in the inaugural presentation of the New Plays Festival at Gardner-Webb University in 2003. The Festival is an initiative of the theater program at GWU dedicated to developing new plays and encouraging early-career playwrights. DUELality is an historical parody of the famous Hamilton-Burr duel. Milking Success details the eccentricities of two success-ridden filmmakers. The Cure is a riotous "battle of the sexes" where nirvana reigns over reason. Social Etiquette is an absurd farce about a dysfunctional family living in a closet. The End of the Road is an existential comedy about two travelers who have been everywhere and seen everything. Six Soldier Junction (the editor's own play) is a serious exploration of the experiences of six American soldiers in the first Gulf War. The mounting of this postmodern play corresponded with the American invasion of Iraq, proving its timeliness.
Acclaimed playwright Terrence McNally’s works are characterized by such diversity that critics have sometimes had difficulty identifying the pattern in his carpet. To redress this problem, in Muse of Fire, Raymond-Jean Frontain has collected McNally’s most illuminating meditations on the need of the playwright to first change hearts in order to change minds and thereby foster a more compassionate community. When read together, these various meditations demonstrate the profound ways in which McNally himself functioned as a member of the theater community—as a strikingly original dramatic voice, as a generous collaborator, and even as the author of eloquent memorials. These pieces were originally written to be delivered on both highly formal occasions (academic commencement exercises, award ceremonies, memorial services) and as off-the-cuff comments at highly informal gatherings, like a playwriting workshop at the New School. They reveal a man who saw theater not as the vehicle for abstract ideas or the platform for political statements, but as the exercise of our shared humanity. “Theatre is collaborative, but life is collaborative,” McNally says. “Art is important to remind us that we’re not alone, and this is a wonderful world and we can make it more wonderful by fully embracing each other. [. . .] I don’t know why it’s so hard to remind ourselves sometimes, but thank God we’ve had great artists who don’t let us forget. And thank the audiences who support them because I think that those artists’ true mission has been to bring the barriers down, break them down; not build walls, but tear them down.”
YOUNG PLAYWRIGHTS 101 is a complete playwriting course that uses easy-to-follow lessons and practical exercises to guide playwrights from idea through submission. While it was originally written with young playwrights and their teachers in mind, you dont have to be a student or drama teacher to benefit from YOUNG PLAYWRIGHTS 101: no matter what your age or experience, if youre looking for detailed, no-nonsense advice about the craft and business of playwriting-and to write plays that will actually be produced-this is the resource for you. Here are just a few examples of topics youll find inside: Creating Characters Conflict Play Structure Choosing the Right Setting The "Question" of the Play How to Use an Outline Handling Exposition Using Punctuation to Write Better Dialogue Opening and Ending Your Play The Writing Process Dealing with Writer's Block Choosing the Best Title Recentering Your Play Rewriting Using the Expanded Writer's Web and Troubleshooter's Checklist How to Have a Useful Play Reading The Playwright's Bill of Rights and much, much more Whether youre writing your first play, want to brush up on your skills or are looking for that missing something in your writing, YOUNG PLAYWRIGHTS 101 is the jumpstart you need to write plays that make it to the stage.
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
The fully updated new edition of this indispensable guide.
Mourning the Marigolds: Eccentric, sixtyish Bessie Levinson she sits on a park bench in Russell Square Park in London and tells her life story to Charlie Hampton, a stranger. Elsewhere in the park is Father Frank McAllister, an Irish priest, also in his sixties, strolling with his niece. He's telling Julie a very similar story... Frank's and Bessie's love affair unfolded and ended. However, on this particular chilly autumn afternoon, with Bessie's beloved marigolds about to gasp their last, there's a chance meeting between two old lovers... A Day in the Life of Eleanor Duncan: Eleanor Duncan is a 72-year-old homeless woman living on a park bench in Central Park. She believes her bench to be her "home", which is wonderfully located so she can overlook skaters and lovers. She has been on the streets for twenty-four years and wouldn't have it any other way. On this Christmas Eve, Eleanor welcomes a string of visitors and regales them all with stories from her past. As she enjoys Christmas Eve dinner, she's surprised by her final visitor of the day...the last visitor of her life. Wednesday: An aging woman chances to meet her long-time housekeeper in the park after thirty years. The time has been kind to one and not so kind to the other. As the two elderly women sit in the chill of a late November afternoon, they discover their differences may not be as great as they always thought. Thursday: Two sisters in their seventies--one with Alzheimer's, the other her caregiver--have taught each other about coping and unconditional love.
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