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Delivers a fresh statement on an ancient theme: how we can reproduce the life and mission of Jesus in others. This book states that while the teachings of Jesus convey a message of truth for the whole world, equally important are the relationships Jesus had with His followers. They model a method of ministry as vital as the message He taught.
Why are the best leaders the ones who are most adept at following? What should we expect of those who have the privilege of leading? And what may leaders expect of those who follow them? Drawing upon a military career spanning more than four decades, General Martin Dempsey, former Chairman of the Joint Chiefs of Staff, examines the limits of loyalty, the necessity of sensible skepticism, and the value of responsible rebelliousness, and explains why we actually should sweat the small stuff. No Time for Spectators takes readers behind the closed doors of the Situation Room, onto the battlefields of Iraq, and to the East German border at the height of the Cold War. It contends that relationships between leaders and followers--employers and employees, politicians and constituents, coaches and athletes, teachers and students--are most productive when based on certain key mutual expectations. The book begins from the premise that life is not a spectator sport. Especially not today, especially not at a time when issues are so complex, information is so pervasive, scrutiny is so intense, and the stakes are so high. No Time for Spectators may not be the answer to all of our problems, but it is a clarion call for those who are actually interested in solving them.
In this introduction to the life and teaching of Jesus, Dr. John Dickson takes readers through the historical data to reveal in Jesus a man who will surprise both the religious and the not-so-religious. The Jesus who emerges from the ancient sources challenges the norms of his culture, society, and religion. This Jesus associates with sinners, demands compassion toward the needy, and denounces imperialism. The historical Jesus is not left-wing or right-wing. The Jesus of history transcended these simplistic modern categories. Instead, he was a man unlike any other.
If following Jesus involves a life of sacrifice and suffering, is it wrong for a Christian to seek purpose and joy in this world? Many Christians sense a tension between their desire to enjoy life in this world—the beauty of God’s creation, the rich love of deep relationships with others—and the reality that this world is fallen and broken, in need of redemption. How can we embrace and thrive in the tension between enjoying creation and promoting redemption? By living out our God-given purpose. As “worldly saints,” created in the image of God, we are natural creatures with a supernatural purpose—to know and love God. Because we live in a world that is stained by the curse of sin, we must learn to embrace our nature as creatures created in the image of God while recognizing our desperate need for the grace that God offers to us in the gospel. Writing in a devotional style that is theologically rich, biblically accurate, and aimed at ordinary readers, Mike Wittmer helps readers understand who they are, why they are here, and the importance of the story they tell themselves. In Becoming Worldly Saints, he gives an integrated vision that shows how we can be heavenly minded in a way that leads to earthly good, empowering believers to seize the abundant life God has for them.
WINNER of the 2015 ICA Outstanding Book Award This path-breaking book explores how solidarity towards vulnerable others is performed in our media environment. It argues that stories where famine is described through our own experience of dieting or or where solidarity with Africa translates into wearing a cool armband tell us about much more than the cause that they attempt to communicate. They tell us something about the ways in which we imagine the world outside ourselves. By showing historical change in Amnesty International and Oxfam appeals, in the Live Aid and Live 8 concerts, in the advocacy of Audrey Hepburn and Angelina Jolie as well as in earthquake news on the BBC, this far-reaching book shows how solidarity has today come to be not about conviction but choice, not vision but lifestyle, not others but ourselves – turning us into the ironic spectators of other people’s suffering.
The changing role of the spectator in contemporary performance art
Humanity needs to sing the universal hymn of love. The flag of love must be raised in the four corners of the world, symbolizing generosity, solidarity, and unity. Words with the scent of love are represented on each page. This book combats intellectual malnutrition and challenges everyone to embrace different perspectives of analysis in life.
Talk show host Matthew Miller has made his fame by shining a spotlight on the most unlikely and bizarre secrets of society, exposing them on live television in front of millions of gawking viewers. However, the man behind The Mattie M Show remains a mystery--both to his enormous audience and to those who work alongside him every day. But when the high school students responsible for a mass shooting are found to be devoted fans, Mattie is thrust into the glare of public scrutiny, seen as the wry, detached herald of a culture going downhill and going way too far. Soon, the secrets of Mattie's past as a brilliant young politician in a crime-ridden New York City begin to push their way to the surface. In her most daring and multidimensional novel yet, Jennifer duBois vividly portrays the heyday of gay liberation in the seventies and the grip of the AIDS crisis in the eighties, alongside a backstage view of nineties television in an age of moral panic. DuBois explores an enigmatic man's downfall through the perspectives of two spectators--Cel, Mattie's skeptical publicist, and Semi, the disillusioned lover from his past. With wit, heart, and crackling intelligence, The Spectators examines the human capacity for reinvention--and forces us to ask ourselves what we choose to look at, and why.
This book offers readers an understanding of the theoretical framework for the concept of Arts Talk, provides historical background and a review of current thinking about the interpretive process, and, most importantly, provides ideas and insights into building audience-centered and audience-powered conversations about the arts.