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Succinct, passionate, and wise, here is one teacher's answer to the crisis ineducation and to the particular demands of his vocation.
Weaving anecdotal narrative with trenchant reflections on his profession, Garret Keizer offers one teacher's answer to the hue and cry over the crisis in education. An English teacher in rural Vermont, he writes of the opposing realities he faces every day: the promise and energy of the young and the oppressive effect of their economic disadvantages; the beauty of the countryside and its people and the harsh, sometimes ugly edge of life there; the need for discipline and the importance of rebellion. In exploring the demands peculiar to his own community, Keizer movingly depicts the difficulties-some triumphantly overcome, some overwhelming-that form the heart of teaching anywhere.
After a year spent at a boarding school for her past mistakes, Ashlyn is ready to reconnect with her friends, restart her life, and enter senior year. But when family trouble hits home and she is forced to help out at her estranged cousin’s wilderness retreat center, Ashlyn struggles between returning to the girl she was or growing into someone new. Ashlyn Zanotti has big plans for the summer. She's just spent a year at boarding school and can't wait to get home. But when Ashlyn's father is arrested for tax evasion and her mother enters a rehab facility for "exhaustion," a.k.a. depression, her life is turned upside down again. Things go from bad to worse when Ashlyn's father sends her to work with a cousin she doesn't even know at a rustic team-building retreat center in the middle of nowhere. A self-proclaimed "indoor girl," not even Ash's habit of leaving breadcrumb quotes--inspirational sayings she scribbles everywhere--can help her cope. With a dangerously careless camp manager doling out grunt work, an overbearing father trying to control her even from prison, and more than a little boy drama to struggle with, the summer is full of challenges. And Ashlyn must make the toughest decision of her life: keep quiet and follow her dad's marching orders or find the courage to finally stand up to her father to have any hope of finding her way back home. A modern twist on Hansel and Gretel, No Place like Here features: A strong female lead who doesn’t shy away from difficult parent-teen relationships A clean and wholesome love triangle, romcom vibes, and feel-good fuzzy emotions Returning cast of characters from Christina June’s It Started With Goodbye Perfect for fans of Elise Bryant, Morgan Matson, and Sarah Dessen
Fans of Morgan Matson and Sarah Dessen will fall in love with this contemporary coming of age story set at a picturesque Virginia boarding school. That's what Jess was to me. I was the ground; she was the rain. I wasn't anything until she woke me up. Seventeen-year-old June is completely wrapped up in her best friend Jess. The two are inseparable and June feels so lucky that they found each other. Even if everyone else around her thinks Jess is a bad influence. Even if June is starting to question if she likes Jess as more than just a friend. But after June is expelled from school at the end of her first semester of junior year, she's forced to move to Virginia, to live with her grandmother and attend an all-girls boarding school. She'll be miles away from her home, from her family, and from Jess. June is miserable at first and counts down the days until she can come back home for the summer. But when she befriends two new girls and meets a boy named Sam, who she is instantly drawn to, life in Virginia starts to feel more real. Except Jess is always on her mind, and she can't deny her feelings anymore, even as Jess starts to pull away from her. June can't let Jess go—but she needs to figure out how to move forward, and how to find the place she really belongs. Perfect for readers who like: Teen boarding school romance LGBTQ books for teens Realistic fiction books for teens 14-18 Also by Sarah Van Name: The Goodbye Summer
Crystal Clark arrives in Colorado's Yampa Valley amid the splendor of a high country June in 1892. After the death of her father, Crystal is relieved to be leaving the troubles of her Georgia life behind to visit her aunt Kate's cattle ranch. Despite being raised as a proper Southern belle, Crystal is determined to hold her own in this wild land--even if a certain handsome foreman doubts her abilities. Just when she thinks she's getting a handle on the constant male attention from the cowhands and the catty barbs from some of the local young women, tragedy strikes the ranch. Crystal will have to tap all of her resolve to save the ranch from a greedy neighboring landowner. Can she rise to the challenge? Or will she head back to Georgia defeated? Book one in the Heart of the West series, No Place for a Lady is full of adventure, romance, and the indomitable human spirit. Readers will fall in love with the Colorado setting and the spunky Southern belle who wants to claim it as her own.
