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Steve Adelman’s humorous and engaging memoir reflects on his years as the director of some of the world’s most popular nightclubs, including the Roxy, Limelight, Tunnel, and Palladium in the heyday of clubs in New York City during the 1980s and 1990s, followed by Avalon (Boston, Hollywood, and Singapore locations), and the New Daisy Theatre in Memphis. Nocturnal Admissions is a timely, nonconventional look at one of pop culture’s most outwardly glamorous, yet misunderstood industries, bringing the reader backstage into the world of nightlife at its highest level. Wearing the multiple hats of ringmaster, entrepreneur, guidance counselor, multimillion-dollar dealmaker, and music soothsayer, Adelman chronicles an improbable journey from small town to big city, filled with a cast of characters he could never have imagined: People named Hedda Lettuce, Jenetalia, Maxi Min, Jiggy, who collide with and around the likes of Jack Nicholson, Bruce Willis, Sir Richard Branson, Leonardo DiCaprio, RuPaul, Rudy Giuliani, and Snoop Dogg, among many, many others. Navigating city crackdowns, crazed partners, and cultural differences, Adelman relates how he watched his Nana out-dance an ex-NFL lineman, was chastised by Bob Dylan, launched the EDM musical movement, helped created the “mash up” with Perry Farrell, butted heads with Jerry Falwell, rang in the New Year with Matt Damon’s mother, leveraged porn star Jenna Jameson, relied on advice from felons, almost pancaked Prince, and built the world’s most lavish nightclub. Nocturnal Admissions is a hilarious, adrenaline-filled ride through the peak decades of the world's most famous nightclubs and nightlife scenes.
This sharply observed and bitingly funny novel exposes the over-the-top absurdity of New York City`s elite private school admissions circus. For Manhattan's most affluent parents, the Tuesday after Labor Day marks the beginning of the city's most competitive and vicious blood sport: the start of the private school admissions process. But for Helen Drager, mother of Zoe, it shouldn't be such an ordeal. After all, Helen's best friend Sara is an admissions officer at Zoe's current K-8. But Sara's position becomes precarious, and Helen soon finds herself drawn ever deeper into the mounting lunacy generated by the fierce competition.
He's back -- L. D. Brodsky's working stiff from St. Louis, with his Bud Light-hued worldview and his uniquely foul-mouthed, malapropistic takes on modern life and his own tenuous place in it. This volume, the title of which is our unlikely hero's trademark interjection, brings together his narrations from seven of Brodsky's short-fiction books, in which he made spot appearances. Together, these episodes in the hilarious chronicle of a true American "rough" prove Brodsky's uncanny ability to satirize both the best and the worst of American culture. You will never again experience anything like Guarangoddamnteeya! -- guarangoddamnteeya!
Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy. Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.
A witty and irreverent look at the collision of two dangerous subjects -- live television and sex. "Sue, I have a question about vaginal odour." The young woman on the phone sounds earnest. On the television screen, the sixty-something host leans forward with the concern of an attentive great aunt, listening intently. "Yes?" It's late Sunday evening, and all across Canada, 300,000 viewers are watching The Sunday Night Sex Show, eavesdropping on this most intimate of conversations. "Well, I don't think mine smells very good, and a friend told me I should take a bath in vinegar" Without a second's hesitation, Sue Johanson exclaims: "What are you trying to do? Pickle it?!" And then she laughs, a warm, inclusive, non-judgmental laugh that tells the young woman on the phone that she's poking fun at the suggestion, not the caller. Viewers chuckle at the gag, and then settle back to listen to the country's best-loved sexual educator give a well-informed, honest answer to an honest question. For six seasons, Sue Johanson has been ruining people's Mondays by making them stay up late Sunday night. Sex sells, but it's really not the topic that keeps viewers tuning in. It's Sue. They love her. In this book, RJ Gulliver, Sue's long-time director and consultant, tells the stories behind the shows. Transcripts of classic phone calls (both funny and poignant), stories of the erotic toys that didn't make it on the air, what goes on behind the cameras, and Sue's own story fill this book that will make you laugh out loud, and give you a new appreciation of Canada's favourite sex-ed teacher. It also includes a chapter written by Sue about the best herbal remedies to common sexual problems. In Canada, if Saturday night belongs to hockey, Sunday night belongs to Sue.
