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This collection of papers formed part of the symposium, Nomads, Traders and Holy Men Along China's Silk Road, held at the Asia Society in New York on November 9-10, 2001. Although the Silk Road has inspired several important museum exhibitions, none had focused on the Hexi Corridor nor attempted to analyze the complexity of the cross-cultural relationships within China's borders. Nor had any exhibition focused on the nearly four hundred years of political disunity, nomadic incursions and social upheaval, brought about by the collapse of the great Han dynasty (206 B.C.E.-220 C.E.), that then, after a series of short-lived dynasties, culminated in the reunification of China under the Tang empire (618-906).
Artifacts from the Ancient Silk Road explores the interconnectivity of the Eurasian continent from 4000 BCE to 1000 CE. It focuses on the role played by Central Asia through which passed the major trade routes, the Silk Roads. Artifacts from the Ancient Silk Road covers life along the Silk Road over 5000 years as it can be understood by considering objects. In this first object-based study to consider all of the peoples involved on the Silk Roads, objects provide the vehicles for explorations of different aspects of life for the various peoples of the Silk Roads, including the sedentary peoples who established urban life on the Silk Roads, the steppe nomads who regularly interacted with the settled peoples, and the peoples at either end of the Silk Roads who drove certain kinds of economic exchanges. The book looks at Central Asia as an international zone during ancient times when multiple religious, political, and technological ideas found acceptance in the region and allows for a better understanding of how some ideas and forms developed in Central Asia while others passed through or were modified.
This book covers new ground on the diffusion and transmission of geographical knowledge that occurred at critical junctures in the long history of the Silk Road. Much of twentieth-century scholarship on the Silk Road examined the ancient archaeological objects and medieval historical records found within each cultural area, while the consequences of long-distance interaction across Eurasia remained poorly studied. Here ample attention is given to the journeys that notions and objects undertook to transmit spatial values to other civilizations. In retracing the steps of four major circuits right across the many civilizations that shared the Silk Road, The Journey of Maps and Images on the Silk Road traces the ways in which maps and images surmounted spatial, historical and cultural divisions.
From the Bronze Age through the Middle Ages, a network of trade and migration routes brought people from across Eurasia into contact. Their commerce included political, social, and artistic ideas, as well as material goods such as metals and textiles. Reconfiguring the Silk Road offers new research on the earliest trade and cultural interactions along these routes, mapping the spread and influence of Silk Road economies and social structures over time. This volume features contributions by renowned scholars uncovering new discoveries related to populations that lived in the Tarim Basin, the advanced state of textile manufacturing in the region, and the diffusion of domesticated grains across Inner Asia. Other chapters include an analysis of the dispersal of languages across the Eurasian Steppe and a detailed examination of the domestication of the horse in the region. Contextualized with a foreword by Colin Renfrew and introduction by Victor Mair, Reconfiguring the Silk Road provides a new assessment of the intercultural evolution along the steppes and beyond. Contributors: David W. Anthony, Elizabeth Wayland Barber, Dorcas R. Brown, Peter Brown, Michael D. Frachetti, Jane Hickman, Philip L. Kohl, Victor H. Mair, J. P. Mallory, Joseph G. Manning, Colin Renfrew.
Drawing on the latest research and scholarship, this newly revised and updated edition of Religions of the Silk Road explores the majestically fabled cities and exotic peoples that make up the romantic notions of the colonial era.
Lutes and Marginality in Pre-Modern China traces the complex history of lutes as they moved from the far west into China, and how these instruments became linked to various forms of social, cultural, ethnic, and religious marginality within and at China’s borders. The book argues that the lute, a musical instrument that likely originated in the Near East or Central Asia, became a highly charged object replete with associations of ethnic and political identity, social status, and gender in China across the third to seventeenth centuries, and as such, offers a crucial vehicle for understanding interactions between the Chinese center and periphery. Using a richly interdisciplinary perspective that brings together music history, performance studies, archaeology, and art history, the author draws together the visual evidence for the history of Chinese lutes and analyzes the political and cultural dimensions of their depictions in art. In exploring the lute’s reception across time and space, this book illuminates the shifting relationships between China and cultures along its frontier, as well as the dynamics of gender and social status within China’s center. Comprehensive in scope, Lutes and Marginality in Pre-Modern China offers new insights for scholars of pre-modern China, art history, archaeology, music history, ethnomusicology, and Silk Road and frontier studies.
