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Her Valentine's fling! Usually cautious Dr. Ali Lockhart is starting afresh and leaving the ghosts of her life-changing accident behind. A Valentine's fling is just what she needs before starting her new career as a sports physician…but then her handsome stranger turns out to be her new boss! Dr. Aidan Tate's steely exterior hides a devastating heartbreak, but keeping things strictly professional with the tantalizing Ali is increasingly difficult. Especially as after that steamy night, what is forbidden promises to taste all the sweeter…
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit. There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet who, with her earthy charm and passion, embodied the '20s ideal of sexual daring; the avant-garde publishers Margaret Anderson and Jane Heap; and the wealthy hostesses of the salons, A'Lelia Walker and Mabel Dodge. Among the supporting cast are Emma Goldman, Isadora Duncan, Ma Rainey, Margaret Sanger, and Gertrude Stein. Andrea Barnet's fascinating accounts of the emotional and artistic lives of these women--together with rare black-and-white photographs, taken by photographers such as Berenice Abbott and Man Ray--capture the women in all their glory. This is a history of the early feminists who didn't set out to be feminists, a celebration of the rebellious women who paved the way for future generations.
#1 New York Times bestselling author Kathy Reichs, a producer of the Fox hit show Bones, is back with her fifteenth "pulse-pounding" (Publishers Weekly) novel featuring North America's favorite forensic anthropologist, Tempe Brennan--a story of infanticide and murder set in the high stakes, high danger world of diamond mining. Beneath a diamond's perfect surface lies a story of violence and greed. Just like bones... In a run-down Montreal apartment, Tempe finds heartbreaking evidence of three innocent lives ended. The landlord says Alma Rogers lives there--is she the same woman who checked into a city hospital as Amy Roberts, then fled before doctors could treat her uncontrolled bleeding? Is she Alva Rodriguez, sought by a man who appeared at the crime scene? Heading up an investigation crackling with the sexual tension of past intimacies, Tempe leads homicide detective Andrew Ryan and police sergeant Ollie Hasty along the woman's trail and into the farthest reaches of mining country--where the grim industry of unearthing diamonds exacts a price in blood. And where the truths the unlikely trio uncovers are more sinister than they could have imagined.
President-elect Kennedy spends November 18, 1960, alone at his parents' home on Palm Beach. He meets Enid, an attractive painter, by the water. The chance encounter triggers his puzzling decision to return to Florida immediately after Thanksgiving, leaving his heavily pregnant wife Jacqueline behind. Enid becomes the President's best kept secret and, unbeknown to him, much more than that. This presidency is strewn with dark mysteries from the demise of Marilyn Monroe to that of JFK himself; passing by the sidelining of lover Judith Exner, the forced repatriation of german model Ellen Rometsch, the wrath of Sinatra, the motives of Mafia bosses Giancana and Trafficante, the ominous warning to Press Secretary Salinger and the political survival of Edgar Hoover. Because Enid is not whom she seems. So who is this intelligent redhead, with gazelle eyes, who loves and dreams in the shadow of a president? Is she acting for others? If she is genuinely enamoured with JFK, she doesn't save him from the gun. And why does Mary Meyer, JFK's lifelong friend, meet the same fate thereafter? Masterly crafted around historical accounts, The Quiet Companion captures the reader in a fascinating web of intrigue until the last breathtaking page.
Not 'just another travelog' ' this is a light-hearted blend of observation, anecdote, humor and history, all sympathetically portrayed through the perceptive pen of a guest from Europe. The book was inspired by a USA coast-to-coast expedition from San Francisco to Washington DC to raise funds for charity (ALS, Lou Gehrig's Disease, Motor Neurone Disease), undertaken for much of the way in a 30-year-old open top 'classic' car along the historic Route 66. Little escapes review ' from cow-chip throwing to IndyCar racing; from poker running to the deeply ingrained religiosity of bible belt America. The story ranges from the sparkling waters of San Francisco Bay, via Amarillo in the Texas panhandle, to shipwreck in the pounding Atlantic surf off Cape Hatteras. People and places, and triumphs and tragedies of American history, all are there. The distinctive style is the author's own ' although he likes to think it is inspired by the best of Bryson, RL Stevenson and JK Jerome. Enjoy!
