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Architecture is more than buildings and architects. It also involves photographers, writers, advertisers and broadcasters, as well as the people who finance and live in the buildings. Using the career of the critic J. M. Richards as a lens, this book takes a new perspective on modern architecture. Richards served as editor of The Architectural Review from 1937 to 1971, during which time he consistently argued that modernism was integrally linked to vernacular architecture, not through style but through the principle of being an anonymous expression of a time and public spirit. Exploring the continuities in Richards’s ideas throughout his career disrupts the existing canon of architectural history, which has focused on abrupt changes linked to individual ‘pioneers’, encouraging us to think again about who is studied in architectural history and how they are researched.
A gripping story of a young woman growing up in the harsh setting of a Nevada ranch in the 1940s. No More Giants combines a deep love for the land with a bracingly honest view of family conflicts and the loss of dreams. Jenny struggles to survive and escape from the frustrations and hatred of her parents, recounting the hardships and joys of life in a stark and unforgiving landscape. Raised on Nevada ranch herself, Joaquina Ballard Howles portrays this way of life and its people with keen perception and powerful authenticity. Reminiscent of the work of Joan Didion and Sylvia Plath, Howles’s prose pierces the myths of the American cowboy with a sharp feminist sensibility and reveals the bleakness, the violence, and the beauty of life in the remote high desert country. Ignored when first published, No More Giants is now recognized as a classic work about women in the American West. Introduction by PEN/Jerard Fund and Willa Award winner Judy Blunt, author of Breaking Clean. No More Giants continues the mission of Recovered Books series to rescue exceptional books long unavailable to today’s readers.
Ken Follett’s magnificent historical epic begins as five interrelated families move through the momentous dramas of the First World War, the Russian Revolution, and the struggle for women’s suffrage. A thirteen-year-old Welsh boy enters a man’s world in the mining pits. . . . An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House. . . . A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy. . . . And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families—and into a century that we thought we knew, but that now will never seem the same again. . . .
Today, an ancient world is vanishing right before our eyes: the age of giant animals. Over 40,000 years ago, the earth was ruled by megafauna: mammoths, mastodons, saber-toothed tigers and giant sloths. Of course, those creatures no longer exist, and there is only one likely reason for that: the evolution and arrival of the earth's only tool-wielding hunter, the wildly adaptive, comparatively pint-sized human species. Many more of the world's biggest and baddest creatures—including the black rhino, the dodo, giant tortoises, and the great auk—have vanished since our world became truly global. Last of the Giants chronicles those giant animals and apex predators pushed to extinction in the modern era. The book also highlights those giant species that remain—even though many barely survive, living in such low numbers that they are on the brink of leaving this world within the next few decades. However, there is hope, for many endangered species can still be saved. As it profiles each extinct and endangered animal, Last of the Giants focuses on the conservation efforts that are trying to preserve the world's remaining charismatic species before they are lost forever.
The second volume of Sondheim's collected lyrics is both a remarkable glimpse into the brilliant mind of a legend, and a continuation of the acclaimed and best-selling Finishing the Hat. Picking up where he left off in Finishing the Hat, Sondheim gives us all the lyrics, along with excluded songs and early drafts, of the Pulitzer Prize–winning Sunday in the Park with George, Into the Woods, Assassins and Passion. Here, too, is an in-depth look at the evolution of Wise Guys, which subsequently was transformed into Bounce and eventually became Road Show. Sondheim takes us through his contributions to both television and film, some of which may surprise you, and covers plenty of never-before-seen material from unproduced projects as well. There are abundant anecdotes about his many collaborations, and readers are treated to rare personal material in this volume, as Sondheim includes songs culled from commissions, parodies and personal special occasions—such as a hilarious song for Leonard Bernstein’s seventieth birthday. As he did in the previous volume, Sondheim richly annotates his lyrics with invaluable advice on songwriting, discussions of theater history and the state of the industry today, and exacting dissections of his work, both the successes and the failures. Filled with even more behind-the-scenes photographs and illustrations from Sondheim’s original manuscripts, Look, I Made a Hat is fascinating, devourable and essential reading for any fan of the theater or this great man’s work.
Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even temporal boundaries, Jean Petrolle and Virginia Wexman's selections refiect the deep diversity of methodologies and research. The introduction sets out by addressing the basic difficulties of both historiography and definition before providing a historical overview of how these particular filmmakers have helped shape moviemaking traditions. The essays explore the major theoretical controversies that have arisen around the work of groundbreaking women such as Leslie Thornton, Su Friedrich, Nina Menkes, and Faith Hubley. With the film- makers representations of women's subjectivity ranging across film, video, digital media, ethnography, animation, and collage, Women and Experimental Filmmaking represents the full spectrum of genres, techniques, and modes.
In GIANTS OF THE GENRE, Michael McCarty talked with some of the biggest names in horror, science-fiction and fantasy, including Dean Koontz, Peter Straub and Neil Gaiman. He continues his interview odyssey with MORE GIANTS OF THE GENRE, which features twenty-five new interviews with even more legendary literary talents.
The Invisible Giant Bram Stoker - A fairy tale of a girl who loved birds and was loved by them. She saves her country-the name of which is Country under the sunset(most probably the same country from another short story with the same name)- from the Giant(which is most probably the plague judging from the dark death) through her "devotion and innocence". Nobody believes her when she says of the presence of the Giant because it remains invisible to others. But she,with the aid of a good man, helps them when they fall sick to it. It leaves them after taking the life of this good man, Knoal, and leaves because of her heartbreaking wailing and her offer to sacrifice herself for his life
NATIONAL BESTSELLER • From the winner of the Nobel Prize in Literature and author of Never Let Me Go and the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory. In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.