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We are on a threshold of a new era when we need new energies. How will this shift from the old to the new happen? What has the Bible, and what have the ancient prophecies and wisdom of India have to tell us about all this? Is it possible that we have the solution in our hands from thousands of years ago? Is it possible that in our life we all have started to build our own ark? Noah’s Ark in the XXI. century, new book of Zoltán Gábor Lukács has been released. This book is the first one of a new book series, Akasha conversations and discloses very deep connections. It reveals the results of my contemplation and research from the past years and decades. Let’s push the limits of our knowledge and imagination. Think of the story of Noah’s ark as the steps of rebirth, pregnancy and the opening of a new world. Let’s allow ourselves to loosen up the walls of our existing frame system for a moment. Is it possible that we have the solution in our hands from thousands of years ago? Is it possible that in our life we all have started to build our own ark? This book presents a fully new and unexplored approach and interpretation of the biblical flood. It gives a more complete understanding of the main drivers of our life. It reveals where our ship is sailing on the sea of life, what is waiting for us in the final port and how can we go on from that point. As it is written in the Bible, this is the end of times we live in, and the old world has worn out. A new energy is coming, a new era is waiting for us. Let’s go on this way, our ship is waiting for us to set sail and rely on the cosmic wind. Is it possible to have the opportunity soon to embark on Noah’s new ark that comes for us in the XXI. century? Noah’s Ark in the XXI. century is the first volume of the book series called Akasha Conversations. The upcoming volumes will be about the various topics of the lectures. About the author Zoltán Gábor Lukács, economist, researcher of India, writer, interpreter, leader and founder of Palm Leaf Reading International. He has a special life purpose of visiting ancient Indian sacred places and the libraries of palm leaves as a researcher. He is invited to special places to make movies and record information where widely known mainstream media, newspapers and movie channels are prohibited to enter. As only the chosen ones are allowed to such holy places which are protected by guardians. The keepers of the leaves and gurus are aware from his palm leaf that his mission is connected with those places. He writes his books upon the request of the gurus. He is permitted to reveal some very special details that were hidden from the world so far. Married, father of a son, lives in the Pilis mountain, a sacred place of Hungary, prefers tea clear and curry hot.
This book is about changing the way you look at projects, sharing a completely new way of running them. A way that focuses on people and leadership rather than the nuts and bolts of tasks. That approach was fine in the past, but now, with the rapid changes in the working environment and the technology supporting it, we need a less complex way, a way that values people. Before the industrial age changed how we lived our lives, people were still able to build great cathedrals, they made tremendous leaps in scientific understanding. From biblical times, there's a great example of project management, in Noah's Ark. Noah was given a crystal clear purpose and detailed specification, with the "how" left up to him. In this post-industrial age, perhaps it is time to return full circle, to emphasise the value of leadership, providing space for the project team to deliver. As you read, you will learn about the really important stuff of leading a project, a simple three step process to get you from A to Z. You will discover what should be taken care of at each step on your journey. You'll find out about the tools and techniques, along with how to use them, at each step along the way.
Scholars from science, art, and humanities explore the meaning of our new image worlds and offer new strategies for visual analysis. We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today's information explosion would be unmanageable. The digital image represents endless options for manipulation; images seem capable of changing interactively or even autonomously. This volume offers systematic and interdisciplinary reflections on these new image worlds and new analytical approaches to the visual. Imagery in the 21st Century examines this revolution in various fields, with researchers from the natural sciences and the humanities meeting to achieve a deeper understanding of the meaning and impact of the image in our time. The contributors explore and discuss new critical terms of multidisciplinary scope, from database economy to the dramaturgy of hypermedia, from visualizations in neuroscience to the image in bio art. They consider the power of the image in the development of human consciousness, pursue new definitions of visual phenomena, and examine new tools for image research and visual analysis.
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.
