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On April 23, 1943, the seventy-man crew of the USS Grenadier scrambled to save their submarine—and themselves—after a Japanese aerial torpedo sent it crashing to the ocean floor. Miraculously, the men were able to bring the sub back to the surface, only to be captured by the Japanese. No Ordinary Joes tells the harrowing story of four of the Grenadier’s crew: Bob Palmer of Medford, Oregon; Chuck Vervalin of Dundee, New York; Tim McCoy of Dallas, Texas; and Gordy Cox of Yakima, Washington. All were enlistees from families that struggled through the Great Depression. The lure of service and duty to country were not their primary motivations—they were more compelled by the promise of a job that provided “three hots and a cot” and a steady paycheck. On the day they were captured, all four were still teenagers. Together, the men faced unimaginable brutality at the hands of their captors in a prisoner of war camp. With no training in how to respond in the face of relentless interrogations and with less than a cup of rice per day for sustenance, each man created his own strategy for survival. When the liberation finally came, all four anticipated a triumphant homecoming to waiting families, loved ones, and wives, but instead were forced to find a new kind of strength as they struggled to resume their lives in a world that had given them up for dead, and with the aftershocks of an experience that haunted and colored the rest of their days. Author Larry Colton brings the lives of these four “ordinary” heroes into brilliant focus. Theirs is a story of tragedy and courage, romance and war, loss and endurance, failure and redemption. With a scope both panoramic and disarmingly intimate, No Ordinary Joes is a powerful look at the atrocities of war, the reality of its aftermath, and the restorative power of love.
Documents the stories of four World War II prisoners of war who were tortured by their Japanese captors, describing the events that led to their imprisonment, the brutal conditions that forged their deep bond and their considerable struggles to re-acclimate to civilian life.
One of the more eccentric figures in the antebellum South was Joseph Addison Turner, born to the plantation and trained to run one. All he really wanted to do, though, was to be a famous writer--and to be the founder of Southern literature. He tried and failed and tried and failed at publishing magazines, poems, books, articles, journals, all while halfheartedly running a plantation. When the Civil War broke out, he no longer had access to New York publishers, and in his frustration it dawned on him that he could throw a newspaper press into an outbuilding on his Georgia plantation. Furthermore, his newspaper would be modeled on The Spectator, the literary newspaper of the early 1700s by Joseph Addison, for whom Turner was named. The Spectator in its day, and 150 years later in Turner's day, was considered high literature. Turner carefully copied Addison's style and philosophy--and it worked His newspaper, The Countryman--the only newspaper ever published on a plantation--was one of the most widely read in the Confederacy. Following Addison's lead, Turner suggested that slaves should be treated well, lauded the contributions of women, and featured humorous copy. And, of course, his paper celebrated Southern culture and creativity. As Turner urged in The Countryman, the South could never be a great nation if all it did was fight. It needed art--it needed literature And he, J. A. Turner himself, would lead the way. The Civil War, however, didn't go as Turner had hoped. Sherman's army marched through and took Turner's world with it. His newspaper collapsed. He died a few years after the war ended, thinking he had failed to start Southern literature. However, he was wrong. The Countryman's teenage printer's devil was Joel Chandler Harris, who grew up to write the first wildly popular Southern literature, the Uncle Remus tales. Turner had taken in the illegitimate, ill-educated Harris and had turned him into a writer. And while Harris worked for the plantation newspaper, he joined Turner's children at dusk in the slave cabins, listening to the fantastical animal stories the Negroes told. Young Harris recognized the tales' subversive theme of the downtrodden outwitting the powerful. Years later as a newspaperman, he was asked to write a column in the Negro dialect, and he reached back to his days at The Countryman for the slaves' narratives. The stories enthralled readers in the South--but also in the North, particularly Theodore Roosevelt. The Uncle Remus stories were hailed as the reconciler between North and South, and they directly influenced Mark Twain, Rudyard Kipling, and Beatrix Potter. Most importantly, Uncle Remus knocked New England off its perch as the focus of American belles-lettres and made Southern literature the primary national focus. So, ultimately, Joseph Addison Turner really did found Southern literature--with the help of two other not-so-ordinary Joes, Joseph Addison and Joel Chandler Harris. Julie Hedgepeth Williams tells their story.
