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This modern textbook guides the reader through the theory and practice of the motion and attitude control of space vehicles. It first presents the fundamental principles of spaceflight mechanics and then addresses more complex concepts and applications of perturbation theory, orbit determination and refinement, space propulsion, orbital maneuvers, interplanetary trajectories, gyroscope dynamics, attitude control, and rocket performance. Many algorithms used in the modern practice of trajectory computation are also provided. The numerical treatment of the equations of motion, the related methods, and the tables needed to use them receive particular emphasis. A large collection of bibliographical references (including books, articles, and items from the "gray literature") is provided at the end of each chapter, and attention is drawn to many internet resources available to the reader. The book will be of particular value to undergraduate and graduate students in aerospace engineering.
The best handbook on chart usage, from one of the most trusted names in boating In 2000, the U.S. government ceased publication of Chart No. 1, the invaluable little book that generations of mariners have consulted to make sense of the complex system of signs, symbols, and graphic elements used in nautical charts. Now Chart No. 1 is not just reborn but expanded and improved in How to Read a Nautical Chart. The demand for a book like this has never been greater. Arranged and edited by Nigel Calder, one of today's most respected boating authors, --and containing four-color illustrations throughout,-- How to Read a Nautical Chart presents a number of original features that help readers make optimum use of the data found in Chart No. 1, including a more intuitive format, crucial background information, international chart symbol equivalents, electronic chart symbology, and thorough explanations of the practical aspects of nautical chart reading.
Some stories are considered make-believe while others are considered "real." The question that one must ask is, "What is real?". The conflicts that characters face in all tales are real enough. The choices they make and the outcomes that occur are certainly real. Choices are often contingent upon the current conflicts being faced, and that is undoubtedly real. Jack faced a giant who wanted to eat him while King Arthur faced Saxons who simply wanted to eat. Who is real and