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NO ORDINARY BOY is the suspense-filled story of twelve-year-old Yeshua in first-century Palestine as he faces a ferocious wild beast and thwarts two notorious bandits' plans to kidnap the rabbi's young sons.
This book was first published in 1954, A Modern English Grammar on Historical Principles is a valuable contribution to the field of English Language and Linguistics.
Jedná se o třetí – a poslední – svazek kritické edice sebraných spisů Ivana Poldaufa (1915–1984), významného českého lingvisty, anglisty, bohemisty a lexikografa, zakladatele anglistiky na FF UP v Olomouci (působil zde v letech 1949–1961) a později profesora Karlovy Univerzity. Zatímco první dva svazky Poldaufových Sebraných spisů (vydané stejným kolektivem autorů v r. 2016 a 2018) zahrnovaly jeho česky psané práce lingvistické, lexikografické s obecně lingvistickým přesahem a úvahy o stavu jazykovědy, doposud dostupné pouze na stránkách českých lingvistických časopisů a sborníků z konferencí, třetí svazek se zaměřuje na jeho práce psané anglicky, které podobně jako jeho česky psané práce nejsou nikde jinde dostupné v ucelené podobě. Třetí svazek tak kromě české lingvistické obce může oslovit i mezinárodní publikum. K tomuto účelu práce zahrnuje anglicky psaný úvod, který představí osobnost I. Poldaufa. This monograph is the third and last volume of the critical edition of the linguistic papers of Ivan Poldauf, a prominent Czech linguist and lexicographer, the founder of English Studies at Palacký University Olomouc, and later a professor at Charles University in Prague. Ivan Poldauf (15 September 1915 – 9 August 1984) was an Anglicist and a Bohemist whose scope of interests was incredibly broad, ranging from theoretical linguistics (his works cover all levels of language representation) to applied linguistics. The third volume comprises his works published in English, covering 34 years of his career between 1950 and 1984.
When Martin McKenna was growing up in Garryowen, Ireland, in the 1970s, he felt the whole world knew him as just “that stupid boy.” Badly misunderstood by his family and teachers, Martin escaped from endless bullying by running away from home and eventually adopting—or being adopted by—six street dogs. Camping out in barns, escaping from farmers, and learning to fend for himself by caring for his new friends, Martin discovered a different kind of language, strict laws of behavior, and strange customs that defined the world of dogs. More importantly, his canine companions helped him understand the vital importance of family, courage, and self-respect—and that he wasn’t stupid after all. Their lessons helped Martin make a name for himself as the “Dog Man” in Australia, where he now lives and dispenses his hard-earned wisdom to dog owners who are sometimes baffled by what their four-legged friends are trying to tell them. An emotional and poignant story seasoned with plenty of Frank McCourt–style humor, The Boy Who Talked to Dogs is an inspiration to anyone who’s ever been told he or she won’t amount to anything. It’s also a unique, fascinating look into canine behavior. In these pages, Martin shows how modern life has conditioned dogs to act around humans, in some ways helpful, but in other ways unnatural to their true instincts, and how he has benefited enormously from learning to “talk dog.”
Just when Sir Jasper Gowlings thinks it is safe to return to his humble abode, he is horrified to find the terrifying and bad-tempered old hag Felicitatus Miserius waiting for himwith yet another collection of blood-curdling fairy tales. Frozen with fear, Sir Gowlings knows he has no choice, for those who fail to learn from the messages contained within the tome will be doomed. As he begins to turn the yellowed pages, Gowlings knows his future is at stake. Once upon a time, when witches and goblins still roamed the world and all the animals chatted amicably, a frog promises to do anything to win the hand of his fair lady. A spoiled boy must sell his cow in order to buy a pair of ruby red designer shoes, and a little swan who looks more like a goose must prove to all the other feathered creatures and the king that he is the best swan around. Unfortunately, none of the characters anticipate the surprises that await them. Terrible Tales 2 is a delicious, zany collection of upside-down fairy tales sure to delight both children and the young-at-heart with their unmistakable life lessons and secrets to happiness, love, and success.
Wit’ch War is the dazzling third volume in the epic saga of The Banned and the Banished In her hands, the young wit’ch Elena holds the awesome energies of blood magick—and more. For the fate of all Alasea hinges on her recovery of the Blood Diary, a potent talisman forged five hundred years ago, then locked away behind wards too strong for any mage to break. But only with the secrets recorded in its pages can Elena defeat the evil magicks of the Dark Lord. The challenge? The Diary lies hidden in A’loa Glen, the fabled city that belongs to Shorkan, chief lieutenant of the Dark Lord, and his fearsome army. Now, with the aid of the ocean-dwelling Sy-wen and her great dragon, Elena prepares a desperate invasion of A’loa Glen. At her side stands the one-armed warrior Er’ril, her faithful protector and the only man who knows how to unlock the wards surrounding the Blood Diary—a man who also happens to be the brother of the dreaded Shorkan. Meanwhile, Elena's brother, whose magick brings him prophetic dreams, has glimpsed a future in which Elena falls by the deadly sword of . . . Er'ril. But his visions do not always come true. How can he act against his sister's trusted guardian on the basis of a future betrayal that may never happen? For Elena's sake, and for the sake of all Alasea, how can he afford not to?
From the Nobel Prize–winning author of Waiting for the Barbarians, The Life & Times of Michael K and Disgrace. Nobel laureate and two-time Booker Prize winner J. M. Coetzee returns with a haunting and surprising novel about childhood and destiny that is sure to rank with his classic novels. Separated from his mother as a passenger on a boat bound for a new land, David is a boy who is quite literally adrift. The piece of paper explaining his situation is lost, but a fellow passenger, Simón, vows to look after the boy. When the boat docks, David and Simón are issued new names, new birthdays, and virtually a whole new life. Strangers in a strange land, knowing nothing of their surroundings, nor the language or customs, they are determined to find David’s mother. Though the boy has no memory of her, Simón is certain he will recognize her at first sight. “But after we find her,” David asks, “what are we here for?” An eerie allegorical tale told largely through dialogue, The Childhood of Jesus is a literary feat—a novel of ideas that is also a tender, compelling narrative. Coetzee’s many fans will celebrate his return while new readers will find The Childhood of Jesus an intriguing introduction to the work of a true master.