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A suburban housewife’s world blows up when her husband is accused of espionage in this thriller by the author of the Sam Lagarde mysteries. In Washington, DC, FBI agent Clay Turnbull’s peaceful lunch in the park ends with a storm of agents. The news reports say he is arrested for spying for the Russians, while Turnbull believes it is connected to his investigation of an international drug cartel. Unfortunately, his life is cut short before he can share the truth . . . The assassins who take out Turnbull are a powerful bunch, with a reach that extends all the way to the White House and its senior personnel. Turnbull’s discovered their enterprise may be in danger, and now they must do whatever it takes to protect the highest levels of their democracy. With the CIA, FBI, and NSA technology at their fingertips, no one will be safe. Especially not Turnbull’s wife and teenage daughter. They should run . . . “No End of Bad is another page-turner that kept me up late and made me get up early until I read the last word. Fite is a pro at weaving an intricate plot that makes you gasp time and again.” —Jeanie Loiacono, literary agent
Something's off about Molly's mom. Something sinister behind Alyssa Vaughn's thin smile and cold eyes.Orlando homicide cop Bobby Greco has a sixth sense for bad guys, and Vaughn is raising all kinds of red flags. Which is not good because Bobby's daughter is on the same soccer team as Molly. This one is hitting too close to home. He already has a tough case on his desk - trying to figure out who abducted and likely murdered a teenage barista on her way home from work. Bobby has a suspect, but without a body and with no hard evidence to build a solid case, he's hit a dead end.Bobby sets the barista's disappearance on the edge of his desk and digs into Vaughn. What he uncovers is a dangerous psychopath who has already committed one horrific crime, and Bobby is sure another one is just around the corner.Now he's working two cases, where one girl is lost, another is found, and both are in danger.
"A ... chronicle of the reasons behind Iraq's descent into guerrilla war, warlord rule, criminality, and anarchy ... It features candid interviews with high-ranking officials ... as well as Iraqi civilians, American soldiers, intelligence officers, and prominent analysts... Together, these voices reveal the principal errors of U.S. policy -- using insufficient troop levels, allowing the looting of Baghdad, purging professionals from the Iraq government, and disbanding the Iraqi military -- errors that largely created the insurgency and chaos that engulf Iraq today. The book brings the movie up-to-date by evaluating the military's recent 'surge' tactic as well as current administration policy. It concludes with a wide-ranging debate on the crucial question: what do we do now?"--P. [4] of cover.
Author Sasha Shakita Samson's journey wasn't paved with silver or gold or love and self-respect. Instead, it was filled with sex, drugs, violence, and murder. In Low End or No End, she shares her life story, one that presented a roller coaster of both ups and downs. In this memoir, she tells how she was born addicted to crack, her mother a drug addict. Although her mother tried to better herself and her family by moving from the west side of Chicago to the south side to give her kids a better life, drugs were her downfall. Samson and her brother, Julio, who was later murdered, were subjected to violence, poverty, homelessness, and hunger. Low End or No End narrates how these misfortunes impacted her life and how her faith and trust in God helped her withdraw from a life of drugs, promiscuous sex, and bad relationships. The experiences taught Samson who she was and her purpose in life and how to believe in love, her faith, her family, and her existence.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
Gathers Bennington's essays since the death of his friend Jacques Derrida in 2004. These 16 continue the work of elucidating Derrida's difficult and complex thought, often with reference to his persistent interrogation of the concepts of life and death, mourning and melancholia, and what he sometimes calls 'half-mourning'. Bennington relates these to the core concepts in Derrida's work: deconstruction and differance. Derrida's suspension of the end - in differance, in death - has wide-ranging consequences for our thinking and how we attempt to categorise that thinking, whether as epistemological, ethical, political, aesthetic.Not Half No End moves through Derrida's rich and varied corpus in a weave of styles, from the expository and analytical to the autobiographical and confessional, in the ongoing process of deconstruction.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
THE #1 NEW YORK TIMES BESTSELLING JACK REACHER SERIES • The inspiration for season two of the hit streaming series Reacher! “Electrifying . . . this series [is] utterly addictive.”—Janet Maslin, The New York Times From a helicopter high above the California desert, a man is sent free-falling into the night. On the streets of Portland, Jack Reacher is pulled out of his wandering life and plunged into the heart of a conspiracy that is killing old friends . . . and the people he once trusted with his life. Reacher is the ultimate loner—no phone, no ties, no address. But a woman from his old military unit has found him using a signal only the eight members of their elite team would know. Then she tells him a terrifying story about the brutal death of a man they both served with. Soon Reacher is reuniting with the survivors of his team, scrambling to unravel the sudden disappearance of two other comrades. But Reacher won’t give up—because in a world of bad luck and trouble, when someone targets Jack Reacher and his team, they’d better be ready for what comes right back at them.
Recounts the events of a day when everything goes wrong for Alexander. Suggested level: junior, primary.