Mark Mills, bestselling author of Amagansett, The Savage Garden, and The Information Officer, is renowned for blending riveting history, rich atmosphere, and thrilling suspense. Now, in House of the Hunted, Mills deftly unfolds a story of betrayal, love, and the inescapable pull of the past as an ex-spy finds himself drawn back into his treacherous former life. Côte d’Azur, France, 1935: As Europe moves inexorably toward war, Tom Nash feels pleasantly removed, pursuing a quiet writing career on an idyllic stretch of the French Riveria. A former intelligence operative for the British government, Tom now finds refuge among the lively seaside community of expats and artists, hoping to put the worst deeds from his job—and memories of the woman he once loved—far behind him. But Tom’s peaceful existence is shattered when an unknown hit man tries to kill him in his sleep. Tom is sure that somebody knows his secrets, and that this attempt on his life won’t be the last. Relying on his instincts for self-preservation, Tom suspects everyone of double-dealing, even people he considers his friends: the Russian art dealers from Paris, the exiled German dissidents, even his former boss and closest confidant. And as he plunges further into his haunted past, Tom feels himself turning into the person he used to be—a dangerous man, capable of anything. Combining vividly drawn characters and gripping acts of espionage, House of the Hunted is a superbly crafted novel by an exceptional and versatile storyteller. Praise for House of the Hunted “Suspenseful and romantic . . . reminiscent of some of the best spy novels of the past.”—CNN “A wild-fire hybrid of John le Carré and Ernest Hemingway . . . an excellent read for those who enjoy both espionage and literary thrillers.”—Bookreporter “[Mark] Mills is a polished stylist with a singular talent for capturing the defining moment when something precious is about to be lost forever.”—The New York Times Book Review “This is bloody brilliant. . . . A masterpiece of espionage fiction that fully thrills, while evoking a time and place with the assurance of Alan Furst’s forays into prewar Europe. This novel is beautifully crafted, breathless, and immensely satisfying.”—Olen Steinhauer, New York Times bestselling author of The Tourist and The Nearest Exit “Explosive . . . a terse, carefully plotted journey [that will] have you guessing until the very end.”—Oprah.com “Mesmerizing . . . [Mills’s] best work in an already accomplished career.”—The Independent
Every year, in the heart of the Nile Delta, a festival takes place that was for centuries the biggest in the Muslim world: the mulid of al-Sayyid Ahmad al-Badawi of Tanta. Since the thirteenth century millions of believers from neighboring regions and countries have flooded into Tanta, Egypt’s fourth-largest city, to pay devotional homage to al-Badawi, a much-loved saint who cures the impotent and renders barren women fertile. This book tells for the first time the history of a mulid that for long overshadowed even the pilgrimage to Mecca. Organized by Sufi brotherhoods, it had, by the nineteenth century, grown to become the scene of a boisterous and rowdy festival that excited the curiosity of European travelers. Their accounts of the indecorous dancing and sacred prostitution that enlivened the mulid of al-Sayyid al-Badawi fed straight into Orientalist visions of a sensual and atavistic East. Islamic modernists as well as Western observers were quick to criticize the cult of al-Badawi, reducing it to a muddle of superstitions and even a resurgence of anti-Islamic pagan practices. For many pilgrims, however, al-Badawi came to embody the Egyptian saint par excellence, the true link to the Prophet, his hagiographies and mulid standing for the genuine expression of a shared popular culture. Catherine Mayeur-Jaouen shows that the mulid does not in fact stand in opposition to religious orthodoxy, but rather acts as a mirror to Egyptian Islam, uniting ordinary believers, peasants, ulama, and heads of Sufi brotherhoods in a shared spiritual fervor. The Mulid of al-Sayyid al-Badawi of Tanta leads us on a discovery of this remarkably colorful and festive manifestation of Islam.
Find out the exciting completion and sometimes nefarious ending of the fourth book of MICHAEL ZÈVACO'S THE PARDAILLAN and what is going to be the impossible to imagine climax of the series, in this new edition of Volume IV: Quietus Leonor was a typical French provincial woman, very beautiful, in her early twenties with golden hair, ice-blue eyes and lovely pale skin, as white as snow. Her svelte body would soon swing by the neck in the scaffold guaranteed to be a site for the eye of the beholder. Her principal crime was being the daughter of a Protestant and having a Catholic lover who left her. Aside from her intoxicating physical attributes, she loved to travel especially to the big cities and more specifically Paris. Where the splendor of spring was fitted for enamors during that time of the year. Even so, the stench of death and the bloody stains still perfumed the air and permeated the streets by the tens of thousands of cadavers that were further being cleared. This massacre of historical proportions had been the product of the great Huguenot slaughter during Saint Bartholomew's holidays. King Charles IX and his more culpable mother Catherine of Medici had thus cannily planned and conceived it. On occasions, new butchered Protestant bodies were found strewn on the side streets. Like on one morning, as she was strolling near Our Lady Cathedral, one of the sites of the massacre, she spotted a bishop wearing his full official garments going inside the church with the faithful where he was going to officiate mass in Latin; it was Sunday mid morning in May. He was a tall, virile man, of handsome features, with raven-black hair, but his peculiar eyes appeared familiar to Leonor, and not only the eyes, but his masculinity, his gait, in essence, the entire package. That something about him woke up her curiosity, and even though being a Protestant she had never gone to Our Lady or any church, for that matter, she chose to follow him inside. To her dismay, she discovered that the bishop at the altar officiating mass indeed was John, the lover who had abandoned her. The ringing of the small bells signaling the elevation ritual when John the bishop raised the consecrated elements of bread and wine during the celebration of the Eucharist, allowed her to see the features of his full face. Immediately, she launched in anger toward him, without realizing the importance of the sacredness of the moment, and went up the steps of the altar to expose the bishop's adulterous behavior in front of the community of Catholics. The faithful people shocked and angry rushed to seize her and hauled her off to the bottom of a wet and dark jail cell at a nearby prison. The tribunal took six months to find her guilt of heresy, blasphemy, and spreading publicly slanderous calumnies against the reverend bishop, and sentenced her to death by hanging. In the scaffold, the executioner placed the noose around her neck, and the trap door opened. As she fell to the void of her death, she began to spookily shout while swinging in the hangman's rope. However, those shouts were not of dying but were from labor pains. An innocent and scared creature had dropped, still connected to the umbilical cord of the mother's placenta, fallen on the scaffold's hardwood, begun crying and extended the arms as begging for the mercy of innocence while seeking the comfort, warmth and love that only a mother could give... Edited and Translated by Eduardo Berdugo
Scarlet Summer is about a serial murder in an otherwise uncorrupted (with exception to some degree of the usual "petty-crime") small Midwestern town. The sheriff who fights the odds at solving the murder case, finds himself face to face with the woman he loves, as a suspect! Seemingly swept up in the Sheriff's own personal storm, the story also follows the impact that the murders have on this small town and shows how quickly this unforeseen panic and suspicion leads friends and neighbors to turn against one another.
Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .