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In this bold and innovative new work, Adrian Moore poses the question of whether it is possible for ethical thinking to be grounded in pure reason. In order to understand and answer this question, he takes a refreshing and challenging look at Kant’s moral and religious philosophy. Identifying three Kantian Themes – morality, freedom and religion – and presenting variations on each of these themes in turn, Moore concedes that there are difficulties with the Kantian view that morality can be governed by ‘pure’ reason. He does however defend a closely related view involving a notion of reason as socially and culturally conditioned. In the course of doing this, Moore considers in detail, ideas at the heart of Kant’s thought, such as the categorical imperative, free will, evil, hope, eternal life and God. He also makes creative use of the ideas in contemporary philosophy, both within the analytic tradition and outside it, such as ‘thick’ ethical concepts, forms of life and ‘becoming those that we are’. Throughout the book, a guiding precept is that to be rational is to make sense, and that nothing is of greater value to use than making sense.
California cultists, duplicitous damsels in distress, and dangerously high stakes conspire against Joe Quinn, a private eye who is beginnnig to feel more like a knight-errant Joe Quinn is cut adrift. He’s lost everything. His girl. His job. His place in the universe. A security head for a casino in Reno just can’t afford to have a gambling problem. Life takes a turn from tragic to strange when Quinn finds himself on the doorsteps of a religious cult’s tower in the remote California hills. Quinn hitched a ride from Reno but never thought he’d end up in a place like this. But a gambler has to play the hand he’s dealt. When one of the cultists asks Quinn to check on a man named Patrick O’Gorman and slides a not so small amount of money in his jacket, well, that’s just the sort of hand Quinn has been looking for. Thing is, Quinn soon finds out, O’Gorman disappeared under bizarre circumstances several years ago. For reasons he doesn’t entirely understand, perhaps for the sake of having a purpose, Quinn begins a lurid quest to uncover the truth. What he finds out instead is that there are just as many crazies outside the walls of a cultist tower as there are inside.
Hamlet is a twelve year-old boy who hangs out in cemeteries and has a black horse called Nightmare. Yorick is alive and well and teaching the gloomy little prince how to play with words. Young Hamlet worries that he will never be a good king because he thinks too much and doesn't like killing things or grabbing more land. Hamlet debates theology with Horatio and goes swimming with Ophelia but spends most of his time learning how to be a wise fool before Yorick mysteriously dies. Prince Hamlet is at once a stand-alone set of stories about a boy whose magical skills are intellectual and verbal and it is a canny foreshadowing of the major events and ideas in Shakespeare's most famous play. It turns out that Yorick is-as Harold Bloom observed-both Hamlet's true mother and his father.
This collection of essays reassesses the importance of verse as a medium in the long eighteenth century, and as an invitation for readers to explore many of the less familiar figures dealt with, alongside the received names of the standard criticism of the period.
Leading paleontologist J. David Archibald explores the rich history of visual metaphors for biological order from ancient times to the present and their influence on humans' perception of their place in nature, offering uncommon insight into how we went from standing on the top rung of the biological ladder to embodying just one tiny twig on the tree of life. He begins with the ancient but still misguided use of ladders to show biological order, moving then to the use of trees to represent seasonal life cycles and genealogies by the Romans. The early Christian Church then appropriated trees to represent biblical genealogies. The late eighteenth century saw the tree reclaimed to visualize relationships in the natural world, sometimes with a creationist view, but in other instances suggesting evolution. Charles Darwin's On the Origin of Species (1859) exorcised the exclusively creationist view of the "tree of life," and his ideas sparked an explosion of trees, mostly by younger acolytes in Europe. Although Darwin's influence waned in the early twentieth century, by midcentury his ideas held sway once again in time for another and even greater explosion of tree building, generated by the development of new theories on how to assemble trees, the birth of powerful computing, and the emergence of molecular technology. Throughout Archibald's far-reaching study, and with the use of many figures, the evolution of "tree of life" iconography becomes entwined with our changing perception of the world and ourselves.
Originally published in 1930, Wheel of Fire is the masterwork of the brilliant English scholar G. Wilson Knight in which he founds a new and influential school of Shakespearean criticism.
This Arden edition of Hamlet, arguably Shakespeare's greatest tragedy, presents an authoritative, modernized text based on the Second Quarto text with a new introductory essay covering key productions and criticism in the decade since its first publication. A timely up-date in the 400th anniversary year of Shakespeare's death which will ensure the Arden edition continues to offer students a comprehensive and current critical account of the play, alongside the most reliable and fully-annotated text available.
What can--and what can't--philosophy do? What are its ethical risks--and its possible rewards? How does it differ from science? In Philosophy as a Humanistic Discipline, Bernard Williams addresses these questions and presents a striking vision of philosophy as fundamentally different from science in its aims and methods even though there is still in philosophy "something that counts as getting it right." Written with his distinctive combination of rigor, imagination, depth, and humanism, the book amply demonstrates why Williams was one of the greatest philosophers of the twentieth century. Spanning his career from his first publication to one of his last lectures, the book's previously unpublished or uncollected essays address metaphysics, epistemology, and ethics, as well as the scope and limits of philosophy itself. The essays are unified by Williams's constant concern that philosophy maintain contact with the human problems that animate it in the first place. As the book's editor, A. W. Moore, writes in his introduction, the title essay is "a kind of manifesto for Williams's conception of his own life's work." It is where he most directly asks "what philosophy can and cannot contribute to the project of making sense of things"--answering that what philosophy can best help make sense of is "being human." Philosophy as a Humanistic Discipline is one of three posthumous books by Williams to be published by Princeton University Press. In the Beginning Was the Deed: Realism and Moralism in Political Argument was published in the fall of 2005. The Sense of the Past: Essays in the History of Philosophy is being published shortly after the present volume.
SHAKESPEARE IS FOR EVERYONE What was Hamlet's religion? Why did Othello believe Iago? Was Lear really more sinned against than sinning? Do you know a little about William Shakespeare - his characters, plots and language - but want to enjoy and appreciate his work more? Do you think Shakespeare is difficult or daunting, or just not for you? If so - 'O, let my book be then the eloquence...' to show you how wonderful and inspiring Shakespeare truly is. Thought-provoking and provocative about what Shakespeare wrote and why, 'Noble In Reason, Infinite In Faculty' explores the major themes and experiences of his life and times: religion and beliefs; kingship and rule; love and desire; and family bonds and relationships. His views on these subjects found a sublime voice in his work: "What a piece of work is a man! How noble in reason, how infinite in faculty" - are Hamlet's words that could easily describe his own creator. Shakespeare is for everyone - because everyone is in his plays and poems, just as much today as when he wrote them four centuries ago. William Shakespeare is perennially popular, but the 450th anniversary of his birth in 2014, and the 400th anniversary of his death in 2016, have both lead to an unprecedented interest in his life and works. There are many people with a little knowledge of Shakespeare who would like to know more - perhaps to improve their understanding and enjoyment before they go to a performance. 'Noble In Reason, Infinite In Faculty' offers an insight into the major themes the audience or reader will encounter in Shakespeare, put into the context in which they were written and first performed. 'Noble In Reason, Infinite In Faculty' aims to show how Shakespeare is accessible to, and enjoyable for everyone, and it employs a liberal use of quotations throughout to highlight the beauty and power of Shakespeare's language and wordplay. Each chapter can be read as a stand-alone reference to its particular topic; all explore plot, character development, language and literary devices used, and engage the reader into thinking in more depth about what they have seen on stage and read on the page. Bridging the gap between books on Shakespeare for complete beginners, and highly academic titles, 'Noble In Mind, Infinite In Faculty' has a smooth narrative flow, is written in clear language, and eschews the dryness and overly-technical approach of many academic literary critiques. This above all - 'Noble In Reason, Infinite In Faculty' aims to show and celebrate the piece of work that is William Shakespeare.
The story of Hamlet in production, from Burbage at the Globe to Branagh on film.