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NATIONAL BESTSELLER • The Pulitzer Prize–winning author of Empire Falls returns to North Bath, the Rust Belt town first brought to unforgettable life in Nobody’s Fool. Now, ten years later, Doug Raymer has become the chief of police and is tormented by the improbable death of his wife—not to mention his suspicion that he was a failure of a husband. Meanwhile, the irrepressible Sully has come into a small fortune, but is suddenly faced with a VA cardiologist’s estimate that he only has a year or two left to live. As Sully frantically works to keep the bad news from the important people in his life, we are reunited with his son and grandson . . . with Ruth, the married woman with whom he carried on for years . . . and with the hapless Rub Squeers, who worries that he and Sully aren’t still best friends. Filled with humor, heart, and hard-luck characters you can’t help but love, Everybody’s Fool is a crowning achievement from one of the great storytellers of our time. Look for Everybody’s Fool, available now, and Somebody’s Fool, coming soon.
Man Up! is a hard hitting, hig, introspective look into what the Black community must do to save itself. Finally, a voice speaks to the complex relationship between personal and community responsibility. Steve Perry effectively calls to task organizations such as the NAACP and the Black church as well as talking heads like Michael Eric Dyson and Cornell West for their role in the retardation of the Black community. Ultimately Man Up! is about the simple solutions offered in each chapter.
The Detroit Tigers, an umpire, a pitcher, and a mistake—one of the “classic, human, baseball stories” (Ken Burns, creator of the PBS mini-series Baseball). The perfect game is one of the rarest accomplishments in sports. In nearly four hundred thousand contests in over 130 years, it has happened only twenty times. On June 2, 2010, Armando Galarraga threw baseball’s twenty-first. Except that’s not how it entered the record books. That’s because Jim Joyce, voted the best umpire in the game in 2010 and 2011, missed the call on the final out. But rather than throwing a tantrum, Galarraga simply turned and smiled, went back to the mound, and finished the game. “Nobody’s perfect,” he said later in the locker room. “You might think everything that could have been said, replayed, and revealed about that night has already been uttered, logged, and exposed. You would, however, be as wrong as the unfortunate Mr. Joyce” (The Detroit News). In Nobody’s Perfect, Galarraga and Joyce come together to tell the personal story of a remarkable game that will live forever in baseball lore, and to trace their fascinating lives in sports. The result is “a masterpiece”, an absorbing insider’s look at two careers in baseball, a tremendous achievement, and an enduring moment of pure grace and sportsmanship (The Huffington Post).
2021 Reprint of the 1925 Edition. The Man Nobody Knows is the second book by the American author and advertising executive Bruce Fairchild Barton. In it, Barton presents Jesus as "The Founder of Modern Business," in an effort to make the Christian story accessible to businessmen of the time. When published in 1925, the book topped the nonfiction bestseller list, and was one of the best-selling non-fiction books of the 20th century. Since its publication, The Man Nobody Knows has divided readers. Some welcome the portrayal of Jesus as a strong character, whom no one dared oppose, and praise the use of familiar stereotypes to stimulate interest in religion, whilst others ridicule the suggestion that Jesus was a salesman. Critics have suggested that The Man Nobody Knows is a prime example of the materialism and "glorified Rotarianism" of the Protestant churches in the 1920s.
A compassionate and captivating examination of evolving attitudes toward mental illness throughout history and the fight to end the stigma. For centuries, scientists and society cast moral judgments on anyone deemed mentally ill, confining many to asylums. In Nobody’s Normal, anthropologist Roy Richard Grinker chronicles the progress and setbacks in the struggle against mental-illness stigma—from the eighteenth century, through America’s major wars, and into today’s high-tech economy. Nobody’s Normal argues that stigma is a social process that can be explained through cultural history, a process that began the moment we defined mental illness, that we learn from within our communities, and that we ultimately have the power to change. Though the legacies of shame and secrecy are still with us today, Grinker writes that we are at the cusp of ending the marginalization of the mentally ill. In the twenty-first century, mental illnesses are fast becoming a more accepted and visible part of human diversity. Grinker infuses the book with the personal history of his family’s four generations of involvement in psychiatry, including his grandfather’s analysis with Sigmund Freud, his own daughter’s experience with autism, and culminating in his research on neurodiversity. Drawing on cutting-edge science, historical archives, and cross-cultural research in Africa and Asia, Grinker takes readers on an international journey to discover the origins of, and variances in, our cultural response to neurodiversity. Urgent, eye-opening, and ultimately hopeful, Nobody’s Normal explains how we are transforming mental illness and offers a path to end the shadow of stigma.