21st-Century Anthology: Higher Education Pride Purpose and Passion - - Understanding and Overcoming Adversity, Volume 1 By: Tamu Chambers Either write something worth reading or do something worth writing – Benjamin Franklin 21st-Century Anthology: Higher Education Pride Purpose and Passion -- Understanding and Overcoming Adversity combines intellectual and emotional exposes of the connection between historical and contemporary inequalities in higher education
How the mystery of the Bible's greatest story shaped geology: a MacArthur Fellow presents a surprising perspective on Noah's Flood. In Tibet, geologist David R. Montgomery heard a local story about a great flood that bore a striking similarity to Noah’s Flood. Intrigued, Montgomery began investigating the world’s flood stories and—drawing from historic works by theologians, natural philosophers, and scientists—discovered the counterintuitive role Noah’s Flood played in the development of both geology and creationism. Steno, the grandfather of geology, even invoked the Flood in laying geology’s founding principles based on his observations of northern Italian landscapes. Centuries later, the founders of modern creationism based their irrational view of a global flood on a perceptive critique of geology. With an explorer’s eye and a refreshing approach to both faith and science, Montgomery takes readers on a journey across landscapes and cultures. In the process we discover the illusive nature of truth, whether viewed through the lens of science or religion, and how it changed through history and continues changing, even today.
It is rare for a single work of sculpture to become the subject of a book at any time, much less at the moment of its installation. But Bill Reid's Spirit of Haida Gwaii is no ordinary sculpture. Commissioned for the courtyard of the new Canadian chancery in Washington, DC, it sits directly across the street from the National Gallery and is destined to become one of the major artistic landmarks of the capital and of the North American continent. Of Haida and white parentage, Canadian artist Bill Reid has spent his life resurrecting the indigenous Northwest Coast tradition in the visual arts. Yet has never lost touch with the European media and techniques in which he was trained. He is equally famed for his totem poles and other large pieces in wood and bronze, and for his work on a minute scale in precious metal. The Spirit of Haida Gwaii is a black bronze canoe, 6 metres long and filled to overflowing with the creatures of Haida mythology. Its passengers include the Raven, the Eagle, the Grizzly and his human wife, the Mouse Woman and the Dogfish Woman, among others. Amidships stands a human being, wrapped in the stylized skin of the mythical Seawolf, holding in his hand a smaller sculpture: a staff on which the story of creation, in Haida terms, is told.
A timeless, little-known literary classic to engage a new generation of readers As the Black Death ravaged London in 1608, in the midst of societal chaos and tragedy, playwright Thomas Dekker wrote Four Birds of Noah’s Ark, a book containing fifty-six prayers for the people of London and all of England. The prayers in this book bear witness to Dekker’s deep faith with a power and poignancy that few written prayers in English literature achieve. Bringing Dekker’s devotional classic back into print for the first time since 1924, editor Robert Hudson has annotated the prayers and modernized their language without sacrificing their enchanting beauty and simplicity. Hudson’s substantive and illuminating introduction is a gem in itself.
Any book that attempts to assert basic truth about the origins, nature and relationship of humankind with the Earth and universe we live in is inherently controversial. Throughout human history truth claims have been based on authority, faith, and observed evidence. Each of these sources of truth have changed truth claims over time. Only about 500 years ago any fool could observe that the earth was a flat surface (not a sphere spinning at about 700 miles per hour at the equator) with a sun that traveled above the surface of the earth about every 24 hours(23 hrs and 56 min). In a very short period of human history our evidence or observation based truth claims have expanded exponentially as we have advanced our unaided human observations. Examples include: space based instruments that transmit vast amounts of information about an unimaginably large universe; atom smashers that provide knowledge of the smallest element or force within an unimaginably small atom; seismographic instruments that can analyze and map deep inside the Earth; glacial ice core analysis that tell us a lot about annual climates and major earth events on a year by year basis over hundreds of thousands of years in the past; recent advances in radiocarbon and radiometric and other dating methods that provide a reliable chronology of Earth and plant and animal life over the past 4.65 billion years; oceanographic vehicles that explore the extreme depths of the oceans that cover the majority of the earth’s surface; and, instruments that allow humans to study the very basic sub-microscopic elements (DNA) that make up plant and animal life. This book does not claim to be a fully documented scientific or religious text. It is based on one persons extensive research of authoritative sources. Even research requires evaluation of sources and subsequent conclusions. Thus, this book is proposed as an editorial opinion based on one person’s “quest for truth in the 21st Century”.
The apocalypse on the big screen has expanded beyond the familiar end-of-the-world movies. Romantic comedies, teen adventures and even children's films frequently feature apocalyptic imagery--disintegrating cities, extreme weather events, extinctions, rogue military forces, epidemics, zombie armies and worlds colliding. Using sophisticated CGI effects, filmmakers are depicting the end of the world ever more stunningly. The authors explore the phenomenon of the cinematic apocalypse and its origins in both our anxieties and our real-world events, and they identify some flashes of hope in the desolate landscape.