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A testament to strength and determination, Maud Hawk Wright recounts the true story of a young American woman who is kidnapped from her ranch in Chihuahua during the Mexican Revolution by Villista raiders. The raiders force her and her husband off their land, leaving their infant child with a hired hand, and shortly afterward, murdering her husband. Bereft and grieving, Maud is taken to Pancho Villa’s encampment in the mountains, peopled by hundreds of revolutionaries, preparing for action. To her surprise, Maud is chosen to ride with Villa and four hundred of his soldiers to the north. Enduring a brutal nine-day trek through the mountains of northern Mexico with Villa and his small army, Maud witnesses the violent mania of Villa and his officers and learns the stories of people who follow him. During the ride, Maud learns that she will become a participant in Villa’s grandiose plan to invade the United States. Before dawn of the ninth day of Maud’s captivity, she finds herself riding as a member of Villa’s army as it crosses the border to attack a small border town, Columbus, New Mexico. What happens is surprising. Includes Readers Guide.
How do children's books represent the Holocaust? How do such books negotiate the tension between the desire to protect children, and the commitment to tell children the truth about the world? If Holocaust representations in children's books respect the narrative conventions of hope and happy endings, how do they differ, if at all, from popular representations intended for adult audiences? And where does innocence lie, if the children's fable of Roberto Benigni's Life is Beautiful is marketed for adults, and far more troubling survivor memoirs such as Anita Lobel's No Pretty Pictures: A Child of War are marketed for children? How should Holocaust Studies integrate discourse about children's literature into its discussions? In approaching these and other questions, Kertzer uses the lens of children's literature to problematize the ways in which various adult discourses represent the Holocaust, and continually challenges the conventional belief that children's literature is the place for easy answers and optimistic lessons.
A love for reading is one of the most precious gifts that we can give children. It nurtures their imagination and creativity, lets them explore other worlds, and opens their minds to new truths and knowledge in appealing, inspiring ways. But how can we sort through thousands of children's books to discover the really worthwhile ones? Elizabeth Wilson offers us a newly revised, comprehensive guide to the very best in children's literature. Just as in the original volume, she comments on the tone and content of excellently written, captivating books in over two dozen subject areas. Hundreds of new titles have been added while retaining timeless classics and modern favorites-all of which respect traditional values. So that no matter what the children's ages are or whether they love fact or fiction, you can trust these books to share things that you can believe in and kids will delight in.
Ten-year-old Skeeter comes of age following the murder of two young girls in her east Texas college town.
In the name of peace, Lady Audris locks away her dreams of a passionate love, until Hugh Licorne, the only man in England strong enough to defend her from her enemies, claims her as his own.
By developing the scale that bears his name, Charles Richter not only invented the concept of magnitude as a measure of earthquake size, he turned himself into nothing less than a household word. He remains the only seismologist whose name anyone outside of narrow scientific circles would likely recognize. Yet few understand the Richter scale itself, and even fewer have ever understood the man. Drawing on the wealth of papers Richter left behind, as well as dozens of interviews with his family and colleagues, Susan Hough takes the reader deep into Richter's complex life story, setting it in the context of his family and interpersonal attachments, his academic career, and the history of seismology. Among his colleagues Richter was known as intensely private, passionately interested in earthquakes, and iconoclastic. He was an avid nudist, seismologists tell each other with a grin; he dabbled in poetry. He was a publicity hound, some suggest, and more famous than he deserved to be. But even his closest associates were unaware that he struggled to reconcile an intense and abiding need for artistic expression with his scientific interests, or that his apparently strained relationship with his wife was more unconventional but also stronger than they knew. Moreover, they never realized that his well-known foibles might even have been the consequence of a profound neurological disorder. In this biography, Susan Hough artfully interweaves the stories of Richter's life with the history of earthquake exploration and seismology. In doing so, she illuminates the world of earth science for the lay reader, much as Sylvia Nasar brought the world of mathematics alive in A Beautiful Mind.