Nobody's Home is a bold view of the American novel from its beginnings to the contemporary scene. Focusing on some of the deepest instincts of American life and culture--individual liberty, freedom of speech, constructing a life--Arnold Weinstein brilliantly sketches the remarkable career of the American self in some of the major works of the past one hundred fifty years. Weinstein contends that American writers are haunted by the twin specters of the self as a mirage, as Nobody, and by the brutal forces of culture and ideology that deny selfhood to people on the basis of money, sex, and color of skin. His central thesis is that language makes possible freedoms and accomplishments that are achievable in no other realm, and that American fiction is a fascinating record of the human fight against coercion, of the kinds of maneuvering room that we may find in life and in art. This study is unique in several respects: it offers some of the keenest readings of major American texts that have ever been written, including some of the most significant works of the past decades, and it fashions a rich and supple view of the American novel as a writerly form of freedom, in sharp contrast to today's critical emphasis on blindness and co-option.
A comedy that juxtaposes fame with anonymity, and tyrannical abuse with fair governance. The rapid succession of monarchs across Nobody and Somebody satirizes the standard plots of “Shakespearean” histories that end with the overthrow or death of the preceding tyrannical monarch, and suggest hope that the next monarch will be better, before this hope is dispelled in the next tragic history, as is the case with the chronological series of Edward III, Richard II, and 1 Henry IV. Nobody is set in 85-60 BC, or just before the Roman invasion of the British Isles. The plot opens with two Court advisors, Cornwall and Marcian, scheming to overthrow their corrupt King Archigallo who unfairly confiscates land to grant it to Lord Sycophant and names a common Wench as his Queen. The coup d’état succeeds, and Elidure accepts the crown when the advisors explain he is the only rational choice. A while into his reign, Elidure finds Archigallo in exile in a forest, and insists that Archigallo retakes the throne from him. While Archigallo’s second term is less tyrannical it ends shortly thereafter due to his natural death, upon which the throne passes back to Elidure. Without a reprise in the events, Elidure’s two younger brothers then wage war against Elidure and overthrow him. And then these brothers cannot agree on who between them should have power over the other, and so they wage war against each other and both die, leaving Elidure to again reclaim the throne. The radical moral story against tyranny in this central plot is dampened by the constant interruptions of a rival plotline about Nobody and Somebody. Nobody is a fair, charitable and unassuming land owner, against whom the corrupt and fraudulent landowner called Somebody wages a slander-campaign. Every word in this play is dense not only with this extremely violent, sexually-charged and outrageous plotlines, but also with subtexts of implied meanings and historical backstory. Exordium Plot and Staging Primary Sources “The Seventh Chapter” About Elidure from the “Raphael Holinshed”-bylined and Gabriel Harvey and Richard Verstegan-Ghostwritten The Chronicles of England, Scotland, and Ireland “The Well-spoken Nobody” Alexander Smith’s “Note” from the 1877 Old-Spelling Glasgow Edition Text Terms, References, Questions, Exercises
"Nobody's Boy" by Hector Malot (translated by Florence Crewe-Jones). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
In the Small town of Finchley, upstate New York, three bodies are discovered in an old mine. Soon after, Sheriff Doug Harrison contacts the FBI for help. Ronin Nash is an ex-FBI special agent who wanted nothing more than to finish restoring the old family lake house. Now, Nash's old boss wants him back and on the Finchley case. Nash takes the job and travels to Finchley, expecting to solve the case quickly, but it turns out that things are not not as clear-cut as he thought. Someone in the small town has a secret, and they're willing to go to any lengths to protect it. A riveting crime thriller, Nobody's Agent is the first book in Stuart Field's Ronin Nash series.