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dark horse /ˈdärk ˈˌhôrs/ noun 1. a candidate or competitor about whom little is known but who unexpectedly wins or succeeds. "a dark-horse candidate" Join us for a monthly tour of writers who give as good as they get. From hard science-fiction to stark, melancholic apocalypses; from Lovecraftian horror to zombies and horror comedy; from whimsical interludes to tales of unlikely compassion--whatever it is, if it's weird, it's here. So grab a seat before the starting gun fires, pour yourself a glass of strange wine, and get ready for the running of the dark horses. In this issue: BAD DAY AT SORALLIO 6 CANTEEN Gavin Turner DEAD THINGS Vincent Endwell DEAD MAN’S HAND Dale T. Phillips FALLING SUNWARD Mikel J. Wisler A REIGN OF THUNDER (PART TWO) Wayne Kyle Spitzer I AM NOT BERTHA Seán McNicholl TRINKETS Freddie Kölsch MY MOON, OH MY MOON Angus Stewart SAY HELLO TO ALPHA CENTAURI Scott Coon THE INSIDE OUT MAN Lamont A. Turner
The perfect holiday gift for fans of the flabby tabby! Another helping of hilarity, please! Garfield, the lovable feline who never met a lunch he didn’t like, dishes up another book full of his heavy hijinx and weighty wit. Garfield’s put on a few pounds over the years, but he’s not just getting fatter, he’s getting better! So keep the comedy and calories coming! Whether he’s painting Odie or chowing down on Jon’s favorite fern, Garfield proves he’s still a ton of fun!
Compiled by Alwin Schroeder, a former cellist with the Boston Symphony Orchestra and an experienced teacher, this collection of 80 exercises constitutes the first book of a three-volume set. Schroeder drew upon his extensive experience to create original études for instructing students, and in this work he combines them with several others by his distinguished nineteenth-century European colleagues: Karl Schröder. Ferdinand Büchler, Friedrich Dotzauer, Auguste Franchomme, Friedrich Grützmacher, and Sebastian Lee. The carefully selected studies are arranged in order of increasing complexity, and Schroeder provides suggestions for fingering, bowing, and dynamics. Cello students and teachers will find these exercises a splendid resource for the improvement of technique and performance.