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Nora has made friends with all the people in her building--almost. Cranky Mrs. Ellsworth, whom Nora has nicknamed Mrs. Mind-Your-Own-Business, just won't be friendly. Then one day Mommy needs a baby-sitter for Nora and Teddy. No one can take the job...except Mrs. Mind-Your-Own-Business! Teddy is scared, but Nora is curious. Will Mrs. Mind-Your-Own-Business become their friend at last?
"What is your name?" That's what Nora asks her neighbors as she rides up and down the elevator of her apartment house. She doesn't mean to be a busybody. She just wants to be like doorman Henry and know all the people in her building--all 200 of them! And then one day Nora gets a great idea: they'll have a giant party, for everyone in the building!
A Doll's House by Henrick Ibsen tells the story of Nora, a woman who is treated like a doll in her own home. Set in Victorian Norway, Nora eventually flees her marriage and children in an attempt to discover herself despite being confined by patriarchal society. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Feeling neglected, Nora makes more and more noise to attract her parents' attention.
"Good morning America book club"--Jacket.
From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
"Crybaby, Crybaby!" That's what Russell calls Elisa whenever she gets upset, and she hates it. Elisa does get frustrated sometimes, like when she can't wear her favorite red shirt to school. But that doesn't mean she can't do other things -- like trade her mittens for a tooth so that the tooth fairy will come sooner, or have a beach party in the middle of winter -- whenever and however she wants!"
Biographic information and a bibliographyof other plays follow each script, providing readers with added sources for study.