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Keeping Tetsuro, the fugitive son of the Berühren Corporation, safe is going to take resources Juzo doesn’t have. An old contact at the Extended Management Squad can help, but in exchange Juzo has to bring in the very first noncompliant Extended, Hayden Gondry, the suspect in a number of murders whose victims had their auxiliary brains forcibly removed. Juzo takes the case, but tracking down Gondry will entangle him in a larger conspiracy... -- VIZ Media
When a fellow Extended showed up in Inui’s office—on the run from the Security Bureau with a kidnapped child in tow and asking for help—Inui almost throws the guy out. But Inui’s loyalty to a brother Extended makes him take the job. Keeping the child safe won’t be easy, since everyone wants him, from the mob to the megacorporation Berühren, which sends out a special agent who knows exactly how to deal with the Extended... -- VIZ Media
I WANT…TO SHOW YOU…MY SINCERITY. ​Chiaki’s in trouble—Mihono’s relentless come-ons are driving a wedge between him and Mariko, and now Chiaki’s bold marriage proposal might all have been for nothing! But not only is Chiaki torn between women, he’s at a crossroads between good and evil as the JMT and the SALF rush toward a confrontation. Chiaki’s role as a spy will be key in the coming battle, but cracks are beginning to show in his double life…
A happily misanthropic Middle East divorcee finds refuge in books in a “beautiful and absorbing” novel of late-life crisis (The New York Times). Aaliya is a divorced, childless, and reclusively cranky translator in Beirut nurturing doubts about her latest project: a 900-page avant-garde, linguistically serpentine historiography by a late Chilean existentialist. Honestly, at seventy-two, should she be taking on such a project? Not that Aailiya fears dying. Women in her family live long; her mother is still going crazy. But on this lonely day, hour-by-hour, Aaliya’s musings on literature, philosophy, her career, and her aging body, are suddenly invaded by memories of her volatile past. As she tries in vain to ward off these emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. In this “meditation on, among other things, aging, politics, literature, loneliness, grief and resilience” (The New York Times), Alameddine conjures “a beguiling narrator . . . who is, like her city, hard to read, hard to take, hard to know and, ultimately, passionately complex” (San Francisco Chronicle). A finalist for the National Book Critics Circle Award and the National Book Award, An Unnecessary Woman is “a fun, and often funny . . . grave, powerful . . . [and] extraordinary” Washington Independent Review of Books) ode to literature and its power to define who we are. “Read it once, read it twice, read other books for a decade or so, and then pick it up and read it anew. This one’s a keeper” (The Independent)
Lord Hideyoshi, the regent of Japan at the time, took the first step toward the control of firearms. It was a very small step, and it was not taken simply to protect feudal lords from being shot at by peasants but to get all weapons out of the hands of civilians. He said nothing about arms control. Instead, he announced that he was going to build a statue of Buddha that would make all existing statues look like midgets. It would be so enormous (the figure was about twice the scale of the Statue of Liberty), that many tons of iron would be needed just for the braces and bolts. Still more was required to erect the accompanying temple, which was to cover a piece of ground something over an eighth of a mile square. All farmers, ji-samurai, and monks were invited to contribute their swords and guns to the cause. They were, in fact, required to. -- from publisher description.
With the activation of the Wide-Range Harmony device, the Extended throughout the city are under C.O.O. Honest’s control. But thanks to Suiso’s desperate sacrifice, Juzo manages to escape its effects. As Honest prepares to enact the final step in her plan, overwriting the minds of every Extended, Juzo races to stop her. The confrontation will force him to take on the most powerful adversary he’s yet faced... -- VIZ Media
Meet the would-be assassins of class 3-E: Sugino, who let his grades slip and got kicked off the baseball team. Karma, who’s doing well in his classes but keeps getting suspended for fighting. And Okuda, who lacks both academic and social skills, yet excels at one subject: chemistry. Who has the best chance of winning that reward? Will the deed be accomplished through pity, brute force or poison...? And what chance does their teacher have of repairing his students’ tattered self-esteem? -- VIZ Media
A sexy and out-of-this-world alien comedy from the creator of Yokai Girls! Yoshitake, your average company drone, is out for a drive one night when he spots a UFO and crashes his car. When he next opens his eyes, he's in his apartment, and next to him is a stunningly beautiful alien girl named Lune! She has come to Earth to save her species from extinction by claiming human seed–and sex-crazed Yoshitake is the perfect mate. Unfortunately, Lune's alien physiology leads to an unexpected difficulty that even the world's horniest man may be unable to overcome.
A BRAND-NEW BATTLEFIELD AWAITS! After clearing the Five Ordeals, LPFM and SHINC scarcely have a moment to rest before the Fifth Squad Jam is announced. This time, there’s a new rule that’s sure to disorient the participants: Players can swap gear with any of their teammates during the match. Naturally, Llenn and her squad resolve to take on the challenge and quickly get to strategizing. However, they soon catch wind of an additional stipulation that will stack the odds against them: Whoever takes out Llenn in the tournament will receive a bounty of one hundred million credits!
The Journal of Integrative Humanism Ghana, now International Journal of Integrative Humanism is a publication of the Faculty of Arts, University of Cape Coast, Ghana. All papers, reports, communications and contributions published in this journal and copy right in the same are property of Faculty of Arts, University of Cape Coast, Ghana and University of Calabar, save where otherwise indicated. The Faculty wishes to be understood that it is not responsible for statements or opinions expressed in the paper published in its journal