Build an iconic shopping experience that your customers love—and a work environment that your employees love being a part of—using this blueprint from Trader Joe’s visionary founder, Joe Coulombe. Infuse your organization with a distinct personality and culture that draws customers in a way that simply competing on price cannot. Joe Coulombe founded what would become Trader Joe’s in the late 1960s and helped shape it into the beloved, quirky food chain it is today. Realizing early on that he could not compete and win by playing the same game his bigger competitors were playing, he decided to build a store for educated people of somewhat modest means. He brought in unusual products from around the world and promoted them in the Fearless Flyer, providing customers with background on how they were sourced and their nutritional value. He also gave the stores a tiki theme to reinforce the exotic trader ship concept with employees wearing Hawaiian shirts. In this way, Joe laid down a blueprint for other business owners to follow to build their own unique shopping experience that customers love, and a work environment that employees love being a part of. In Becoming Trader Joe, Joe shares the lessons he learned by challenging the status quo and rethinking the way a business operates. He shows readers of all types: How moving from a pure analytical approach to a more creative, problem-solving approach can drive innovation. How finding an affluent niche of passionate customers can be a better strategy than competing on price and volume. How questioning all aspects of the way you do business leads to powerful results. How to build a business around your values and identity.
“What is happening to my life?” Have you ever honestly asked yourself that question? As young boys, we dreamed of being pilots, firefighters, doctors, and cowboys. Now we’re older, with a wonderful wife and kids, as well as a mortgage, a minivan, and a fulfilling but not-so-glamorous job. What happened? All the dreams that once inspired us have evaporated into traffic jams, computer screens, bills, and deadlines. Why is life so ordinary? If you think your life is nothing special, take a look at it through God’s eyes. The revealing truth is that God chooses “ordinary,” faithful men to do His most important work—regular guys like Peter the fisherman, David the shepherd, Stephen the waiter, Gideon the farmer, Paul the tentmaker, and even Jesus the carpenter. In this engaging book, Troy Meeder blends stories about biblical characters and contemporary men to show that an “average-Joe” life, an “ordinary” existence, shapes a man’s integrity, moral stability, resolve, and strength. The world desperately needs an army of “average Joes.” Like you. “Troy Meeder’s heart-felt accounts from both his own personal experience and those of friends and family touch a raw nerve in your soul…. Average Joe reminds us that living a life focused on faith, family, and friends is what makes a man exceptional.” —Rick Wiggers, average Joe and account manager Includes a study guide for use by men’s groups.
Now in paperback, revised and updated, the stirring and authoritative account of one of World War II's most highly decorated submarines Find ’Em, Chase ’Em, Sink ’Em is the first book to recount the tragic and mysterious loss of the World War II submarine USS Gudgeon. In April 1944, the highly decorated submarine USS Gudgeon slipped beneath the waves in one of the most treacherous patrol areas in the most dangerous military service during World War II. Neither the Gudgeon nor the crew was ever seen again. Author Mike Ostlund’s “Uncle Bill,” the operator of a farm implements business, was aboard that ship as a lieutenant junior grade. Through extensive research of patrol reports in U.S. and Japanese naval archives, interviews with veterans who had served aboard the Gudgeon before its final patrol, and the personal effects of the lost men’s relatives, Ostlund has assembled the most accurate account yet of this remarkably successful submarine’s exploits, of the men aboard from steward to captain, and of what we now know about her demise. Find ’Em, Chase ’Em, Sink ’Em details the memories and life lessons of the young men who went to sea aboard Gudgeon before its last patrol knowing hardly anything, and came home having seen too much.
Joe Pitt’s life sucks. He hasn’t had a case or a job in God knows how long and his stashes are running on empty. What stashes? The only ones that count to a guy like Joe: blood and money. The money he uses to buy blood; the blood he drinks. Hey, buddy, it’s that or your neck—you want to choose? The only way to lay his hands on both is to take a gig with the local Vampyre Clan. See, something new is on the streets, a new high, a high so strong it can send a Vampyre spazzing through Joe’s local watering hole. Till Joe sends him through a plate-glass window, that is. So it’s time for Joe to gut up and swallow that pride and follow the leads wherever they go. It won’ t be long before he’s slapping stoolies, getting sapped, and being taken for a ride above 110th Street. Someone’s pulling Joe’s strings, and now he’s riding the A train, looking to find who it is. He’s gonna cut them when he finds them—the strings and the hands that hold them.