Liza Barclay, aged 10, shot her mother while trying to protect her from her violent stepfather, ex-FBI agent Charley Foster. Despite her stepfather's claim that it was a deliberate act, the Juvenile Court ruled the death an accident. Many people, however, agreed with Foster and tabloids compared Liza to the infamous murderess, Lizzie Borden, pointing even to the similarity in name. Growing up with adoptive parents who tried to erase every trace of her past, her name is changed to Celia. Always, though, the fear hung over her and the family - that someday, her vengeful stepfather would reappear to harm her. Aged 25, a successful interior designer, she marries a childless sixty-year old widower and they have a son. Before their marriage, she had confided her earlier life to her husband. Two years on, on his deathbed, he tells her that he would want her to re-marry, but makes her swear never to reveal her past to anyone, so that their son would not carry the burden of this family tragedy - a promise that plunges her into a new cycle of violence. Three years later, happily re-married, Celia is shocked when her second husband presents her with a gift -- the house where she killed her mother. When the real estate agent who has made the sale recognises her and, soon after, is murdrered, Celia is accused of the crime. Once again, she is home -- the place where she is stamped as a murderess.
No place like home.
Sometimes it takes losing everything to truly find yourself... Since Sandy Shortt's childhood classmate disappeared twenty years ago, Sandy has been obsessed with missing things. Finding what is lost becomes her single-minded goal--from the lone sock that vanishes in the washing machine to the car keys she misplaced. It's no surprise, then, that Sandy's life's work becomes finding people who have vanished from their loved ones. Sandy's family is baffled and concerned by her increasing preoccupation. Her parents can't understand her compulsion, and she pushes them away further by losing herself in the work of tracking down these missing people. She gives up her life in order to offer a flicker of hope to devastated families...and escape the disappointments of her own. Jack Ruttle is one of those devastated people. It's been a year since his brother Donal vanished into thin air, and he has enlisted Sandy Shortt to find him. But before she is able to offer Jack the information he so desperately needs, Sandy goes missing too...and Jack now finds himself searching for his brother and the one woman who understood his pain. One minute Sandy is jogging through the park, the next, she can't figure out where she is. The path is obscured. Nothing is familiar. A clearing up ahead reveals a camp site, and it's there that Sandy discovers the impossible: she has inadvertently stumbled upon the place -- and people -- she's been looking for all her life, a land where all the missing people go. A world away from her loved ones and the home she ran from for so long, Sandy soon resorts to her old habit again, searching. Though this time, she is desperately trying to find her way home . . .
Far from the coastal centers of culture and politics, Kansas stands at the very center of American stereotypes about red states. In the American imagination, it is a place LGBT people leave. No Place Like Home is about why they stay. The book tells the epic story of how a few disorganized and politically naïve Kansans, realizing they were unfairly under attack, rolled up their sleeves, went looking for fights, and ended up making friends in one of the country’s most hostile states. The LGBT civil rights movement’s history in California and in big cities such as New York and Washington, DC, has been well documented. But what is it like for LGBT activists in a place like Kansas, where they face much stiffer headwinds? How do they win hearts and minds in the shadow of the Westboro Baptist Church (“Christian” motto: “God Hates Fags”)? Traveling the state in search of answers—from city to suburb to farm—journalist C. J. Janovy encounters LGBT activists who have fought, in ways big and small, for the acceptance and respect of their neighbors, their communities, and their government. Her book tells the story of these twenty-first-century citizen activists—the issues that unite them, the actions they take, and the personal and larger consequences of their efforts, however successful they might be. With its close-up view of the lives and work behind LGBT activism in Kansas, No Place Like Home fills a prairie-sized gap in the narrative of civil rights in America. The book also looks forward, as an inspiring guide for progressives concerned about the future of any vilified minority in an increasingly polarized nation.
Writers have created fictions of social per­fection at least since Plato’s Republic. Sir Thomas More gave this thread of intel­lectual history a name when he called his contribution to it Utopia, Greek for no place. With each subsequent author cog­nizant of his predecessors and subject to altered real-world conditions which sug­gest ever-new causes for hope and alarm, “no place” changed. The fourteen essays presented in this book critically assess man’s fascination with and seeking for “no place.” “In discussing these central fictions, the contributors see ‘no place’ from di­verse perspectives: the sociological, the psychological, the political, the aesthetic. In revealing the roots of these works, the contributors cast back along the whole length of utopian thought. Each essay stands alone; together, the essays make clear what ‘no place’ means today. While it may be true that ‘no place’ has always seemed elsewhere or elsewhen, in fact all utopian fiction whirls contemporary ac­tors through a costume dance no place else but here.”—from the Preface The contributors are Eric S. Rabkin, B. G. Knepper, Thomas J. Remington, Gorman Beauchamp, William Matter, Ken Davis, Kenneth M. Roemer, Wil­liam Steinhoff, Howard Segal, Jack Zipes, Kathleen Woodward, Merritt Abrash, and James W. Bittner.