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NO VILLAINS, NO HEROES is a moving historical novel of the 1912 Hillsville Massacre, the most shocking crime in the state of Virginia, and a cautionary tale for our own time about the true meaning of law and justice. No Villains, No Heroes dramatizes a shocking episode in Virginia history. In March 1912 Floyd Allen was convicted of assault in Carroll County, in Virginias Blue Ridge. When he announced, Gentlemen, I aint a-goin, a gun battle erupted in the crowded courtroom between law officers and the Allen clan. Five people were killed; seven wounded. Floyd and his young son Claude were executed a year later. Other Allens served long prison sentences. But who were the villains? Who were the heroes? In this moving historical novel, the narrator, a detective called in to hunt down the fugitives, grapples with these perplexing questions and the true meaning of law and justice. This exciting novel tells the story of a once-famous but now largely forgotten episode in Virginia history, the Hillsville Massacre of March 1912, recalled in vivid detail by Carter Hayne, a private lawman on the scene. His experience is so transforming that it turns him into a crusading lawyer who dedicates his life to advancing criminal justice. It effortlessly recreates an age and place, pre-modern America 100 years ago in the Blue Ridge Mountains, the setting for an event so complex and weighty, even primal, that it is, as Hayne says, just like a Greek tragedy. Kirkpatrick Sale, author of 12 books, including The Fire of His Genius: Robert Fulton and the American Dream.
On June 28, 1972 in a South Bronx subway station, John Skagen, a white off-duty policeman on his way home, suddenly and without apparent provocation, ordered James Richardson, a black man on his way to work, to get against the wall and put his hands up. Richardson had a gun, and the two exchanged shots. In the melee that followed, Skagen was fatally wounded by a cop who rushed to the scene. In the ensuing trial, William Kunstler handled Richardson's defense and the author of this book, then assistant district attorney, prosecuted the case. Here is a first-hand, behind-the-scenes account of every step of the proceedings.
"Originally published in Great Britain by Hodder & Stoughton...London, in 2015."--Title page verso.
This book explores the development of the global phenomenon of Prison Shakespeare, from its emergence in the 1980s to the present day. It provides a succinct history of the phenomenon and its spread before going on to explore one case study the Queensland Shakespeare Ensemble's (Australia) Shakespeare Prison Project in detail. The book then analyses the phenomenon from a number of perspectives, and evaluates a number of claims made about the outcomes of such programs, particularly as they relate to offender health and behaviour. Unlike previous works on the topic, which are largely individual case studies, this book focuses not only on Prison Shakespeare's impact on the prisoners who directly participate, but also on prison culture and on broader social attitudes towards both prisoners and Shakespeare.
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
The most-trusted film critic in America." --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect." --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year.
Millie, a Ddrymmian Sting baby, has always dreamt of exploring the realms of StoryEarth beyond her homeland. Fed up with her community, with all its superstitions and endless ceremonies, she craves the glamour and prestige of the Preservation Precinct. Naïve about what that glamour conceals, and disobeying her family, Millie moves to the Preservation Precinct and proves herself worthy—until the unthinkable happens. Millie is ambitious in a land that favors humility. When she rises, she ruins everything. By the time she finally understands what’s important, will she survive to do something about it?
Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture. Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.
Destiny Junction is a small town, not unlike any other small town in America. As its name implies, however, it becomes the place where many people's lives meet destiny. Through one young lady's obedient Christian life and the work of the Holy Spirit subsequent to her murder, the lives of many people in the town of Destiny Junction are transformed. This is their story...a story about life...and what it means...or what it ought to mean.
This book creates a taxonomy for the major bestselling fictional genres: romance (e.g., authors Heyer, Cartland, Woodiwiss and Roberts), religious and inspirational (Corelli and Douglas), mystery and detective (Conan Doyle, Christie and Mankell), and science fiction, horror and fantasy (Wells, Tolkien, Orwell, Niven, King and Rowling). Chapters look at a genre from its roots to its most recent works. The structural patterns in the plot, characters and setting of these genres are then explained. The book also provides a critique of currently popular hyper-formulaic, hack, unliterary writings that have multiplied in recent decades. Special topics such as the publishing oligopoly and the resulting homogeneity among bestselling works and the steady movement from literary to unliterary fiction are also examined.