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This is the first and foremost in-depth biography written about Marilyn Monroe after her death. The book sets the record straight from primary sources as to just what happened to the most provocative female legend of the twentieth century. It has been translated into fourteen languages and is prominently considered as "the definitive biography" (Los Angeles Times) of Marilyn Monroe.
The story of Marilyn Monroe.
Marilyn Monroe remains the most provocative female legend of the twentieth century. What you may have known about her before was only the tip of the iceberg. For twenty years, the men and women who knew Marilyn best saw what they knew suppressed because certain important people were still living, and the tenor of the times prohibited frankness. Instead, rumors ballooned. This book finally sets the record straight. Fred Guiles—whom Norman Mailer acknowledges as the chief source of fact about Marilyn—has written the life behind the legend. He reveals what really happened in the careening career of the pretty waif named Norma Jean Mortensen, who married the boy next door, became a model, an actress, movie star, married an incompatible legend named Joe DiMaggio, sought to improve the mind that came with her near-perfect body, married playwright Arthur Miller, lent herself to the Svengalilike ministrations of Paula and Lee Strasberg, became the mistress of John and then Robert Kennedy when they ran the country, kept camera crews and studios waiting—but not death, which took her under the most unusual circumstances by the age of thirty-six. A legend, by definition, is unaltered by fact, but the enthralled reader will find the revelations in this book no deterrent to the love of Marilyn Monroe by understanding at last what happened to the Queen of Need. Among the people interviewed for this book are Arthur Miller; James E. Dougherty, her first husband; Frank Taylor, the producer of The Misfits; Lee Strasberg; Otto Preminger; Billy Wilder; Joshua Logan and John Huston.
A biography of the screen icon, from her early days as an orphan to her rise to stardom; includes discussion of her film career, marriages, and tragic death.
Anne Carson’s new work that reconsiders the stories of two iconic women—Marilyn Monroe and Helen of Troy—from their point of view Winner of the Governor General Award in Poetry Norma Jeane Baker of Troy is a meditation on the destabilizing and destructive power of beauty, drawing together Helen of Troy and Marilyn Monroe, twin avatars of female fascination separated by millennia but united in mythopoeic force. Norma Jeane Baker was staged in the spring of 2019 at The Shed’s Griffin Theater in New York, starring actor Ben Whishaw and soprano Renée Fleming and directed by Katie Mitchell.
Relying on over 150 interviews as well as Marilyn's letters and diaries, this work by best-selling biographer Spoto casts new light on every aspect of the actress's tempestuous life.
"SHE STARTED OUT WITH LESS THAN ANY GIRL I EVER KNEW" So recalled Hollywood modeling agent Emmeline Snively of her client Norma Jeane Dougherty at the age of 19. "But she worked the hardest. She wanted to learn. She wanted to BE SOMEBODY more than anybody I ever saw before in my life." And she became Marilyn Monroe. That is, in the eyes of all but a select few insiders who like Miss Snively saw that the greatest sex symbol of all time was a pure fabrication. An exquisitely crafted act. A dazzling illusion who disappeared as soon as the makeup came off at night. Through those insiders' eyes CASTING NORMA JEANE now recaptures the late summer of 1946 as a restless model and starlet described as "pretty but plain" steps into a role that will make her the most photographed, most talked about, and most written about woman of the 20th century.
Written at the height of her fame but not published until over a decade after her death, this autobiography of actress and sex symbol Marilyn Monroe (1926-1962) poignantly recounts her childhood as an unwanted orphan, her early adolescence, her rise in the film industry from bit player to celebrity, and her marriage to Joe DiMaggio. In this intimate account of a very public life, she tells of her first (non-consensual) sexual experience, her romance with the Yankee Clipper, and her prescient vision of herself as "the kind of girl they found dead in the hall bedroom with an empty bottle of sleeping pills in her hand." The Marilyn in these pages is a revelation: a gifted, intelligent, vulnerable woman who was far more complex than the unwitting sex siren she portrayed on screen. Lavishly illustrated with photos of Marilyn, this special book celebrates the life and career of an American icon—-from the unique perspective of the icon herself.
A brilliant investigation into the debates surrounding Marilyn Monroe's life and the cultural attitudes that her legend reveals There are many Marilyns: sex goddess and innocent child, crafty manipulator and dumb blonde, liberated woman and tragic loner. Indeed, the writing and rewriting of this endlessly intriguing icon's life has produced more than six hundred books, from the long procession of "authoritative" biographies to the memoirs and plays by ex-husband Arthur Miller and the works by Norman Mailer and Joyce Carol Oates. But even as the books have multiplied, myth, reality, fact, fiction, and gossip have become only more intertwined; there is still no agreement about such fundamental questions as Marilyn's given name, the identity of her father, whether she was molested as a child, and how and why she died. The Many Lives of Marilyn Monroe reviews the unreliable and unverifiable-but highly significant-stories that have framed the greatest Hollywood legend. All the while, cultural critic Sarah Churchwell reveals us to ourselves: our conflicted views on women, our tormented sexual attitudes, our ambivalence about success, our fascination with self-destruction. In incisive and passionate prose, Churchwell uncovers the shame, belittlement, and anxiety that we bring to the story of a woman we supposedly adore. In the process, she rescues a Marilyn Monroe who is far more complicated and credible than the one we think we know.
The definitive biography.--Los Angeles Times