This volumes consists of selected papers from the 2004 conference of the Australasian Society for Inner Asian Studies. The papers cover topics relating to Ancient Chorasmia, Sogdia and China, Buddhist and Manichaean art, Middle Iranian manuscripts and Buddhist manuscripts from Afghanistan, Nestorian Christianity and contemporary Islam, Silk Road clowns and headcoverings of Central Asia. The collection highlights the range and depth of Australasian scholarship on Inner Asia and demonstrates that there are still many unexplored aspects of Silk Road Studies. Table of Contents: Part 1: Chorasmia, Sogdia and Uzbekistan: Alison V.G. Betts and V.N. Yagodin, Tash-k'irman-tepe Cult Complex: An Hypothesis for the Establishment of Fire Temples in Ancient Chorasmia - Dee Court, The Ordinary and the Extraordinary in Central Asian Headcoverings - Fiona Kidd, The Early Medieval Necropolis at Pap in the Ferghana Valley (Republic of Uzbekistan) - Michelle Negus-Cleary, Walls in the Desert: The Phenomenon of Central Asian Urbanism in the Kingdom of Ancient Chorasmia. Part 2: Christianity and Manichaeism: Samuel Lieu, Manichaean Art and Architecture Along the Silk Road - Vladimir Li?ak, Early Chinese Christianity in the Tang Empire: On the Crossroad of Two Cultures - Geoff Watson, The Ultimate Evangelical Away Game: British Missionary Endeavour in Central Asia c. 1830-1930. Part 3: Buddhism and Islam: Mark Allon, Recent Discoveries of Buddhist Manuscripts from Afghanistan and Pakistan and their Significance - Ken Parry, The Buddha as Colossus in Central Asia and China - Colin Mackerras, Religion in Contemporary Xinjiang. Part 4: Silk Road Exchanges: Holly Adams, Clowns on the Silk Road - Peter Edwell, Palmyrene Art, Architecture and Religion on the Euphrates: The Early Evidence for a Palmyrene Community at Dura Europos.
Buddhist steles represent an important subset of early Chinese Buddhist art that flourished during the Northern and Southern Dynasties period (386–581). More than two hundred Chinese Buddhist steles are known to have survived. Their brilliant imagery has long captivated scholars, yet until now the Buddhist stele as a unique art form has received little scholarly attention. Dorothy Wong rectifies that insufficiency by providing in this well-illustrated volume the first comprehensive investigation of this group of Buddhist monuments. She traces the ancient roots of the Chinese stele tradition and investigates the process by which Chinese steles were adapted for Buddhist use. She arranges the known corpus of Buddhist steles into broad chronological and regional groupings and analyzes not only their form and content but also the nexus of complex issues surrounding this art form—from cultural symbolism to the interrelations between religious doctrine and artistic expression, economic production, patronage, and the synthesis of native and foreign art styles. In her analysis of Buddhism’s dialogue with native traditions, Wong demonstrates how the Chinese artistic idiom planted the seeds for major achievements in figural and landscape arts in the ensuing Sui and Tang periods.
The contributions in this volume were mostly first presented at the conference "Research on Nestorianism in China. Zhongguo jingjiao yanjiu 中國景教研究" held in Salzburg, 20– 26 May 2003. Like the conference, the volume explores the subject of "Nestorianism" (jingjiao, "Luminous Religion") in a variety of aspects. The material of the present collection is organized in five parts. The first part presents different aspects of the past and current research on jingjiao. The second part discusses jingjiao in the Tang dynasty, especially the question of the "Nestorian" texts and documents, their authenticity and theology. The third part deals with the "Nestorian" inscriptions and remains from the Yuan dynasty, especially from Quanzhou. Part four is dedicated to questions of the Church of the East in Central Asia and other historically relevant countries. The last part of the book presents a "Preliminary Bibliography on the Church of the East in China and Central Asia" prepared especially for this volume.