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Published to coincide with the fifteenth anniversary of 9/11, this book emphasizes the highlights of the museum’s interpretation of this somber day. This book is the definitive, official companion volume to the National September 11 Memorial & Museum. It provides visitors with a lasting record of their experience at the museum, and tells the story of September 11 through essays on and photographs of the installations and thoughtfully curated artifacts that serve as touchstones to the day and its aftermath. It also provides a behind-the-scenes glimpse—through photographs and planning concepts—into the evolution of the museum from idea to finished entity. By maximizing the visual impact through the innovative use of photography and design, the book immerses the reader in the visceral emotion of both the museum and the day—September 11—itself. No Day Shall Erase You offers an authoritative narrative of 9/11, as it is presented in the National September 11 Memorial & Museum, and as told by Alice M. Greenwald, the museum’s director, and other key staff who planned and built the museum. Focusing on the historic impact of the event, No Day Shall Erase You recognizes the central importance 9/11 has in America’s national memory, as well as putting the day into context fifteen years later.
With photographs and architectural plans never before published, paired with comments in the very voices of those who witnessed the event, this book will stand apart from all the rest on the 10th anniversary of that world-changing event.
Timed to publish with the opening of the Statue of Liberty Museum, this is Lady Liberty's untold story of her building, restoration, and iconic place in the world as brought to life through the fascinating lens of archival images, ephemera from the museum's collection, and today's most compelling photography--restored and resplendent against the New York City skyline. Following Rizzoli's acclaimed series with the September 11 Memorial and Museum--The Stories They Tell and No Day Shall Erase You--we now are partnering with the Statue of Liberty-Ellis Island Foundation to publish this official book on the Statue of Liberty. The material from the book will be drawn from the collections and archives that will be on display in the brand new Statue of Liberty Museum--opening in May 2019 The Statue of Liberty is more than a monument. It is a symbol of freedom that draws more than four million visitors annually from around the world. Officially named "Liberty Enlightening the World," the statue was a joint effort between America and France to commemorate the centennial of the American Declaration of Independence. The book follows the story as told in the new Museum--from its conception and creation to its restoration in 1986 to Lady Liberty's place as a shining icon to the world.
On July 13, 1977, there was a blackout in New York City. With the dark came excitement, adventure, and fright in subway tunnels, office towers, busy intersections, high-rise stairwells, hotel lobbies, elevators, and hospitals. There was revelry in bars and restaurants, music and dancing in the streets. On block after block, men and women proved themselves heroes by helping neighbors and strangers make it through the night. Unfortunately, there was also widespread looting, vandalism, and arson. Even before police restored order, people began to ask and argue about why. Why did people do what they did when the lights went out? The argument raged for weeks but it was just like the night: lots of heat, little light--a shouting match between those who held fast to one explanation and those who held fast to another. James Goodman cuts between accidents, encounters, conversations, exchanges, and arguments to re-create that night and its aftermath in a dizzying accumulation of detail. Rejecting simple dichotomies and one-dimensional explanations for why people act as they do in moments of conflict and crisis, Goodman illuminates attitudes, ideas, and experiences that have been lost in facile generalizations and analyses. Journalistic re-creation at its most exciting, Blackout provides a whirlwind tour of 1970s New York and a challenge to conventional thinking.
A book of aphorisms, poems, and parables by the author of "The Prophet" - a philosopher at his window commenting on the scene passing below.
Are there always good reasons to get out of bed in the morning? This book argues that there are, citing the line of poetry from Virgil’s Aeneid that is inscribed at the World Trade Center memorial: ‘No day shall erase you from the memory of time’. It traces fascinating parallels between the role played in the Aeneid by deceitful gods and the role played in the Bible by a deceitful Devil, and explains how Jesus, respecting our free will, offers us eternal happiness, but refuses to convert us by force.
Commonplace Witnessing examines how citizens, politicians, and civic institutions have adopted idioms of witnessing in recent decades to serve a variety of social, political, and moral ends. The book encourages us to continue expanding and diversifying our normative assumptions about which historical subjects bear witness and how they do so. Commonplace Witnessing presupposes that witnessing in modern public culture is a broad and inclusive rhetorical act; that many different types of historical subjects now think and speak of themselves as witnesses; and that the rhetoric of witnessing can be mundane, formulaic, or popular instead of rare and refined. This study builds upon previous literary, philosophical, psychoanalytic, and theological studies of its subject matter in order to analyze witnessing, instead, as a commonplace form of communication and as a prevalent mode of influence regarding the putative realities and lessons of historical injustice or tragedy. It thus weighs both the uses and disadvantages of witnessing as an ordinary feature of modern public life.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.
An inviting, fascinating compendium of twenty-one of history's most famous lost places, from the Tower of Babel to the Twin Towers Buildings are more like us than we realize. They can be born into wealth or poverty, enjoying every privilege or struggling to make ends meet. They have parents—gods, kings and emperors, governments, visionaries and madmen—as well as friends and enemies. They have duties and responsibilities. They can endure crises of faith and purpose. They can succeed or fail. They can live. And, sooner or later, they die. In Fallen Glory, James Crawford uncovers the biographies of some of the world’s most fascinating lost and ruined buildings, from the dawn of civilization to the cyber era. The lives of these iconic structures are packed with drama and intrigue. Soap operas on the grandest scale, they feature war and religion, politics and art, love and betrayal, catastrophe and hope. Frequently their afterlives have been no less dramatic—their memories used and abused down the millennia for purposes both sacred and profane. They provide the stage for a startling array of characters, including Gilgamesh, the Cretan Minotaur, Agamemnon, Nefertiti, Genghis Khan, Henry VIII, Catherine the Great, Adolf Hitler, and even Bruce Springsteen. The twenty-one structures Crawford focuses on include The Tower of Babel, The Temple of Jerusalem, The Library of Alexandria, The Bastille, Kowloon Walled City, the Berlin Wall, and the Twin Towers of the World Trade Center. Ranging from the deserts of Iraq, the banks of the Nile and the cloud forests of Peru, to the great cities of Jerusalem, Istanbul, Paris, Rome, London and New York, Fallen Glory is a unique guide to a world of vanished architecture. And, by picking through the fragments of our past, it asks what history’s scattered ruins can tell us about our own future.