The basis for the Apple TV+ show Black Bird. In with the Devil presents the true story of a young man destined for greatness on the football field—until a few wrong turns led him to a ten-year prison sentence. He was offered an impossible mission: Coax a confession out of a fellow inmate, a serial killer, and walk free. Jimmy Keene grew up outside of Chicago. Although he was the son of a policeman and rubbed shoulders with the city's elite, he ended up on the wrong side of the law and was sentenced to ten years with no chance of parole. Just a few months into his sentence, Keene was approached by the prosecutor who put him behind bars. He had convicted a man named Larry Hall for abducting and killing a fifteen-year-old. Although Hall was suspected of killing nineteen other young women, there was a chance he could still be released on appeal. If Keene could get him to confess to two murders, there would be no doubt about Hall's guilt. In return, Keene would get an unconditional release from prison. But he could also get killed. A story that gained national notoriety, this is Keene's powerful tale of peril, violence, and redemption.
Jackie Swaitkowski may not be the most buttoned-up lawyer in the Hamptons, but a plane crash before her very eyes is hard to miss. Just before the struggling air taxi takes a nosedive, its female pilot tosses out a camera case. To Jackie, the accident's only witness, the case (so to speak) seems meant for her. The camera's memory card holds an unusual set of photos. Jackie recognizes more than a few of the faces in those pictures. Are they telling her the story of the crash? The pilot, a hard-nosed biker chick named Eugenie Birkson, came from a family tree filled with ex-cons, and boasted a passenger list packed with high society. And Jackie soon learns that solving the mystery of Eugenie's death will mean uncovering some dark secrets from her own past as well. All this and a freshly revived romance with gentle giant Harry Goodlander, and Jackie yet again has her heart and her hands full. Award-winning mystery writer Chris Knopf returns to Southampton, a one-of-a-kind small town where the rich and the rest of us rub shoulders on a daily basis, generating all the frictions that might imply.
This text offers the basics of news media feature writing and guides motivated beginners down the right path toward success as professional feature writers. It looks at newspaper, magazine, newsletter, and online publications, with emphasis on daily newspapers and consumer magazines.
Robert Bechtold Heilman is one of the last survivors of a remarkable generation of American critics that included such literary giants as Cleanth Brooks, Allen Tate, & Edmund Wilson, men to whom literary criticism was not a profession or an academic necessity but a calling. In a distinguished career that has spanned nearly six decades, Heilman has influenced generations of scholars & critics through his exquisitely written commentaries on subjects ranging from William Shakespeare to Thomas Hardy. In The Professor & the Profession, Heilman looks back over his life & times from his perspective as both an academic & an American. Differing in theme & subject matter, the essays included in this collection are ultimately unified by the author himself. Whether the topic is football, Robert Penn Warren, or education, Heilman's generous & intelligent voice emerges on every page. Yet this collection is more than one academic's personal reminiscences; it is a reflection upon American literary history itself. In the first section of essays, "The Self Displayed," Heilman reveals how he developed from a small-town boy into a distinguished critic & teacher, touching upon his love of baseball & football along the way. "Writers Portrayed" & "Literary Types & Problems Inspected," the following sections, offer his opinions on the past & on the current state of American literary criticism, including personal portraits of such renowned friends as Eric Voegelin, Robert Penn Warren, Theodore Roethke, & Malcolm Cowley. The final section, "Education Examined," is an enlightening inquiry into the development of American universities in the twentieth century. A fascinating chronicle of a significant academic life, The Professor & the Profession will appeal to a broad array of scholars, from young academics wanting to know where they came from to those of Heilman's generation who can appreciate this personal reminiscence into the world of letters.